summaryrefslogtreecommitdiffstats
path: root/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.sbv
blob: c65ade2ff7d82fc706e341d152d495a6a190cc56 (plain) (blame)
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
528
529
530
531
532
533
534
535
536
537
538
539
540
541
542
543
544
545
546
547
548
549
550
551
552
553
554
555
556
557
558
559
560
561
562
563
564
565
566
567
568
569
570
571
572
573
574
575
576
577
578
579
580
581
582
583
584
585
586
587
588
589
590
591
592
593
594
595
596
597
598
599
600
601
602
603
604
605
606
607
608
609
610
611
612
613
614
615
616
617
618
619
620
621
622
623
624
625
626
627
628
629
630
631
632
633
634
635
636
637
638
639
640
641
642
643
644
645
646
647
648
649
650
651
652
653
654
655
656
657
658
659
660
661
662
663
664
665
666
667
668
669
670
671
672
673
674
675
676
677
678
679
680
681
682
683
684
685
686
687
688
689
690
691
692
693
694
695
696
697
698
699
700
701
702
703
704
705
706
707
708
709
710
711
712
713
714
715
716
717
718
719
720
721
722
723
724
725
726
727
728
729
730
731
732
733
734
735
736
737
738
739
740
741
742
743
744
745
746
747
748
749
750
751
752
753
754
755
756
757
758
759
760
761
762
763
764
765
766
767
768
769
770
771
772
773
774
775
776
777
778
779
780
781
782
783
784
785
786
787
788
789
790
791
792
793
794
795
796
797
798
799
800
801
802
803
804
805
806
807
808
809
810
811
812
813
814
815
816
817
818
819
820
821
822
823
824
825
826
827
828
829
830
831
832
833
834
835
836
837
838
839
840
841
842
843
844
845
846
847
848
849
850
851
852
853
854
855
856
857
858
859
860
861
862
863
864
865
866
867
868
869
870
871
872
873
874
875
876
877
878
879
880
881
882
883
884
885
886
887
888
889
890
891
892
893
894
895
896
897
898
899
900
901
902
903
904
905
906
907
908
909
910
911
912
913
914
915
916
917
918
919
920
921
922
923
924
925
926
927
928
929
930
931
932
933
934
935
936
937
938
939
940
941
942
943
944
945
946
947
948
949
950
951
952
953
954
955
956
957
958
959
960
961
962
963
964
965
966
967
968
969
970
971
972
973
974
975
976
977
978
979
980
981
982
983
984
985
986
987
988
989
990
991
992
993
994
995
996
997
998
999
1000
1001
1002
1003
1004
1005
1006
1007
1008
1009
1010
1011
1012
1013
1014
1015
1016
1017
1018
1019
1020
1021
1022
1023
1024
1025
1026
1027
1028
1029
1030
1031
1032
1033
1034
1035
1036
1037
1038
1039
1040
1041
1042
1043
1044
1045
1046
1047
1048
1049
1050
1051
1052
1053
1054
1055
1056
1057
1058
1059
1060
1061
1062
1063
1064
1065
1066
1067
1068
1069
1070
1071
1072
1073
1074
1075
1076
1077
1078
1079
1080
1081
1082
1083
1084
1085
1086
1087
1088
1089
1090
1091
1092
1093
1094
1095
1096
1097
1098
1099
1100
1101
1102
1103
1104
1105
1106
1107
1108
1109
1110
1111
1112
1113
1114
1115
1116
1117
1118
1119
1120
1121
1122
1123
1124
1125
1126
1127
1128
1129
1130
1131
1132
1133
1134
1135
1136
1137
1138
1139
1140
1141
1142
1143
1144
1145
1146
1147
1148
1149
1150
1151
1152
1153
1154
1155
1156
1157
1158
1159
1160
1161
1162
1163
1164
1165
1166
1167
1168
1169
1170
1171
1172
1173
1174
1175
1176
1177
1178
1179
1180
1181
1182
1183
1184
1185
1186
1187
1188
1189
1190
1191
1192
1193
1194
1195
1196
1197
1198
1199
1200
1201
1202
1203
1204
1205
1206
1207
1208
1209
1210
1211
1212
1213
1214
1215
1216
1217
1218
1219
1220
1221
1222
1223
1224
1225
1226
1227
1228
1229
1230
1231
1232
1233
1234
1235
1236
1237
1238
1239
1240
1241
1242
1243
1244
1245
1246
1247
1248
1249
1250
1251
1252
1253
1254
1255
1256
1257
1258
1259
1260
1261
1262
1263
1264
1265
1266
1267
1268
1269
1270
1271
1272
1273
1274
1275
1276
1277
1278
1279
1280
1281
1282
1283
1284
1285
1286
1287
1288
1289
1290
1291
1292
1293
1294
1295
1296
1297
1298
1299
1300
1301
1302
1303
1304
1305
1306
1307
1308
1309
1310
1311
1312
1313
1314
1315
1316
1317
1318
1319
1320
1321
1322
1323
1324
1325
1326
1327
1328
1329
1330
1331
1332
1333
1334
1335
0:00:02.960,0:00:06.560
far away in the heavenly abode of the

0:00:04.960,0:00:08.320
great god indra

0:00:06.560,0:00:10.160
there is a wonderful net which has been

0:00:08.320,0:00:12.080
hung by some cunning artificer

0:00:10.160,0:00:14.320
in such a manner that it stretches out

0:00:12.080,0:00:15.920
infinitely in all directions

0:00:14.320,0:00:18.240
in accordance with the extravagant

0:00:15.920,0:00:20.960
tastes of deities the artificer has hung

0:00:18.240,0:00:22.080
a single glittering jewel in each eye of

0:00:20.960,0:00:24.000
the net

0:00:22.080,0:00:26.480
and since the net itself is infinite the

0:00:24.000,0:00:28.400
jewels are infinite in number

0:00:26.480,0:00:30.480
there hang the jewels glittering like

0:00:28.400,0:00:33.440
stars in the first magnitude

0:00:30.480,0:00:34.800
a wonderful sight to behold were we to

0:00:33.440,0:00:35.680
select one of these jewels for

0:00:34.800,0:00:37.760
inspection

0:00:35.680,0:00:39.520
we would discover that in its polished

0:00:37.760,0:00:41.920
surface there are reflected

0:00:39.520,0:00:43.360
all the other jewels in the net infinite

0:00:41.920,0:00:45.600
in number

0:00:43.360,0:00:47.840
if we look still more closely we would

0:00:45.600,0:00:48.960
see that each of the jewels reflected in

0:00:47.840,0:00:52.239
this one jewel

0:00:48.960,0:00:54.000
reflects all the others this is the

0:00:52.239,0:00:56.840
metaphor of indra's net

0:00:54.000,0:00:59.359
which is told in some schools of

0:00:56.840,0:01:00.160
philosophy let's keep this metaphor in

0:00:59.359,0:01:01.920
mind

0:01:00.160,0:01:03.760
because it'll help us understand the

0:01:01.920,0:01:06.239
emacs extension that we're about to

0:01:03.760,0:01:06.239
discuss

0:01:06.960,0:01:13.200
so in editing text there's two

0:01:10.080,0:01:16.880
main paradigms one

0:01:13.200,0:01:19.439
is um editing at the ground level

0:01:16.880,0:01:22.159
where the characters that we type

0:01:19.439,0:01:25.960
actually appear on the screen

0:01:22.159,0:01:28.479
the changes we make actually occur

0:01:25.960,0:01:30.720
[Music]

0:01:28.479,0:01:33.439
the other editing paradigm is where we

0:01:30.720,0:01:36.000
escape to a higher level

0:01:33.439,0:01:36.479
and now the characters that we type are

0:01:36.000,0:01:39.040
not

0:01:36.479,0:01:41.600
they don't actually appear on the screen

0:01:39.040,0:01:44.799
because we're not at the ground level

0:01:41.600,0:01:48.479
with the text we are at a higher level

0:01:44.799,0:01:51.920
looking down at the text

0:01:48.479,0:01:54.640
and regarding the text referring to

0:01:51.920,0:01:56.159
this world of text in terms of a

0:01:54.640,0:01:57.920
language

0:01:56.159,0:02:00.640
for instance we could describe this

0:01:57.920,0:02:02.079
world as having words and paragraphs and

0:02:00.640,0:02:04.640
sentences and

0:02:02.079,0:02:05.360
lines and so on and we could reason

0:02:04.640,0:02:08.800
about this

0:02:05.360,0:02:11.440
text in terms of these

0:02:08.800,0:02:13.120
textual entities and this textual

0:02:11.440,0:02:15.920
language

0:02:13.120,0:02:18.319
this is the second paradigm of text

0:02:15.920,0:02:18.319
editing

0:02:18.640,0:02:24.800
and when we're in the second paradigm

0:02:22.800,0:02:26.480
there is a way to go down to ground

0:02:24.800,0:02:28.160
level you hit enter

0:02:26.480,0:02:30.480
now or we'll hit enter to go down to the

0:02:28.160,0:02:33.200
ground level and you can hit escape

0:02:30.480,0:02:35.200
to go back out to the referential level

0:02:33.200,0:02:37.280
enter to go down to ground level

0:02:35.200,0:02:39.599
and escape to go up to the referential

0:02:37.280,0:02:39.599
level

0:02:40.160,0:02:48.239
now in vim the nouns

0:02:44.879,0:02:50.959
in this world of text all

0:02:48.239,0:02:51.519
share the same referential plane which

0:02:50.959,0:02:54.319
we call

0:02:51.519,0:02:54.959
normal mode so in normal mode all of the

0:02:54.319,0:02:57.360
nouns

0:02:54.959,0:02:58.959
of the world of text are available

0:02:57.360,0:03:00.959
whether it's words or sentences or

0:02:58.959,0:03:04.400
paragraphs

0:03:00.959,0:03:08.319
and they all share this same

0:03:04.400,0:03:11.120
referential plane and there's uh

0:03:08.319,0:03:12.720
they sort of compete for space on the

0:03:11.120,0:03:15.760
keyboard

0:03:12.720,0:03:17.680
um so an alternative uh

0:03:15.760,0:03:19.280
way to structure these modes is instead

0:03:17.680,0:03:21.840
of having a single mode where all the

0:03:19.280,0:03:24.959
nouns coexist

0:03:21.840,0:03:30.400
peacefully or otherwise you instead

0:03:24.959,0:03:33.040
have a dedicated mode for every noun

0:03:30.400,0:03:35.440
so in that case what happens is because

0:03:33.040,0:03:37.280
your modal spaces are now much smaller

0:03:35.440,0:03:38.720
you're just talking about words or

0:03:37.280,0:03:42.560
paragraphs or

0:03:38.720,0:03:45.760
lines or something the keys that you use

0:03:42.560,0:03:48.560
can be much more targeted

0:03:45.760,0:03:50.400
and you can use the same keystrokes in

0:03:48.560,0:03:52.000
in all of your modes and they would have

0:03:50.400,0:03:53.280
the same ideas behind them but

0:03:52.000,0:03:55.519
they would have different effects

0:03:53.280,0:03:57.519
depending on which context you're using

0:03:55.519,0:03:59.120
so it's the same keystrokes different

0:03:57.519,0:04:01.360
contexts

0:03:59.120,0:04:02.480
and the advantage of that is it's often

0:04:01.360,0:04:05.519
easier

0:04:02.480,0:04:09.040
to change context than it is to

0:04:05.519,0:04:12.080
learn new key bindings so let's see

0:04:09.040,0:04:13.680
an example of how that works we go into

0:04:12.080,0:04:14.000
character mode and if you look at the

0:04:13.680,0:04:15.439
mode

0:04:14.000,0:04:18.720
line at the bottom of the screen there

0:04:15.439,0:04:21.519
you'll see that we're in character mode

0:04:18.720,0:04:23.919
and now when we move up down left and

0:04:21.519,0:04:28.479
right we're moving by character

0:04:23.919,0:04:30.240
we can also transform the text and

0:04:28.479,0:04:32.400
the transformations occur in terms of

0:04:30.240,0:04:34.320
character

0:04:32.400,0:04:35.520
you can also go into word mode and in

0:04:34.320,0:04:38.560
word mode

0:04:35.520,0:04:40.000
the transformations that you do are on

0:04:38.560,0:04:42.320
words

0:04:40.000,0:04:43.440
and you try you your movement is also in

0:04:42.320,0:04:45.600
terms of words

0:04:43.440,0:04:46.560
so that's the level of granularity that

0:04:45.600,0:04:49.520
you have

0:04:46.560,0:04:50.720
you could also go to line mode and when

0:04:49.520,0:04:53.759
you're in line mode

0:04:50.720,0:04:54.240
you go up and down by line and you can

0:04:53.759,0:04:57.520
move

0:04:54.240,0:04:59.120
lines up and down left and right and so

0:04:57.520,0:05:00.880
on

0:04:59.120,0:05:02.800
and the transformations you do are in

0:05:00.880,0:05:07.600
terms of lines

0:05:02.800,0:05:07.600
you could also go to window mode where

0:05:08.400,0:05:12.400
now the objects that you're referring to

0:05:10.639,0:05:15.759
are windows and you can

0:05:12.400,0:05:17.520
move spatially amongst the windows or

0:05:15.759,0:05:20.850
make do transformations on the windows

0:05:17.520,0:05:22.840
using the same keystrokes

0:05:20.850,0:05:25.360
[Music]

0:05:22.840,0:05:28.720
um

0:05:25.360,0:05:32.800
so let's go to

0:05:28.720,0:05:35.280
um right and so um the one of the things

0:05:32.800,0:05:36.880
the the principles that play here is

0:05:35.280,0:05:38.000
something called the rumpelstiltskin

0:05:36.880,0:05:40.720
principle which is something

0:05:38.000,0:05:42.320
that's known in computer science which

0:05:40.720,0:05:43.759
is that if you can name something then

0:05:42.320,0:05:46.720
you have that you have power

0:05:43.759,0:05:48.560
then you have power over it so this is

0:05:46.720,0:05:50.479
kind of an adaptation of that principle

0:05:48.560,0:05:52.320
which says that if you can

0:05:50.479,0:05:54.000
name something and if you can talk about

0:05:52.320,0:05:55.360
it then it's a noun

0:05:54.000,0:05:56.960
[Music]

0:05:55.360,0:05:58.960
in your editing language and if it's a

0:05:56.960,0:06:01.520
noun then it has

0:05:58.960,0:06:02.319
it's a mode so if we can talk about it

0:06:01.520,0:06:05.039
it's a noun

0:06:02.319,0:06:06.479
if it's a noun then it's a mode and one

0:06:05.039,0:06:07.039
of the things we've been talking a lot

0:06:06.479,0:06:10.800
about

0:06:07.039,0:06:14.240
is modes so in fact

0:06:10.800,0:06:17.280
uh by this principle modes also

0:06:14.240,0:06:19.039
should be a mode

0:06:17.280,0:06:21.120
you should have a mode that can reason

0:06:19.039,0:06:22.080
in terms of modes as objects just like

0:06:21.120,0:06:23.759
you have

0:06:22.080,0:06:26.560
modes where you can reason in terms of

0:06:23.759,0:06:28.800
words or lines as objects

0:06:26.560,0:06:30.479
and so let's do that let's go to mode

0:06:28.800,0:06:34.000
mode

0:06:30.479,0:06:36.080
when you go to mode mode you see that uh

0:06:34.000,0:06:37.919
the objects that are depicted here are

0:06:36.080,0:06:40.960
the modes that are

0:06:37.919,0:06:44.880
that are present in the buffer

0:06:40.960,0:06:46.400
which we knew about um because the

0:06:44.880,0:06:48.720
style of editing that we had in this

0:06:46.400,0:06:50.479
buffer was the vim style of editing

0:06:48.720,0:06:52.400
where there's an insert mode at the

0:06:50.479,0:06:53.039
ground level and a normal mode that you

0:06:52.400,0:06:57.280
can escape

0:06:53.039,0:07:00.479
to you insert enter the ground level

0:06:57.280,0:07:02.880
enter to the insert mode and escape to

0:07:00.479,0:07:03.680
normal mode and when you look at the

0:07:02.880,0:07:06.160
mode mode

0:07:03.680,0:07:09.680
representation you see that in fact that

0:07:06.160,0:07:09.680
is the structure that's depicted

0:07:10.479,0:07:14.080
but in different situations you might

0:07:12.720,0:07:16.080
find

0:07:14.080,0:07:17.680
that you that these modes are not the

0:07:16.080,0:07:19.360
ones that you want you want something

0:07:17.680,0:07:20.880
more tailored for the specific

0:07:19.360,0:07:23.050
application

0:07:20.880,0:07:24.240
for instance if you're editing

0:07:23.050,0:07:27.360
[Music]

0:07:24.240,0:07:30.880
lisp code uh or or code in general but

0:07:27.360,0:07:32.960
list code is a particular example

0:07:30.880,0:07:34.000
you might want to take advantage of the

0:07:32.960,0:07:37.599
structure of

0:07:34.000,0:07:40.960
the code and for lisp code in particular

0:07:37.599,0:07:44.240
we have a mode called symax mode

0:07:40.960,0:07:46.720
which is able to reason

0:07:44.240,0:07:47.919
about your code in terms of its tree

0:07:46.720,0:07:50.560
structure

0:07:47.919,0:07:51.120
so you can use the same keystrokes hkl

0:07:50.560,0:07:53.440
goes

0:07:51.120,0:07:54.960
left right up and down but you also have

0:07:53.440,0:07:58.080
other keystrokes that are more

0:07:54.960,0:08:01.520
specialized to the application

0:07:58.080,0:08:06.160
and you can run the code and

0:08:01.520,0:08:06.160
we'll see that happen here in a minute

0:08:06.960,0:08:12.240
and you can make changes to it really

0:08:10.080,0:08:16.080
quickly

0:08:12.240,0:08:16.080
and see the effects of those changes

0:08:18.000,0:08:21.360
and you're doing this all in a mode

0:08:19.440,0:08:23.199
that's convenient for

0:08:21.360,0:08:25.039
this particular application which is

0:08:23.199,0:08:28.960
editing lisp code

0:08:25.039,0:08:31.039
and that is in this case symmex mode

0:08:28.960,0:08:32.640
so typically when you're editing code

0:08:31.039,0:08:34.800
like this you'd want to be

0:08:32.640,0:08:36.640
in insert mode actually typing out the

0:08:34.800,0:08:38.320
code

0:08:36.640,0:08:40.959
and then you'd want to escape to simex

0:08:38.320,0:08:42.159
mode rather than normal mode

0:08:40.959,0:08:44.080
and then you could escape again and

0:08:42.159,0:08:46.720
you'd end up in normal mode

0:08:44.080,0:08:48.000
so this if we go to mode mode we see is

0:08:46.720,0:08:51.040
depicted

0:08:48.000,0:08:52.800
as this tower where insert is at the

0:08:51.040,0:08:54.800
bottom and normal is at the top but

0:08:52.800,0:08:57.200
symmex mode is in between

0:08:54.800,0:08:58.800
the two you could also change that if

0:08:57.200,0:09:00.640
you like if you don't want cmx mode to

0:08:58.800,0:09:03.760
be there you could just

0:09:00.640,0:09:05.600
move it to the top and now you find some

0:09:03.760,0:09:06.160
mixes at the top and you enter down to

0:09:05.600,0:09:07.600
normal

0:09:06.160,0:09:10.480
you can see it on the status bar at the

0:09:07.600,0:09:13.839
bottom there enter to insert

0:09:10.480,0:09:16.480
escape to normal escape to symmex and

0:09:13.839,0:09:19.380
in fact you can even add more modes if

0:09:16.480,0:09:21.519
you don't like the existing ones

0:09:19.380,0:09:23.839
[Music]

0:09:21.519,0:09:25.440
and now we have an additional mode here

0:09:23.839,0:09:27.519
we have window mode it goes down to

0:09:25.440,0:09:30.320
symmex goes down to normal

0:09:27.519,0:09:33.600
enter the insert escape to normal escape

0:09:30.320,0:09:37.600
to smx escape the window

0:09:33.600,0:09:41.760
um so we've talked okay so another thing

0:09:37.600,0:09:45.360
actually to note here is that in editing

0:09:41.760,0:09:46.720
modes um

0:09:45.360,0:09:48.399
if you look at the mode line at the

0:09:46.720,0:09:50.640
bottom of the screen

0:09:48.399,0:09:51.519
you'll see that we are currently in this

0:09:50.640,0:09:54.560
buffer

0:09:51.519,0:09:57.600
we are currently in line mode

0:09:54.560,0:09:58.720
and i'm going to hit enter now and

0:09:57.600,0:10:01.519
you'll see that when i hit

0:09:58.720,0:10:02.160
enter nothing is happening it's still in

0:10:01.519,0:10:05.120
line mode

0:10:02.160,0:10:07.200
if you'd escape it's still in line mode

0:10:05.120,0:10:10.640
and you can find out the reason for that

0:10:07.200,0:10:12.800
by taking another meta jump out of this

0:10:10.640,0:10:15.279
and you'll see that in fact the reason

0:10:12.800,0:10:17.360
is that we're currently in line mode

0:10:15.279,0:10:19.519
and line mode is the only one available

0:10:17.360,0:10:21.760
in this tower

0:10:19.519,0:10:24.880
for editing the modes that are in

0:10:21.760,0:10:26.560
operation in your ground level

0:10:24.880,0:10:28.320
and in fact line mode is all you need

0:10:26.560,0:10:30.320
here because this is just

0:10:28.320,0:10:32.079
uh the nature of how these modes are

0:10:30.320,0:10:35.040
laid out is

0:10:32.079,0:10:36.399
in in rows and so line mode is the most

0:10:35.040,0:10:37.680
appropriate thing here

0:10:36.399,0:10:39.740
but you could change it to something

0:10:37.680,0:10:40.959
else if you like

0:10:39.740,0:10:44.160
[Music]

0:10:40.959,0:10:44.560
and then now we've seen two towers we've

0:10:44.160,0:10:48.079
seen

0:10:44.560,0:10:53.680
the vim tower and we've seen

0:10:48.079,0:10:56.959
also the symex tower the the lisp tower

0:10:53.680,0:10:58.880
and it turns out that because we've been

0:10:56.959,0:11:01.519
talking about towers now

0:10:58.880,0:11:02.800
by the rumpelstiltskin principle towers

0:11:01.519,0:11:06.399
also

0:11:02.800,0:11:09.279
um can be talked about

0:11:06.399,0:11:11.200
and therefore they also are a mode so

0:11:09.279,0:11:14.640
how do we go to tower mode

0:11:11.200,0:11:18.560
and the way we go tower mode is we do

0:11:14.640,0:11:18.560
we go in a slightly different direction

0:11:19.200,0:11:23.120
and we find that we are now in tower

0:11:20.800,0:11:23.120
mode

0:11:23.360,0:11:29.279
and we see that there are many towers

0:11:27.440,0:11:32.640
available so we're now

0:11:29.279,0:11:36.240
we're we're seeing several possible

0:11:32.640,0:11:39.120
towers that we have written

0:11:36.240,0:11:41.440
um to be available and for use in

0:11:39.120,0:11:44.000
different buffers and you can edit them

0:11:41.440,0:11:46.320
on the fly for instance let's enter this

0:11:44.000,0:11:46.320
tower

0:11:46.630,0:11:49.920
[Music]

0:11:48.000,0:11:51.519
and now you see that in the bottom of

0:11:49.920,0:11:52.480
the in the mode line you see that we're

0:11:51.519,0:11:54.240
going

0:11:52.480,0:11:56.480
across all of these different modes that

0:11:54.240,0:11:58.800
were in the tower

0:11:56.480,0:12:00.399
and you could escape and you could even

0:11:58.800,0:12:00.880
move things around you could put window

0:12:00.399,0:12:02.399
mode

0:12:00.880,0:12:04.079
all the way at the bottom right above

0:12:02.399,0:12:06.880
insert mode

0:12:04.079,0:12:09.839
let's see that happen there it is window

0:12:06.880,0:12:13.040
is right above insert

0:12:09.839,0:12:14.240
so on and the tower always reflects your

0:12:13.040,0:12:15.760
current position

0:12:14.240,0:12:17.600
so if you're in buffer mode here and you

0:12:15.760,0:12:19.120
go down to line mode

0:12:17.600,0:12:22.240
when you go back to mode mode you see

0:12:19.120,0:12:22.240
that we are in line mode

0:12:22.480,0:12:26.160
but in practice you wouldn't have a

0:12:24.000,0:12:28.959
tower this elaborate because

0:12:26.160,0:12:29.440
you'd rather have several smaller towers

0:12:28.959,0:12:33.360
you

0:12:29.440,0:12:36.639
enter that you alternate between

0:12:33.360,0:12:39.839
um okay so one

0:12:36.639,0:12:42.240
other thing of interest here is that

0:12:39.839,0:12:43.839
when you're in tower mode

0:12:42.240,0:12:45.920
if you look at the status line at the

0:12:43.839,0:12:49.200
bottom there we are currently

0:12:45.920,0:12:49.839
in buffer mode while we are in tower

0:12:49.200,0:12:51.600
mode

0:12:49.839,0:12:53.519
and tower mode actually isn't a mode

0:12:51.600,0:12:53.920
really neither is mode mode they're

0:12:53.519,0:12:58.000
really

0:12:53.920,0:13:00.959
referential planes or meta planes

0:12:58.000,0:13:03.120
um in any case you can see that we're in

0:13:00.959,0:13:04.560
buffer mode and we can take a meta jump

0:13:03.120,0:13:07.120
out of this to confirm

0:13:04.560,0:13:08.000
that buffer mode is the only mode

0:13:07.120,0:13:10.560
available

0:13:08.000,0:13:11.200
when we're editing towers because that's

0:13:10.560,0:13:14.240
the one

0:13:11.200,0:13:15.200
we need given that our towers are

0:13:14.240,0:13:21.839
represented

0:13:15.200,0:13:21.839
in individual buffers

0:13:23.200,0:13:26.320
right so let's uh let's see where we're

0:13:26.000,0:13:28.240
at

0:13:26.320,0:13:30.160
trump's still skin principle we talked

0:13:28.240,0:13:32.240
about mode mode

0:13:30.160,0:13:33.920
um we talked about the strange loop

0:13:32.240,0:13:37.820
application of

0:13:33.920,0:13:39.600
ground level modes in meta levels

0:13:37.820,0:13:42.240
[Music]

0:13:39.600,0:13:43.199
and yeah we saw the different towers and

0:13:42.240,0:13:46.639
in fact

0:13:43.199,0:13:49.839
you can we're currently in

0:13:46.639,0:13:49.839
vim tower

0:13:50.720,0:13:54.720
where you can go to emacs tower and now

0:13:53.120,0:13:55.760
with a single keystroke you can

0:13:54.720,0:13:59.040
alternate

0:13:55.760,0:14:02.399
between e-max

0:13:59.040,0:14:05.519
and vim which are represented which are

0:14:02.399,0:14:07.839
modeled as towers

0:14:05.519,0:14:07.839
um

0:14:09.279,0:14:11.920
okay so

0:14:13.360,0:14:17.040
so there's uh the one thing that we've

0:14:15.360,0:14:18.160
sort of alluded to is that there are two

0:14:17.040,0:14:20.480
directions

0:14:18.160,0:14:22.399
that you can travel in when you're going

0:14:20.480,0:14:25.120
through this framework

0:14:22.399,0:14:32.560
one lev one direction is uh and we'll

0:14:25.120,0:14:32.560
visualize it with uh like so

0:14:33.760,0:14:37.040
there's two directions you can travel

0:14:35.120,0:14:38.399
and you can either go sideways or you

0:14:37.040,0:14:40.399
can go up and down

0:14:38.399,0:14:41.680
if you go sideways you're changing your

0:14:40.399,0:14:45.440
perspective

0:14:41.680,0:14:47.360
so normal mode word mode line mode

0:14:45.440,0:14:49.120
window mode and so on are all different

0:14:47.360,0:14:51.680
perspectives on your under on your

0:14:49.120,0:14:53.040
ground editing experience

0:14:51.680,0:14:55.519
and the other direction you can travel

0:14:53.040,0:14:57.920
in is up or down which takes you

0:14:55.519,0:14:59.600
through meta levels so you go from the

0:14:57.920,0:15:01.920
ground level editing experience

0:14:59.600,0:15:03.440
up to mode mode and then up to the tower

0:15:01.920,0:15:07.040
plane and so on

0:15:03.440,0:15:10.800
or uh yeah and so on

0:15:07.040,0:15:14.880
um yeah so this all sounds

0:15:10.800,0:15:18.160
very complex but the truth is

0:15:14.880,0:15:21.519
it's not really that complicated

0:15:18.160,0:15:22.959
even though it feels that way the reason

0:15:21.519,0:15:26.480
it isn't that complicated

0:15:22.959,0:15:28.800
is because no matter how many levels

0:15:26.480,0:15:30.160
up or down you go and no matter where

0:15:28.800,0:15:32.399
you are

0:15:30.160,0:15:34.079
whether you're in at the ground level

0:15:32.399,0:15:36.000
editing the actual text

0:15:34.079,0:15:37.600
or whether you're at a meta level some

0:15:36.000,0:15:39.279
unknown meta level and you don't know

0:15:37.600,0:15:42.320
where you are

0:15:39.279,0:15:44.399
no matter where you are the way in which

0:15:42.320,0:15:47.519
you interact with it

0:15:44.399,0:15:52.000
is the same at every level

0:15:47.519,0:15:55.440
and that is the great power of um

0:15:52.000,0:15:58.720
this approach is that

0:15:55.440,0:16:00.880
all of the different levels um are the

0:15:58.720,0:16:03.839
same

0:16:00.880,0:16:05.759
and in fact the complexity of the whole

0:16:03.839,0:16:08.720
is exactly identical to the

0:16:05.759,0:16:10.000
complexity of each part so if you know

0:16:08.720,0:16:12.959
how to edit words

0:16:10.000,0:16:13.440
in the ground level buffer and you know

0:16:12.959,0:16:15.839
how to move

0:16:13.440,0:16:16.720
lines around using line mode then you

0:16:15.839,0:16:19.519
know how to edit

0:16:16.720,0:16:22.800
any aspect of your editing experience at

0:16:19.519,0:16:23.310
any level

0:16:22.800,0:16:26.240
so

0:16:23.310,0:16:28.480
[Music]

0:16:26.240,0:16:28.480
um

0:16:30.079,0:16:33.839
so this is a pre-release demo this

0:16:32.000,0:16:36.880
doesn't exist on melpa

0:16:33.839,0:16:40.079
yet but you can follow updates um

0:16:36.880,0:16:44.079
at this repo on github

0:16:40.079,0:16:45.199
and if you can also be a beta tester or

0:16:44.079,0:16:46.000
something like that if you like that

0:16:45.199,0:16:49.199
would be very

0:16:46.000,0:16:50.560
uh helpful and you can learn more about

0:16:49.199,0:16:53.920
this at

0:16:50.560,0:16:55.920
dream.org which is where i house

0:16:53.920,0:16:57.279
the research that i work on and in

0:16:55.920,0:17:00.800
particular

0:16:57.279,0:17:03.600
the research on epistemic levels is what

0:17:00.800,0:17:06.480
inspired this particular emacs extension

0:17:03.600,0:17:08.480
you can also learn about dialectical

0:17:06.480,0:17:10.880
inheritance attribution which is the

0:17:08.480,0:17:14.559
basis of

0:17:10.880,0:17:16.959
a new economic system that could be fair

0:17:14.559,0:17:19.439
and could lead to a prosperous and happy

0:17:16.959,0:17:22.799
world

0:17:19.439,0:17:26.319
and um yeah you can follow me on

0:17:22.799,0:17:31.919
twitter at countwajoula and

0:17:26.319,0:17:31.919
that's it thank you