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@@ -1,1335 +0,0 @@
-0:00:02.960,0:00:06.560
-far away in the heavenly abode of the
-
-0:00:04.960,0:00:08.320
-great god indra
-
-0:00:06.560,0:00:10.160
-there is a wonderful net which has been
-
-0:00:08.320,0:00:12.080
-hung by some cunning artificer
-
-0:00:10.160,0:00:14.320
-in such a manner that it stretches out
-
-0:00:12.080,0:00:15.920
-infinitely in all directions
-
-0:00:14.320,0:00:18.240
-in accordance with the extravagant
-
-0:00:15.920,0:00:20.960
-tastes of deities the artificer has hung
-
-0:00:18.240,0:00:22.080
-a single glittering jewel in each eye of
-
-0:00:20.960,0:00:24.000
-the net
-
-0:00:22.080,0:00:26.480
-and since the net itself is infinite the
-
-0:00:24.000,0:00:28.400
-jewels are infinite in number
-
-0:00:26.480,0:00:30.480
-there hang the jewels glittering like
-
-0:00:28.400,0:00:33.440
-stars in the first magnitude
-
-0:00:30.480,0:00:34.800
-a wonderful sight to behold were we to
-
-0:00:33.440,0:00:35.680
-select one of these jewels for
-
-0:00:34.800,0:00:37.760
-inspection
-
-0:00:35.680,0:00:39.520
-we would discover that in its polished
-
-0:00:37.760,0:00:41.920
-surface there are reflected
-
-0:00:39.520,0:00:43.360
-all the other jewels in the net infinite
-
-0:00:41.920,0:00:45.600
-in number
-
-0:00:43.360,0:00:47.840
-if we look still more closely we would
-
-0:00:45.600,0:00:48.960
-see that each of the jewels reflected in
-
-0:00:47.840,0:00:52.239
-this one jewel
-
-0:00:48.960,0:00:54.000
-reflects all the others this is the
-
-0:00:52.239,0:00:56.840
-metaphor of indra's net
-
-0:00:54.000,0:00:59.359
-which is told in some schools of
-
-0:00:56.840,0:01:00.160
-philosophy let's keep this metaphor in
-
-0:00:59.359,0:01:01.920
-mind
-
-0:01:00.160,0:01:03.760
-because it'll help us understand the
-
-0:01:01.920,0:01:06.239
-Emacs extension that we're about to
-
-0:01:03.760,0:01:06.239
-discuss
-
-0:01:06.960,0:01:13.200
-so in editing text there's two
-
-0:01:10.080,0:01:16.880
-main paradigms one
-
-0:01:13.200,0:01:19.439
-is um editing at the ground level
-
-0:01:16.880,0:01:22.159
-where the characters that we type
-
-0:01:19.439,0:01:25.960
-actually appear on the screen
-
-0:01:22.159,0:01:28.479
-the changes we make actually occur
-
-0:01:25.960,0:01:30.720
-[Music]
-
-0:01:28.479,0:01:33.439
-the other editing paradigm is where we
-
-0:01:30.720,0:01:36.000
-escape to a higher level
-
-0:01:33.439,0:01:36.479
-and now the characters that we type are
-
-0:01:36.000,0:01:39.040
-not
-
-0:01:36.479,0:01:41.600
-they don't actually appear on the screen
-
-0:01:39.040,0:01:44.799
-because we're not at the ground level
-
-0:01:41.600,0:01:48.479
-with the text we are at a higher level
-
-0:01:44.799,0:01:51.920
-looking down at the text
-
-0:01:48.479,0:01:54.640
-and regarding the text referring to
-
-0:01:51.920,0:01:56.159
-this world of text in terms of a
-
-0:01:54.640,0:01:57.920
-language
-
-0:01:56.159,0:02:00.640
-for instance we could describe this
-
-0:01:57.920,0:02:02.079
-world as having words and paragraphs and
-
-0:02:00.640,0:02:04.640
-sentences and
-
-0:02:02.079,0:02:05.360
-lines and so on and we could reason
-
-0:02:04.640,0:02:08.800
-about this
-
-0:02:05.360,0:02:11.440
-text in terms of these
-
-0:02:08.800,0:02:13.120
-textual entities and this textual
-
-0:02:11.440,0:02:15.920
-language
-
-0:02:13.120,0:02:18.319
-this is the second paradigm of text
-
-0:02:15.920,0:02:18.319
-editing
-
-0:02:18.640,0:02:24.800
-and when we're in the second paradigm
-
-0:02:22.800,0:02:26.480
-there is a way to go down to ground
-
-0:02:24.800,0:02:28.160
-level you hit enter
-
-0:02:26.480,0:02:30.480
-now or we'll hit enter to go down to the
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-0:02:28.160,0:02:33.200
-ground level and you can hit escape
-
-0:02:30.480,0:02:35.200
-to go back out to the referential level
-
-0:02:33.200,0:02:37.280
-enter to go down to ground level
-
-0:02:35.200,0:02:39.599
-and escape to go up to the referential
-
-0:02:37.280,0:02:39.599
-level
-
-0:02:40.160,0:02:48.239
-now in vim the nouns
-
-0:02:44.879,0:02:50.959
-in this world of text all
-
-0:02:48.239,0:02:51.519
-share the same referential plane which
-
-0:02:50.959,0:02:54.319
-we call
-
-0:02:51.519,0:02:54.959
-normal mode so in normal mode all of the
-
-0:02:54.319,0:02:57.360
-nouns
-
-0:02:54.959,0:02:58.959
-of the world of text are available
-
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-whether it's words or sentences or
-
-0:02:58.959,0:03:04.400
-paragraphs
-
-0:03:00.959,0:03:08.319
-and they all share this same
-
-0:03:04.400,0:03:11.120
-referential plane and there's uh
-
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-they sort of compete for space on the
-
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-keyboard
-
-0:03:12.720,0:03:17.680
-um so an alternative uh
-
-0:03:15.760,0:03:19.280
-way to structure these modes is instead
-
-0:03:17.680,0:03:21.840
-of having a single mode where all the
-
-0:03:19.280,0:03:24.959
-nouns coexist
-
-0:03:21.840,0:03:30.400
-peacefully or otherwise you instead
-
-0:03:24.959,0:03:33.040
-have a dedicated mode for every noun
-
-0:03:30.400,0:03:35.440
-so in that case what happens is because
-
-0:03:33.040,0:03:37.280
-your modal spaces are now much smaller
-
-0:03:35.440,0:03:38.720
-you're just talking about words or
-
-0:03:37.280,0:03:42.560
-paragraphs or
-
-0:03:38.720,0:03:45.760
-lines or something the keys that you use
-
-0:03:42.560,0:03:48.560
-can be much more targeted
-
-0:03:45.760,0:03:50.400
-and you can use the same keystrokes in
-
-0:03:48.560,0:03:52.000
-in all of your modes and they would have
-
-0:03:50.400,0:03:53.280
-the same ideas behind them but
-
-0:03:52.000,0:03:55.519
-they would have different effects
-
-0:03:53.280,0:03:57.519
-depending on which context you're using
-
-0:03:55.519,0:03:59.120
-so it's the same keystrokes different
-
-0:03:57.519,0:04:01.360
-contexts
-
-0:03:59.120,0:04:02.480
-and the advantage of that is it's often
-
-0:04:01.360,0:04:05.519
-easier
-
-0:04:02.480,0:04:09.040
-to change context than it is to
-
-0:04:05.519,0:04:12.080
-learn new key bindings so let's see
-
-0:04:09.040,0:04:13.680
-an example of how that works we go into
-
-0:04:12.080,0:04:14.000
-character mode and if you look at the
-
-0:04:13.680,0:04:15.439
-mode
-
-0:04:14.000,0:04:18.720
-line at the bottom of the screen there
-
-0:04:15.439,0:04:21.519
-you'll see that we're in character mode
-
-0:04:18.720,0:04:23.919
-and now when we move up down left and
-
-0:04:21.519,0:04:28.479
-right we're moving by character
-
-0:04:23.919,0:04:30.240
-we can also transform the text and
-
-0:04:28.479,0:04:32.400
-the transformations occur in terms of
-
-0:04:30.240,0:04:34.320
-character
-
-0:04:32.400,0:04:35.520
-you can also go into word mode and in
-
-0:04:34.320,0:04:38.560
-word mode
-
-0:04:35.520,0:04:40.000
-the transformations that you do are on
-
-0:04:38.560,0:04:42.320
-words
-
-0:04:40.000,0:04:43.440
-and you try you your movement is also in
-
-0:04:42.320,0:04:45.600
-terms of words
-
-0:04:43.440,0:04:46.560
-so that's the level of granularity that
-
-0:04:45.600,0:04:49.520
-you have
-
-0:04:46.560,0:04:50.720
-you could also go to line mode and when
-
-0:04:49.520,0:04:53.759
-you're in line mode
-
-0:04:50.720,0:04:54.240
-you go up and down by line and you can
-
-0:04:53.759,0:04:57.520
-move
-
-0:04:54.240,0:04:59.120
-lines up and down left and right and so
-
-0:04:57.520,0:05:00.880
-on
-
-0:04:59.120,0:05:02.800
-and the transformations you do are in
-
-0:05:00.880,0:05:07.600
-terms of lines
-
-0:05:02.800,0:05:07.600
-you could also go to window mode where
-
-0:05:08.400,0:05:12.400
-now the objects that you're referring to
-
-0:05:10.639,0:05:15.759
-are windows and you can
-
-0:05:12.400,0:05:17.520
-move spatially amongst the windows or
-
-0:05:15.759,0:05:20.850
-make do transformations on the windows
-
-0:05:17.520,0:05:22.840
-using the same keystrokes
-
-0:05:20.850,0:05:25.360
-[Music]
-
-0:05:22.840,0:05:28.720
-um
-
-0:05:25.360,0:05:32.800
-so let's go to
-
-0:05:28.720,0:05:35.280
-um right and so um the one of the things
-
-0:05:32.800,0:05:36.880
-the the principles that play here is
-
-0:05:35.280,0:05:38.000
-something called the rumpelstiltskin
-
-0:05:36.880,0:05:40.720
-principle which is something
-
-0:05:38.000,0:05:42.320
-that's known in computer science which
-
-0:05:40.720,0:05:43.759
-is that if you can name something then
-
-0:05:42.320,0:05:46.720
-you have that you have power
-
-0:05:43.759,0:05:48.560
-then you have power over it so this is
-
-0:05:46.720,0:05:50.479
-kind of an adaptation of that principle
-
-0:05:48.560,0:05:52.320
-which says that if you can
-
-0:05:50.479,0:05:54.000
-name something and if you can talk about
-
-0:05:52.320,0:05:55.360
-it then it's a noun
-
-0:05:54.000,0:05:56.960
-[Music]
-
-0:05:55.360,0:05:58.960
-in your editing language and if it's a
-
-0:05:56.960,0:06:01.520
-noun then it has
-
-0:05:58.960,0:06:02.319
-it's a mode so if we can talk about it
-
-0:06:01.520,0:06:05.039
-it's a noun
-
-0:06:02.319,0:06:06.479
-if it's a noun then it's a mode and one
-
-0:06:05.039,0:06:07.039
-of the things we've been talking a lot
-
-0:06:06.479,0:06:10.800
-about
-
-0:06:07.039,0:06:14.240
-is modes so in fact
-
-0:06:10.800,0:06:17.280
-uh by this principle modes also
-
-0:06:14.240,0:06:19.039
-should be a mode
-
-0:06:17.280,0:06:21.120
-you should have a mode that can reason
-
-0:06:19.039,0:06:22.080
-in terms of modes as objects just like
-
-0:06:21.120,0:06:23.759
-you have
-
-0:06:22.080,0:06:26.560
-modes where you can reason in terms of
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-0:06:23.759,0:06:28.800
-words or lines as objects
-
-0:06:26.560,0:06:30.479
-and so let's do that let's go to mode
-
-0:06:28.800,0:06:34.000
-mode
-
-0:06:30.479,0:06:36.080
-when you go to mode mode you see that uh
-
-0:06:34.000,0:06:37.919
-the objects that are depicted here are
-
-0:06:36.080,0:06:40.960
-the modes that are
-
-0:06:37.919,0:06:44.880
-that are present in the buffer
-
-0:06:40.960,0:06:46.400
-which we knew about um because the
-
-0:06:44.880,0:06:48.720
-style of editing that we had in this
-
-0:06:46.400,0:06:50.479
-buffer was the vim style of editing
-
-0:06:48.720,0:06:52.400
-where there's an insert mode at the
-
-0:06:50.479,0:06:53.039
-ground level and a normal mode that you
-
-0:06:52.400,0:06:57.280
-can escape
-
-0:06:53.039,0:07:00.479
-to you insert enter the ground level
-
-0:06:57.280,0:07:02.880
-enter to the insert mode and escape to
-
-0:07:00.479,0:07:03.680
-normal mode and when you look at the
-
-0:07:02.880,0:07:06.160
-mode mode
-
-0:07:03.680,0:07:09.680
-representation you see that in fact that
-
-0:07:06.160,0:07:09.680
-is the structure that's depicted
-
-0:07:10.479,0:07:14.080
-but in different situations you might
-
-0:07:12.720,0:07:16.080
-find
-
-0:07:14.080,0:07:17.680
-that you that these modes are not the
-
-0:07:16.080,0:07:19.360
-ones that you want you want something
-
-0:07:17.680,0:07:20.880
-more tailored for the specific
-
-0:07:19.360,0:07:23.050
-application
-
-0:07:20.880,0:07:24.240
-for instance if you're editing
-
-0:07:23.050,0:07:27.360
-[Music]
-
-0:07:24.240,0:07:30.880
-lisp code uh or or code in general but
-
-0:07:27.360,0:07:32.960
-list code is a particular example
-
-0:07:30.880,0:07:34.000
-you might want to take advantage of the
-
-0:07:32.960,0:07:37.599
-structure of
-
-0:07:34.000,0:07:40.960
-the code and for lisp code in particular
-
-0:07:37.599,0:07:44.240
-we have a mode called symax mode
-
-0:07:40.960,0:07:46.720
-which is able to reason
-
-0:07:44.240,0:07:47.919
-about your code in terms of its tree
-
-0:07:46.720,0:07:50.560
-structure
-
-0:07:47.919,0:07:51.120
-so you can use the same keystrokes hkl
-
-0:07:50.560,0:07:53.440
-goes
-
-0:07:51.120,0:07:54.960
-left right up and down but you also have
-
-0:07:53.440,0:07:58.080
-other keystrokes that are more
-
-0:07:54.960,0:08:01.520
-specialized to the application
-
-0:07:58.080,0:08:06.160
-and you can run the code and
-
-0:08:01.520,0:08:06.160
-we'll see that happen here in a minute
-
-0:08:06.960,0:08:12.240
-and you can make changes to it really
-
-0:08:10.080,0:08:16.080
-quickly
-
-0:08:12.240,0:08:16.080
-and see the effects of those changes
-
-0:08:18.000,0:08:21.360
-and you're doing this all in a mode
-
-0:08:19.440,0:08:23.199
-that's convenient for
-
-0:08:21.360,0:08:25.039
-this particular application which is
-
-0:08:23.199,0:08:28.960
-editing lisp code
-
-0:08:25.039,0:08:31.039
-and that is in this case symmex mode
-
-0:08:28.960,0:08:32.640
-so typically when you're editing code
-
-0:08:31.039,0:08:34.800
-like this you'd want to be
-
-0:08:32.640,0:08:36.640
-in insert mode actually typing out the
-
-0:08:34.800,0:08:38.320
-code
-
-0:08:36.640,0:08:40.959
-and then you'd want to escape to simex
-
-0:08:38.320,0:08:42.159
-mode rather than normal mode
-
-0:08:40.959,0:08:44.080
-and then you could escape again and
-
-0:08:42.159,0:08:46.720
-you'd end up in normal mode
-
-0:08:44.080,0:08:48.000
-so this if we go to mode mode we see is
-
-0:08:46.720,0:08:51.040
-depicted
-
-0:08:48.000,0:08:52.800
-as this tower where insert is at the
-
-0:08:51.040,0:08:54.800
-bottom and normal is at the top but
-
-0:08:52.800,0:08:57.200
-symmex mode is in between
-
-0:08:54.800,0:08:58.800
-the two you could also change that if
-
-0:08:57.200,0:09:00.640
-you like if you don't want cmx mode to
-
-0:08:58.800,0:09:03.760
-be there you could just
-
-0:09:00.640,0:09:05.600
-move it to the top and now you find some
-
-0:09:03.760,0:09:06.160
-mixes at the top and you enter down to
-
-0:09:05.600,0:09:07.600
-normal
-
-0:09:06.160,0:09:10.480
-you can see it on the status bar at the
-
-0:09:07.600,0:09:13.839
-bottom there enter to insert
-
-0:09:10.480,0:09:16.480
-escape to normal escape to symmex and
-
-0:09:13.839,0:09:19.380
-in fact you can even add more modes if
-
-0:09:16.480,0:09:21.519
-you don't like the existing ones
-
-0:09:19.380,0:09:23.839
-[Music]
-
-0:09:21.519,0:09:25.440
-and now we have an additional mode here
-
-0:09:23.839,0:09:27.519
-we have window mode it goes down to
-
-0:09:25.440,0:09:30.320
-symmex goes down to normal
-
-0:09:27.519,0:09:33.600
-enter the insert escape to normal escape
-
-0:09:30.320,0:09:37.600
-to smx escape the window
-
-0:09:33.600,0:09:41.760
-um so we've talked okay so another thing
-
-0:09:37.600,0:09:45.360
-actually to note here is that in editing
-
-0:09:41.760,0:09:46.720
-modes um
-
-0:09:45.360,0:09:48.399
-if you look at the mode line at the
-
-0:09:46.720,0:09:50.640
-bottom of the screen
-
-0:09:48.399,0:09:51.519
-you'll see that we are currently in this
-
-0:09:50.640,0:09:54.560
-buffer
-
-0:09:51.519,0:09:57.600
-we are currently in line mode
-
-0:09:54.560,0:09:58.720
-and I'm going to hit enter now and
-
-0:09:57.600,0:10:01.519
-you'll see that when I hit
-
-0:09:58.720,0:10:02.160
-enter nothing is happening it's still in
-
-0:10:01.519,0:10:05.120
-line mode
-
-0:10:02.160,0:10:07.200
-if you'd escape it's still in line mode
-
-0:10:05.120,0:10:10.640
-and you can find out the reason for that
-
-0:10:07.200,0:10:12.800
-by taking another meta jump out of this
-
-0:10:10.640,0:10:15.279
-and you'll see that in fact the reason
-
-0:10:12.800,0:10:17.360
-is that we're currently in line mode
-
-0:10:15.279,0:10:19.519
-and line mode is the only one available
-
-0:10:17.360,0:10:21.760
-in this tower
-
-0:10:19.519,0:10:24.880
-for editing the modes that are in
-
-0:10:21.760,0:10:26.560
-operation in your ground level
-
-0:10:24.880,0:10:28.320
-and in fact line mode is all you need
-
-0:10:26.560,0:10:30.320
-here because this is just
-
-0:10:28.320,0:10:32.079
-uh the nature of how these modes are
-
-0:10:30.320,0:10:35.040
-laid out is
-
-0:10:32.079,0:10:36.399
-in in rows and so line mode is the most
-
-0:10:35.040,0:10:37.680
-appropriate thing here
-
-0:10:36.399,0:10:39.740
-but you could change it to something
-
-0:10:37.680,0:10:40.959
-else if you like
-
-0:10:39.740,0:10:44.160
-[Music]
-
-0:10:40.959,0:10:44.560
-and then now we've seen two towers we've
-
-0:10:44.160,0:10:48.079
-seen
-
-0:10:44.560,0:10:53.680
-the vim tower and we've seen
-
-0:10:48.079,0:10:56.959
-also the symex tower the the lisp tower
-
-0:10:53.680,0:10:58.880
-and it turns out that because we've been
-
-0:10:56.959,0:11:01.519
-talking about towers now
-
-0:10:58.880,0:11:02.800
-by the rumpelstiltskin principle towers
-
-0:11:01.519,0:11:06.399
-also
-
-0:11:02.800,0:11:09.279
-um can be talked about
-
-0:11:06.399,0:11:11.200
-and therefore they also are a mode so
-
-0:11:09.279,0:11:14.640
-how do we go to tower mode
-
-0:11:11.200,0:11:18.560
-and the way we go tower mode is we do
-
-0:11:14.640,0:11:18.560
-we go in a slightly different direction
-
-0:11:19.200,0:11:23.120
-and we find that we are now in tower
-
-0:11:20.800,0:11:23.120
-mode
-
-0:11:23.360,0:11:29.279
-and we see that there are many towers
-
-0:11:27.440,0:11:32.640
-available so we're now
-
-0:11:29.279,0:11:36.240
-we're we're seeing several possible
-
-0:11:32.640,0:11:39.120
-towers that we have written
-
-0:11:36.240,0:11:41.440
-um to be available and for use in
-
-0:11:39.120,0:11:44.000
-different buffers and you can edit them
-
-0:11:41.440,0:11:46.320
-on the fly for instance let's enter this
-
-0:11:44.000,0:11:46.320
-tower
-
-0:11:46.630,0:11:49.920
-[Music]
-
-0:11:48.000,0:11:51.519
-and now you see that in the bottom of
-
-0:11:49.920,0:11:52.480
-the in the mode line you see that we're
-
-0:11:51.519,0:11:54.240
-going
-
-0:11:52.480,0:11:56.480
-across all of these different modes that
-
-0:11:54.240,0:11:58.800
-were in the tower
-
-0:11:56.480,0:12:00.399
-and you could escape and you could even
-
-0:11:58.800,0:12:00.880
-move things around you could put window
-
-0:12:00.399,0:12:02.399
-mode
-
-0:12:00.880,0:12:04.079
-all the way at the bottom right above
-
-0:12:02.399,0:12:06.880
-insert mode
-
-0:12:04.079,0:12:09.839
-let's see that happen there it is window
-
-0:12:06.880,0:12:13.040
-is right above insert
-
-0:12:09.839,0:12:14.240
-so on and the tower always reflects your
-
-0:12:13.040,0:12:15.760
-current position
-
-0:12:14.240,0:12:17.600
-so if you're in buffer mode here and you
-
-0:12:15.760,0:12:19.120
-go down to line mode
-
-0:12:17.600,0:12:22.240
-when you go back to mode mode you see
-
-0:12:19.120,0:12:22.240
-that we are in line mode
-
-0:12:22.480,0:12:26.160
-but in practice you wouldn't have a
-
-0:12:24.000,0:12:28.959
-tower this elaborate because
-
-0:12:26.160,0:12:29.440
-you'd rather have several smaller towers
-
-0:12:28.959,0:12:33.360
-you
-
-0:12:29.440,0:12:36.639
-enter that you alternate between
-
-0:12:33.360,0:12:39.839
-um okay so one
-
-0:12:36.639,0:12:42.240
-other thing of interest here is that
-
-0:12:39.839,0:12:43.839
-when you're in tower mode
-
-0:12:42.240,0:12:45.920
-if you look at the status line at the
-
-0:12:43.839,0:12:49.200
-bottom there we are currently
-
-0:12:45.920,0:12:49.839
-in buffer mode while we are in tower
-
-0:12:49.200,0:12:51.600
-mode
-
-0:12:49.839,0:12:53.519
-and tower mode actually isn't a mode
-
-0:12:51.600,0:12:53.920
-really neither is mode mode they're
-
-0:12:53.519,0:12:58.000
-really
-
-0:12:53.920,0:13:00.959
-referential planes or meta planes
-
-0:12:58.000,0:13:03.120
-um in any case you can see that we're in
-
-0:13:00.959,0:13:04.560
-buffer mode and we can take a meta jump
-
-0:13:03.120,0:13:07.120
-out of this to confirm
-
-0:13:04.560,0:13:08.000
-that buffer mode is the only mode
-
-0:13:07.120,0:13:10.560
-available
-
-0:13:08.000,0:13:11.200
-when we're editing towers because that's
-
-0:13:10.560,0:13:14.240
-the one
-
-0:13:11.200,0:13:15.200
-we need given that our towers are
-
-0:13:14.240,0:13:21.839
-represented
-
-0:13:15.200,0:13:21.839
-in individual buffers
-
-0:13:23.200,0:13:26.320
-right so let's uh let's see where we're
-
-0:13:26.000,0:13:28.240
-at
-
-0:13:26.320,0:13:30.160
-trump's still skin principle we talked
-
-0:13:28.240,0:13:32.240
-about mode mode
-
-0:13:30.160,0:13:33.920
-um we talked about the strange loop
-
-0:13:32.240,0:13:37.820
-application of
-
-0:13:33.920,0:13:39.600
-ground level modes in meta levels
-
-0:13:37.820,0:13:42.240
-[Music]
-
-0:13:39.600,0:13:43.199
-and yeah we saw the different towers and
-
-0:13:42.240,0:13:46.639
-in fact
-
-0:13:43.199,0:13:49.839
-you can we're currently in
-
-0:13:46.639,0:13:49.839
-vim tower
-
-0:13:50.720,0:13:54.720
-where you can go to Emacs tower and now
-
-0:13:53.120,0:13:55.760
-with a single keystroke you can
-
-0:13:54.720,0:13:59.040
-alternate
-
-0:13:55.760,0:14:02.399
-between e-max
-
-0:13:59.040,0:14:05.519
-and vim which are represented which are
-
-0:14:02.399,0:14:07.839
-modeled as towers
-
-0:14:05.519,0:14:07.839
-um
-
-0:14:09.279,0:14:11.920
-okay so
-
-0:14:13.360,0:14:17.040
-so there's uh the one thing that we've
-
-0:14:15.360,0:14:18.160
-sort of alluded to is that there are two
-
-0:14:17.040,0:14:20.480
-directions
-
-0:14:18.160,0:14:22.399
-that you can travel in when you're going
-
-0:14:20.480,0:14:25.120
-through this framework
-
-0:14:22.399,0:14:32.560
-one lev one direction is uh and we'll
-
-0:14:25.120,0:14:32.560
-visualize it with uh like so
-
-0:14:33.760,0:14:37.040
-there's two directions you can travel
-
-0:14:35.120,0:14:38.399
-and you can either go sideways or you
-
-0:14:37.040,0:14:40.399
-can go up and down
-
-0:14:38.399,0:14:41.680
-if you go sideways you're changing your
-
-0:14:40.399,0:14:45.440
-perspective
-
-0:14:41.680,0:14:47.360
-so normal mode word mode line mode
-
-0:14:45.440,0:14:49.120
-window mode and so on are all different
-
-0:14:47.360,0:14:51.680
-perspectives on your under on your
-
-0:14:49.120,0:14:53.040
-ground editing experience
-
-0:14:51.680,0:14:55.519
-and the other direction you can travel
-
-0:14:53.040,0:14:57.920
-in is up or down which takes you
-
-0:14:55.519,0:14:59.600
-through meta levels so you go from the
-
-0:14:57.920,0:15:01.920
-ground level editing experience
-
-0:14:59.600,0:15:03.440
-up to mode mode and then up to the tower
-
-0:15:01.920,0:15:07.040
-plane and so on
-
-0:15:03.440,0:15:10.800
-or uh yeah and so on
-
-0:15:07.040,0:15:14.880
-um yeah so this all sounds
-
-0:15:10.800,0:15:18.160
-very complex but the truth is
-
-0:15:14.880,0:15:21.519
-it's not really that complicated
-
-0:15:18.160,0:15:22.959
-even though it feels that way the reason
-
-0:15:21.519,0:15:26.480
-it isn't that complicated
-
-0:15:22.959,0:15:28.800
-is because no matter how many levels
-
-0:15:26.480,0:15:30.160
-up or down you go and no matter where
-
-0:15:28.800,0:15:32.399
-you are
-
-0:15:30.160,0:15:34.079
-whether you're in at the ground level
-
-0:15:32.399,0:15:36.000
-editing the actual text
-
-0:15:34.079,0:15:37.600
-or whether you're at a meta level some
-
-0:15:36.000,0:15:39.279
-unknown meta level and you don't know
-
-0:15:37.600,0:15:42.320
-where you are
-
-0:15:39.279,0:15:44.399
-no matter where you are the way in which
-
-0:15:42.320,0:15:47.519
-you interact with it
-
-0:15:44.399,0:15:52.000
-is the same at every level
-
-0:15:47.519,0:15:55.440
-and that is the great power of um
-
-0:15:52.000,0:15:58.720
-this approach is that
-
-0:15:55.440,0:16:00.880
-all of the different levels um are the
-
-0:15:58.720,0:16:03.839
-same
-
-0:16:00.880,0:16:05.759
-and in fact the complexity of the whole
-
-0:16:03.839,0:16:08.720
-is exactly identical to the
-
-0:16:05.759,0:16:10.000
-complexity of each part so if you know
-
-0:16:08.720,0:16:12.959
-how to edit words
-
-0:16:10.000,0:16:13.440
-in the ground level buffer and you know
-
-0:16:12.959,0:16:15.839
-how to move
-
-0:16:13.440,0:16:16.720
-lines around using line mode then you
-
-0:16:15.839,0:16:19.519
-know how to edit
-
-0:16:16.720,0:16:22.800
-any aspect of your editing experience at
-
-0:16:19.519,0:16:23.310
-any level
-
-0:16:22.800,0:16:26.240
-so
-
-0:16:23.310,0:16:28.480
-[Music]
-
-0:16:26.240,0:16:28.480
-um
-
-0:16:30.079,0:16:33.839
-so this is a pre-release demo this
-
-0:16:32.000,0:16:36.880
-doesn't exist on melpa
-
-0:16:33.839,0:16:40.079
-yet but you can follow updates um
-
-0:16:36.880,0:16:44.079
-at this repo on github
-
-0:16:40.079,0:16:45.199
-and if you can also be a beta tester or
-
-0:16:44.079,0:16:46.000
-something like that if you like that
-
-0:16:45.199,0:16:49.199
-would be very
-
-0:16:46.000,0:16:50.560
-uh helpful and you can learn more about
-
-0:16:49.199,0:16:53.920
-this at
-
-0:16:50.560,0:16:55.920
-dream.org which is where I house
-
-0:16:53.920,0:16:57.279
-the research that I work on and in
-
-0:16:55.920,0:17:00.800
-particular
-
-0:16:57.279,0:17:03.600
-the research on epistemic levels is what
-
-0:17:00.800,0:17:06.480
-inspired this particular Emacs extension
-
-0:17:03.600,0:17:08.480
-you can also learn about dialectical
-
-0:17:06.480,0:17:10.880
-inheritance attribution which is the
-
-0:17:08.480,0:17:14.559
-basis of
-
-0:17:10.880,0:17:16.959
-a new economic system that could be fair
-
-0:17:14.559,0:17:19.439
-and could lead to a prosperous and happy
-
-0:17:16.959,0:17:22.799
-world
-
-0:17:19.439,0:17:26.319
-and um yeah you can follow me on
-
-0:17:22.799,0:17:31.919
-twitter at countwajoula and
-
-0:17:26.319,0:17:31.919
-that's it thank you
-