1 files changed, 36 insertions, 36 deletions
diff --git a/2020/subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.sbv b/2020/subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.sbv
index 1439e2d8..fe5efc84 100644
--- a/2020/subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.sbv
+++ b/2020/subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.sbv
@@ -5,22 +5,22 @@ hello everyone and welcome to the amax
 golf
 
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-i am jonathan and in this talk i'm going
+I am jonathan and in this talk I'm going
 
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 to demonstrate ways of producing sheet
 
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-music in emacs
+music in Emacs
 
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 using lily pond and maybe also convince
 
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-you to use emacs for writing your scores
+you to use Emacs for writing your scores
 
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-so i'll start with an overview of the
+so I'll start with an overview of the
 
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 syntax for those who are new to using
@@ -44,7 +44,7 @@ functionalities using orb mode
 and lily point mode one disclaimer
 
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-however i am not a lillipon developer
+however I am not a lillipon developer
 
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 so what is lillipond lillipond is
@@ -98,7 +98,7 @@ the fermata symbol over the load b and
 so on and so forth
 
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-it's also fully extensible like emacs
+it's also fully extensible like Emacs
 
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 allowing users to extend
@@ -122,7 +122,7 @@ tablature vocal music lead sheets and so
 on
 
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-and above all it works with emacs in
+and above all it works with Emacs in
 
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 fact
@@ -194,7 +194,7 @@ in fact you can input chords lyrics
 embellishments and a lot more
 
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-so i encourage you to read the menu for
+so I encourage you to read the menu for
 
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 more information
@@ -209,7 +209,7 @@ so with lillipond installed let's create
 a test file with the extension
 
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-ly and open it in emacs
+ly and open it in Emacs
 
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 at the top of the file is the version
@@ -221,10 +221,10 @@ statement which tells lillipond which
 version to use when compiling the file
 
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-here i'm using version 2.20.0
+here I'm using version 2.20.0
 
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-i've added the clef and time signature
+I've added the clef and time signature
 
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 so
@@ -233,7 +233,7 @@ so
 let's add some notes
 
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-okay i'm going to close this now and
+okay I'm going to close this now and
 
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 compile the file by running
@@ -260,7 +260,7 @@ materials each time the code blocks are
 evaluated
 
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-so as usual we begin with a header i've
+so as usual we begin with a header I've
 
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 added the title
@@ -311,7 +311,7 @@ now let's press ctrl c ctrl c to view
 the results
 
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-okay and if i run this again it should
+okay and if I run this again it should
 
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 create a new composition
@@ -335,7 +335,7 @@ sorry the ob lillypoint library comes
 with two modes
 
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-the one i'm using now is called arrange
+the one I'm using now is called arrange
 
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 mode
@@ -365,7 +365,7 @@ commands
 now to demonstrate the basic mode in
 
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-action i'm going to export this document
+action I'm going to export this document
 
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 to a pdf
@@ -398,10 +398,10 @@ export this to pdf file
 and here it is what it generates
 
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-now i'm going to show you the workflow i
+now I'm going to show you the workflow I
 
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-used to produce music books in emacs
+used to produce music books in Emacs
 
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 combining lily pond and latex for a
@@ -410,13 +410,13 @@ combining lily pond and latex for a
 perfect marriage
 
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-i begin by sketching first draft of the
+I begin by sketching first draft of the
 
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 manuscript using pencil and paper
 
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-then i move to emacs to input the notes
+then I move to Emacs to input the notes
 
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 in a git repository
@@ -428,7 +428,7 @@ this is a typical source file it begins
 with a stylesheet
 
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-where i set variables and layout
+where I set variables and layout
 
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 settings although in general there's no
@@ -464,7 +464,7 @@ now to automate the process of compiling
 several files and building the pdf
 
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-i use gnu make so all i have to do is
+I use gnu make so all I have to do is
 
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 open the shell
@@ -473,31 +473,31 @@ open the shell
 and run the make command and don't worry
 
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-i'll provide a link to the source code
+I'll provide a link to the source code
 
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 on the last slide
 
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-as i moved forward with the project i
+as I moved forward with the project I
 
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 found at least two things missing
 
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-one i had no access to a metronome at
+one I had no access to a metronome at
 
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 least not from the editor
 
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-so i built one for casual use and made
+so I built one for casual use and made
 
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 it available in the melpa repository
 
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-i also missed bar numbers in the source
+I also missed bar numbers in the source
 
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 file this
@@ -512,10 +512,10 @@ between input and output files without
 getting lost
 
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-so i wrote a command for toggling bar
+so I wrote a command for toggling bar
 
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-numbers which i hope you can see on the
+numbers which I hope you can see on the
 
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 left
@@ -527,7 +527,7 @@ also some expressions are difficult or
 slow to write on the keyboard
 
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-accents and tuplets for example so i use
+accents and tuplets for example so I use
 
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 template expansion extensively for this
@@ -539,7 +539,7 @@ purpose
 mainly yes snippets
 
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-so what do i think well i think
+so what do I think well I think
 
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 lillypond can be a sharp paradigm shift
@@ -560,7 +560,7 @@ start using lillypod
 likewise the ability to extend the
 
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-software i think is especially appealing
+software I think is especially appealing
 
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 for music professionals
@@ -584,7 +584,7 @@ non-western music traditions
 and other non-conventional requirements
 
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-also lillypod and emacs both have
+also lillypod and Emacs both have
 
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 extensive and well-written manuals
@@ -608,7 +608,7 @@ but warm pond of lilies lily pawns and
 lily pond users
 
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-i invite you to contribute to my lilly
+I invite you to contribute to my lilly
 
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 pond projects
@@ -620,10 +620,10 @@ which you can do so from the links on
 the screen
 
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-so thank you all i look forward to your
+so thank you all I look forward to your
 
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-comments and i hope you enjoy the rest
+comments and I hope you enjoy the rest
 
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 of the conference