Add subtitles for talk07

5 files changed, 454 insertions, 508 deletions

diff --git a/2020/info/07.md b/2020/info/07.md
index b1321d4f..46446b99 100644
--- a/2020/info/07.md
+++ b/2020/info/07.md
@@ -1,9 +1,12 @@
 # Beyond Vim and Emacs: A Scalable UI Paradigm
 Sid Kasivajhula
 
-[[!template id=vid src="https://mirror.csclub.uwaterloo.ca/emacsconf/2020/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.webm"]] 
+[[!template id=vid src="https://mirror.csclub.uwaterloo.ca/emacsconf/2020/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.webm" subtitles="emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.vtt" size="161MB"]] 
 [Download compressed .webm video (45.1M)](https://mirror.csclub.uwaterloo.ca/emacsconf/2020/smaller/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula--vp9-q56-video-original-audio.webm)
 
+[[!template id=vid src="https://mirror.csclub.uwaterloo.ca/emacsconf/2020/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.webm" subtitles="emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.vtt" size="40MB"]] 
+[Download compressed .webm video (5M)](https://mirror.csclub.uwaterloo.ca/emacsconf/2020/smaller/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula--vp9-q56-video-original-audio.webm)
+
 A practiced dexterity with the arcane incantations known as keybindings is
 the true mark of the veteran Emacs user. Yet, it takes years to get there,
 and if you tried to explain what you were doing there, nobody would
diff --git a/2020/organizers-notebook.md b/2020/organizers-notebook.md
index a57c0b4b..233b2aac 100644
--- a/2020/organizers-notebook.md
+++ b/2020/organizers-notebook.md
@@ -22,54 +22,55 @@ Either subtitles (with timestamps) or a text transcript (no timestamps) is perfe
 
 ## Edit automatic subtitles
 
-No need to worry about end timestamps, since I'll set them to the
-beginning timestamp. To reduce duplication of work, make sure you have the latest copy of organizers-notebook.org. Mark the one you
+To reduce duplication of work, make sure you have the latest copy of organizers-notebook.org. Mark the one you
 want to do by prepending your name to the TODO title, and commit
 organizers-notebook.org back to the repo.
 
--   [ ] <./subtitles/emacsconf-2020--00-opening-remarks-autogen.sbv>
--   [X] sachac <./subtitles/emacsconf-2020--03-idea-to-novel-superstructure-emacs-for-writing--bala-ramadurai-autogen.sbv>
+I modified the `subed` package to work with VTT files. The modified version is at  <https://github.com/sachac/subed/tree/subed-vtt> , and I've submitted a pull request. It's pretty cool! If you copy the webm to the same directory and name it with the same filename (except ending in .webm instead of .vtt, of course), subed will automatically synchronize as you move through the subtitles.
+
+-   [ ] <./subtitles/emacsconf-2020--00-opening-remarks-autogen.vtt>
+-   [X] sachac <./subtitles/emacsconf-2020--03-idea-to-novel-superstructure-emacs-for-writing--bala-ramadurai-autogen.vtt>
     See <info/03/screenplay.fountain>
--   [X] sachac <./subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.sbv>
--   [X] sachac <./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--grant-shangreaux-autogen.sbv>
--   [X] sachac <./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--questions--grant-shangreaux-autogen.sbv>
--   [ ] sachac <./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--09-orgmode-your-life-in-plain-text--rainer-koenig-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--11-the-org-gtd-package-opinions-about-getting-things-done--aldric-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--12-one-big-ass-org-file-or-multiple-tiny-ones-finally-the-end-of-the-debate--leo-vivier-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--13-experience-report-steps-to-emacs-hyper-notebooks--joseph-corneli-raymond-puzio-cameron-ray-smith-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--14-readme-driven-design--adam-ard-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--15-moving-from-jekyll-to-orgmode-an-experience-report--adolfo-villafiorita-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--16-org-roam-presentation-demonstration-and-whats-on-the-horizon--leo-vivier-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--17-org-mode-and-org-roam-for-scholars-and-researchers--noorah-alhasan-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--18-org-roam-technical-presentation--leo-vivier-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--19-sharing-blogs-and-more-with-org-webring--brett-gilio-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--20-omg-macros--corwin-brust-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--21-on-why-most-of-the-best-features-in-eev-look-like-5-minute-hacks--eduardo-ochs-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--22-powering-up-special-blocks--musa-al-hassy-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--23-incremental-parsing-with-emacs-tree-sitter--questions--tuan-anh-nguyen-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--23-incremental-parsing-with-emacs-tree-sitter--tuan-anh-nguyen-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--25-traverse-complex-json-structures-with-live-feedback-counsel-jq--zen-monk-alain-m-lafon-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--26-emacs-as-a-highschooler-how-it-changed-my-life--pierce-wang-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--26-emacs-as-a-highschooler-how-it-changed-my-life--questions--pierce-wang-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--27-state-of-retro-gaming-in-emacs-chip8--vasilij-wasamasa-schneidermann-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--28-welcome-to-the-dungeon--erik-elmshauser-corwin-brust-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--30-a-tour-of-vterm--gabriele-bozzola-sbozzolo-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--30-a-tour-of-vterm--questions--gabriele-bozzola-sbozzolo-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--31-lakota-language-and-emacs--grant-shangreaux-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--31-lakota-language-and-emacs--questions--grant-shangreaux-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--32-object-oriented-code-in-the-gnus-newsreader--eric-abrahamsen-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--33-maxima-a-computer-algebra-system-in-emacs--fermin.sbv>
--   [ ] <./subtitles/emacsconf-2020--34-extend-emacs-to-modern-gui-applications-with-eaf--matthew-zeng-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--questions--zachary-kanfer-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--38-emacs-development-update--john-wiegley-autogen.sbv>
--   [ ] bhavin192 <./subtitles/emacsconf-2020--39-nongnu-elpa--questions--richard-stallman-autogen.sbv>
--   [X] bhavin192 <./subtitles/emacsconf-2020--39-nongnu-elpa--richard-stallman-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--40-closing-remarks-part-1-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--40-closing-remarks-part-2-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--41-opening-remarks-autogen.sbv>
--   [ ] <./subtitles/emacsconf-2020--42-closing-remarks-autogen.sbv>
+-   [X] sachac <./subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.vtt>
+-   [X] sachac <./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--grant-shangreaux-autogen.vtt>
+-   [X] sachac <./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--questions--grant-shangreaux-autogen.vtt>
+-   [X] sachac <./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt>
+-   [X] sachac <./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--09-orgmode-your-life-in-plain-text--rainer-koenig-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--11-the-org-gtd-package-opinions-about-getting-things-done--aldric-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--12-one-big-ass-org-file-or-multiple-tiny-ones-finally-the-end-of-the-debate--leo-vivier-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--13-experience-report-steps-to-emacs-hyper-notebooks--joseph-corneli-raymond-puzio-cameron-ray-smith-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--14-readme-driven-design--adam-ard-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--15-moving-from-jekyll-to-orgmode-an-experience-report--adolfo-villafiorita-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--16-org-roam-presentation-demonstration-and-whats-on-the-horizon--leo-vivier-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--17-org-mode-and-org-roam-for-scholars-and-researchers--noorah-alhasan-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--18-org-roam-technical-presentation--leo-vivier-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--19-sharing-blogs-and-more-with-org-webring--brett-gilio-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--20-omg-macros--corwin-brust-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--21-on-why-most-of-the-best-features-in-eev-look-like-5-minute-hacks--eduardo-ochs-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--22-powering-up-special-blocks--musa-al-hassy-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--23-incremental-parsing-with-emacs-tree-sitter--questions--tuan-anh-nguyen-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--23-incremental-parsing-with-emacs-tree-sitter--tuan-anh-nguyen-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--25-traverse-complex-json-structures-with-live-feedback-counsel-jq--zen-monk-alain-m-lafon-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--26-emacs-as-a-highschooler-how-it-changed-my-life--pierce-wang-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--26-emacs-as-a-highschooler-how-it-changed-my-life--questions--pierce-wang-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--27-state-of-retro-gaming-in-emacs-chip8--vasilij-wasamasa-schneidermann-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--28-welcome-to-the-dungeon--erik-elmshauser-corwin-brust-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--30-a-tour-of-vterm--gabriele-bozzola-sbozzolo-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--30-a-tour-of-vterm--questions--gabriele-bozzola-sbozzolo-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--31-lakota-language-and-emacs--grant-shangreaux-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--31-lakota-language-and-emacs--questions--grant-shangreaux-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--32-object-oriented-code-in-the-gnus-newsreader--eric-abrahamsen-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--33-maxima-a-computer-algebra-system-in-emacs--fermin.vtt>
+-   [ ] <./subtitles/emacsconf-2020--34-extend-emacs-to-modern-gui-applications-with-eaf--matthew-zeng-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--questions--zachary-kanfer-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--38-emacs-development-update--john-wiegley-autogen.vtt>
+-   [ ] bhavin192 <./subtitles/emacsconf-2020--39-nongnu-elpa--questions--richard-stallman-autogen.vtt>
+-   [X] bhavin192 <./subtitles/emacsconf-2020--39-nongnu-elpa--richard-stallman-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--40-closing-remarks-part-1-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--40-closing-remarks-part-2-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--41-opening-remarks-autogen.vtt>
+-   [ ] <./subtitles/emacsconf-2020--42-closing-remarks-autogen.vtt>
 
 
 # Assumptions and settings
diff --git a/2020/organizers-notebook.org b/2020/organizers-notebook.org
index f207237a..40d24d2f 100644
--- a/2020/organizers-notebook.org
+++ b/2020/organizers-notebook.org
@@ -22,19 +22,20 @@ Either subtitles (with timestamps) or a text transcript (no timestamps) is perfe
 
 ** Edit automatic subtitles
 
-No need to worry about end timestamps, since I'll set them to the
-beginning timestamp. To reduce duplication of work, make sure you have the latest copy of organizers-notebook.org. Mark the one you
+To reduce duplication of work, make sure you have the latest copy of organizers-notebook.org. Mark the one you
 want to do by prepending your name to the TODO title, and commit
 organizers-notebook.org back to the repo.
 
+I modified the =subed= package to work with VTT files. The modified version is at  https://github.com/sachac/subed/tree/subed-vtt , and I've submitted a pull request. It's pretty cool! If you copy the webm to the same directory and name it with the same filename (except ending in .webm instead of .vtt, of course), subed will automatically synchronize as you move through the subtitles.
+
 - [ ] [[./subtitles/emacsconf-2020--00-opening-remarks-autogen.vtt]]
 - [X] sachac [[./subtitles/emacsconf-2020--03-idea-to-novel-superstructure-emacs-for-writing--bala-ramadurai-autogen.vtt]]
   See [[file:info/03/screenplay.fountain]]
 - [X] sachac [[./subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.vtt]]
 - [X] sachac [[./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--grant-shangreaux-autogen.vtt]]
 - [X] sachac [[./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--questions--grant-shangreaux-autogen.vtt]]
-- [ ] sachac [[./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt]]
-- [ ] [[./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt]]
+- [X] sachac [[./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt]]
+- [X] sachac [[./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt]]
 - [ ] [[./subtitles/emacsconf-2020--09-orgmode-your-life-in-plain-text--rainer-koenig-autogen.vtt]]
 - [ ] [[./subtitles/emacsconf-2020--11-the-org-gtd-package-opinions-about-getting-things-done--aldric-autogen.vtt]]
 - [ ] [[./subtitles/emacsconf-2020--12-one-big-ass-org-file-or-multiple-tiny-ones-finally-the-end-of-the-debate--leo-vivier-autogen.vtt]]
diff --git a/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt b/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.vtt
index 9cbec458..ebe18254 100644
--- a/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt
+++ b/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.vtt
@@ -1,76 +1,71 @@
 WEBVTT
 
 00:00:00.080 --> 00:00:01.680
-for the list of questions in whatever
+(Amin: ... for the list of questions in whatever
 
 00:00:01.680 --> 00:00:03.520
-order you like
+order you like.)
 
 00:00:03.520 --> 00:00:06.160
-okay so I see what package is used um
+Okay, so I see what package is used,
 
 00:00:06.160 --> 00:00:08.000
-probably cemex mode
+probably symex-mode...
 
 00:00:08.000 --> 00:00:10.400
-um right so the main package that was
+Right. So the main package that was
 
 00:00:10.400 --> 00:00:11.360
-being demoed
+being demoed,
 
 00:00:11.360 --> 00:00:14.480
-um that is not yet on melpa in fact I
+that is not yet on MELPA. In fact, I
 
 00:00:14.480 --> 00:00:16.720
-haven't even decided on a name for it
+haven't even decided on a name for it.
 
 00:00:16.720 --> 00:00:19.359
-um I've alternately alternately called
+I've alternately called
 
 00:00:19.359 --> 00:00:22.080
-it epistemic mode I've called it
+it epistemic-mode, I've called it
 
 00:00:22.080 --> 00:00:26.000
-um england I called it uh
+england, I called it 
 
 00:00:26.000 --> 00:00:28.560
-all kinds of things but at the moment
+all kinds of things, but at the moment
 
-00:00:28.560 --> 00:00:30.240
-you can find it on my github there's a
-
-00:00:30.240 --> 00:00:31.439
-link
+00:00:28.560 --> 00:00:31.439
+you can find it on my Github. There's a link
 
 00:00:31.439 --> 00:00:32.960
-in the presentation itself if you go to
+in the presentation itself, if you go to
 
 00:00:32.960 --> 00:00:35.600
-github slash account about
+https://github.com/countvajhula, you'll see
 
 00:00:35.600 --> 00:00:38.879
-um the package there it's currently
+the package there. It's currently
 
 00:00:38.879 --> 00:00:39.840
-named indra
+named Indra, but 
 
 00:00:39.840 --> 00:00:42.879
-I'm not sure um
+I'm not sure. (Organizer: Package is
+called rigpa.)
 
 00:00:42.879 --> 00:00:46.800
-packages actually yes the second one is
+Actually, yes, the second one is
 
 00:00:46.800 --> 00:00:49.920
-red that was the name that I selected um
+correct. That was the name that I selected
 
 00:00:49.920 --> 00:00:53.280
-last night um and that's because it
-
-00:00:53.280 --> 00:00:53.920
-might that
+last night. That's because it...
 
 00:00:53.920 --> 00:00:55.760
-there's a concept in tibetan buddhism
+There's a concept in Tibetan Buddhism
 
 00:00:55.760 --> 00:00:57.520
 that seems like it might have something
@@ -82,43 +77,43 @@ to do with
 the kinds of concepts we're talking
 
 00:00:59.840 --> 00:01:01.600
-about with this package so I just
+about with this package, so I just
 
 00:01:01.600 --> 00:01:04.000
-thought it would be a good name for it
+thought it would be a good name for it.
 
 00:01:04.000 --> 00:01:05.760
-so you can look up that concept
+You can look up that concept
 
 00:01:05.760 --> 00:01:09.920
-and get a sense of it on wikipedia
+and get a sense of it on Wikipedia.
 
 00:01:09.920 --> 00:01:13.119
-next question is how to deal with dwarak
+Next question is "how to deal with Dvorak
 
 00:01:13.119 --> 00:01:15.759
-dwarjak or however that's pronounced
+or however that's pronounced.
 
 00:01:15.759 --> 00:01:16.960
-this is always bug me
+This has always bugged me.
 
 00:01:16.960 --> 00:01:20.400
-is there an x-mod map mode so the thing
+Is there an Xmodmap mode?" So the thing
 
 00:01:20.400 --> 00:01:22.400
-with this is it's kind of surprising but
+with this is it's kind of surprising, but
 
 00:01:22.400 --> 00:01:23.360
-although vim
+although Vim
 
 00:01:23.360 --> 00:01:26.000
-was originally developed um you know
+was originally developed
 
 00:01:26.000 --> 00:01:27.200
 with the idea of
 
 00:01:27.200 --> 00:01:29.520
-the key bindings being on the home rule
+the key bindings being on the home row,
 
 00:01:29.520 --> 00:01:32.000
 it turns out that that is actually not a
@@ -127,55 +122,55 @@ it turns out that that is actually not a
 major aspect
 
 00:01:33.119 --> 00:01:36.400
-of the vim editing experience so
+of the Vim editing experience, so
 
 00:01:36.400 --> 00:01:38.560
-people who use the dvorak layout
+people who use the Dvorak layout
 
 00:01:38.560 --> 00:01:40.720
 actually end up using the same keys as
 
 00:01:40.720 --> 00:01:42.640
-they do on the normal qwerty layout so
+they do on the normal QWERTY layout, so
 
 00:01:42.640 --> 00:01:44.720
-they don't remap anything
+they don't remap anything,
 
 00:01:44.720 --> 00:01:48.159
-because the uh the the sort of
+because 
 
 00:01:48.159 --> 00:01:51.040
-the power that vim or the the
+the power that Vim--or the
 
 00:01:51.040 --> 00:01:52.240
-flexibility the
+flexibility, the
 
 00:01:52.240 --> 00:01:55.600
-spiral that bim enables on qwerty layout
+spiral that Vim enables on QWERTY-layout
 
 00:01:55.600 --> 00:01:56.880
 keyboards is exactly
 
 00:01:56.880 --> 00:01:58.719
-preserved even on a door jack keyboard
+preserved, even on a Dvorak keyboard,
 
 00:01:58.719 --> 00:01:59.920
-even though you your
+even though your
 
 00:01:59.920 --> 00:02:01.920
-fingers are not in the same positions
+fingers are not in the same positions.
 
 00:02:01.920 --> 00:02:04.399
-it's not a big deal actually
+It's not a big deal, actually.
 
 00:02:04.399 --> 00:02:09.119
-um and then I mostly use default model
+"I mostly use default model
 
 00:02:09.119 --> 00:02:10.879
 provided by vanilla Emacs and work and
 
 00:02:10.879 --> 00:02:12.319
-org mode for text editing can you give
+Org Mode for text editing. Can you give
 
 00:02:12.319 --> 00:02:13.840
 me some examples
@@ -184,43 +179,40 @@ me some examples
 of how the user can use the concept of
 
 00:02:15.920 --> 00:02:17.280
-mode mode
+"mode of mode"
 
 00:02:17.280 --> 00:02:20.840
-to do some interesting
+to do some interesting editing?
 
 00:02:20.840 --> 00:02:24.640
-um so probably the main thing would be
-
-00:02:24.640 --> 00:02:25.120
-the
+Probably the main thing would be
 
 00:02:25.120 --> 00:02:27.920
-the keystrokes would be less uh
+the keystrokes would be less
 
 00:02:27.920 --> 00:02:28.959
-contrived
+contrived.
 
 00:02:28.959 --> 00:02:32.080
-so they the the fewer modes you have
+The fewer modes you have,
 
 00:02:32.080 --> 00:02:36.560
 the more modifiers you need
 
 00:02:36.560 --> 00:02:39.840
-in order to um do whatever it is that
+in order to do whatever it is that
 
 00:02:39.840 --> 00:02:41.280
-you're trying to do because you've got
+you're trying to do, because you've got,
 
 00:02:41.280 --> 00:02:44.800
-essentially with a max model you've got
+essentially, with the Emacs model, you've got
 
 00:02:44.800 --> 00:02:48.080
 a completely flat
 
 00:02:48.080 --> 00:02:50.959
-keyboard structure and so all of the
+keyboard structure. So all of the
 
 00:02:50.959 --> 00:02:52.160
 different things that you might
@@ -229,13 +221,13 @@ different things that you might
 want to express are all mapped to a flat
 
 00:02:55.680 --> 00:02:58.720
-keyboard uh set of keys
+keyboard, a set of keys.
 
 00:02:58.720 --> 00:03:02.840
-so with um with this kind of
+With this kind of
 
 00:03:02.840 --> 00:03:06.400
-modal structure the more modes you have
+modal structure, the more modes you have,
 
 00:03:06.400 --> 00:03:09.200
 the more the individual keystrokes
@@ -244,13 +236,13 @@ the more the individual keystrokes
 become
 
 00:03:10.400 --> 00:03:13.200
-shorter and shorter so that could be one
+shorter and shorter. That could be one
 
 00:03:13.200 --> 00:03:14.959
-benefit that would be provided
+benefit that would be provided.
 
 00:03:14.959 --> 00:03:17.519
-with many modes your keystrokes would
+With many modes, your keystrokes would
 
 00:03:17.519 --> 00:03:18.000
 generally
@@ -259,103 +251,103 @@ generally
 be a single keystroke long for even
 
 00:03:20.080 --> 00:03:22.080
-relatively complex tasks
+relatively complex tasks,
 
 00:03:22.080 --> 00:03:24.159
 because you're setting the context
 
 00:03:24.159 --> 00:03:25.440
-beforehand
+beforehand.
 
 00:03:25.440 --> 00:03:27.200
-so you already say oh I'm going to be
+So you already say, "Oh, I'm going to be
 
 00:03:27.200 --> 00:03:30.840
-talking about this org buffer
+talking about this Org buffer
 
 00:03:30.840 --> 00:03:33.440
-agenda and then
+agenda," and then
 
 00:03:33.440 --> 00:03:36.319
-um the all the keystrokes that you do at
+all the keystrokes that you do at
 
 00:03:36.319 --> 00:03:39.599
-that point would be in relation to that
+that point would be in relation to that.
 
 00:03:39.599 --> 00:03:42.159
-um okay I think we have time for like
+(Amin: I think we have time for like
 
 00:03:42.159 --> 00:03:44.080
-one more short question
+one more short question.)
 
 00:03:44.080 --> 00:03:46.879
-one more short question okay let's see
+One more short question... Okay, let's see.
 
 00:03:46.879 --> 00:03:48.879
-how do new modes come into existence you
+"How do new modes come into existence?" You
 
 00:03:48.879 --> 00:03:50.400
-can make them yourself
+can make them yourself,
 
 00:03:50.400 --> 00:03:53.040
-um and you can specify them in Emacs
+and you can specify them in Emacs
 
 00:03:53.040 --> 00:03:53.760
-lisp
+Lisp
 
 00:03:53.760 --> 00:03:56.159
-if you like but there's also simple you
+if you like, but there's also a simple way.
 
 00:03:56.159 --> 00:03:59.040
-can also do it visually as we did
+You can also do it visually as we did.
 
 00:03:59.040 --> 00:04:02.720
-um but the yeah defining them
+But yeah, defining them
 
 00:04:02.720 --> 00:04:04.799
-is essentially built on top of hydra but
+is essentially built on top of Hydra, but
 
 00:04:04.799 --> 00:04:07.519
-it could also be built on top of evil or
+it could also be built on top of Evil or
 
 00:04:07.519 --> 00:04:09.120
-any other modal interface provider
+any other modal interface provider.
 
 00:04:09.120 --> 00:04:12.840
-there's an abstraction layer
+There's an abstraction layer.
 
 00:04:12.840 --> 00:04:15.920
-okay thank you so much for your talk and
+(Amin: Okay. Thank you so much for your talk and
 
 00:04:15.920 --> 00:04:17.919
-for the live q a
+for the live Q&A.)
 
 00:04:17.919 --> 00:04:21.440
-sure thank you yes feel free to um take
+Sure, thank you. (Amin: Feel free to take
 
 00:04:21.440 --> 00:04:22.880
 up the rest of the questions either via
 
 00:04:22.880 --> 00:04:23.759
-irc or
+IRC or
 
 00:04:23.759 --> 00:04:25.680
 on the pad on on your own time off the
 
 00:04:25.680 --> 00:04:26.960
-stream
+stream.)
 
 00:04:26.960 --> 00:04:28.639
-perfect yeah I'll go ahead and put in
+Perfect. Yeah, I'll go ahead and put in
 
 00:04:28.639 --> 00:04:30.000
-some answers there
+some answers there.
 
 00:04:30.000 --> 00:04:32.240
-awesome thank you all right thank you
+(Amin: Awesome, thank you.) All right, thank you.
 
 00:04:32.240 --> 00:04:33.120
-have a good one
+Have a good one.
 
 00:04:33.120 --> 00:04:36.880
-thanks you too
+(Amin: Thanks you too)
diff --git a/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt b/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.vtt
index e4508034..14913a32 100644
--- a/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt
+++ b/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.vtt
@@ -1,10 +1,10 @@
 WEBVTT
 
 00:00:02.960 --> 00:00:04.960
-far away in the heavenly abode of the
+"Far away in the heavenly abode of the
 
 00:00:04.960 --> 00:00:06.560
-great god indra
+great god Indra,
 
 00:00:06.560 --> 00:00:08.320
 there is a wonderful net which has been
@@ -16,40 +16,40 @@ hung by some cunning artificer
 in such a manner that it stretches out
 
 00:00:12.080 --> 00:00:14.320
-infinitely in all directions
+infinitely in all directions.
 
 00:00:14.320 --> 00:00:15.920
-in accordance with the extravagant
+In accordance with the extravagant
 
 00:00:15.920 --> 00:00:18.240
-tastes of deities the artificer has hung
+tastes of deities, the artificer has hung
 
 00:00:18.240 --> 00:00:20.960
 a single glittering jewel in each eye of
 
 00:00:20.960 --> 00:00:22.080
-the net
+the net,
 
 00:00:22.080 --> 00:00:24.000
-and since the net itself is infinite the
+and since the net itself is infinite, the
 
 00:00:24.000 --> 00:00:26.480
-jewels are infinite in number
+jewels are infinite in number.
 
 00:00:26.480 --> 00:00:28.400
-there hang the jewels glittering like
+There hang the jewels, glittering like
 
 00:00:28.400 --> 00:00:30.480
-stars in the first magnitude
+stars in the first magnitude,
 
 00:00:30.480 --> 00:00:33.440
-a wonderful sight to behold were we to
+a wonderful sight to behold. Were we to
 
 00:00:33.440 --> 00:00:34.800
 select one of these jewels for
 
 00:00:34.800 --> 00:00:35.680
-inspection
+inspection,
 
 00:00:35.680 --> 00:00:37.760
 we would discover that in its polished
@@ -58,13 +58,13 @@ we would discover that in its polished
 surface there are reflected
 
 00:00:39.520 --> 00:00:41.920
-all the other jewels in the net infinite
+all the other jewels in the net, infinite
 
 00:00:41.920 --> 00:00:43.360
-in number
+in number.
 
 00:00:43.360 --> 00:00:45.600
-if we look still more closely we would
+If we look still more closely, we would
 
 00:00:45.600 --> 00:00:47.840
 see that each of the jewels reflected in
@@ -73,19 +73,19 @@ see that each of the jewels reflected in
 this one jewel
 
 00:00:48.960 --> 00:00:52.239
-reflects all the others this is the
+reflects all the others." This is the
 
 00:00:52.239 --> 00:00:54.000
-metaphor of indra's net
+metaphor of Indra's Net,
 
 00:00:54.000 --> 00:00:56.840
 which is told in some schools of
 
 00:00:56.840 --> 00:00:59.359
-philosophy let's keep this metaphor in
+philosophy. Let's keep this metaphor in
 
 00:00:59.359 --> 00:01:00.160
-mind
+mind,
 
 00:01:00.160 --> 00:01:01.920
 because it'll help us understand the
@@ -94,31 +94,28 @@ because it'll help us understand the
 Emacs extension that we're about to
 
 00:01:03.760 --> 00:01:06.960
-discuss
+discuss.
 
 00:01:06.960 --> 00:01:10.080
-so in editing text there's two
+In editing text, there's two
 
 00:01:10.080 --> 00:01:13.200
-main paradigms one
+main paradigms: one
 
 00:01:13.200 --> 00:01:16.880
-is um editing at the ground level
+is editing at the ground level,
 
 00:01:16.880 --> 00:01:19.439
 where the characters that we type
 
 00:01:19.439 --> 00:01:22.159
-actually appear on the screen
+actually appear on the screen,
 
 00:01:22.159 --> 00:01:25.960
-the changes we make actually occur
-
-00:01:25.960 --> 00:01:28.479
-[Music]
+the changes we make actually occur.
 
 00:01:28.479 --> 00:01:30.720
-the other editing paradigm is where we
+The other editing paradigm is where we
 
 00:01:30.720 --> 00:01:33.439
 escape to a higher level
@@ -127,31 +124,31 @@ escape to a higher level
 and now the characters that we type are
 
 00:01:36.000 --> 00:01:36.479
-not
+not...
 
 00:01:36.479 --> 00:01:39.040
-they don't actually appear on the screen
+They don't actually appear on the screen
 
 00:01:39.040 --> 00:01:41.600
 because we're not at the ground level
 
 00:01:41.600 --> 00:01:44.799
-with the text we are at a higher level
+with the text, we are at a higher level
 
 00:01:44.799 --> 00:01:48.479
 looking down at the text
 
 00:01:48.479 --> 00:01:51.920
-and regarding the text referring to
+and regarding the text, referring to
 
 00:01:51.920 --> 00:01:54.640
 this world of text in terms of a
 
 00:01:54.640 --> 00:01:56.159
-language
+language.
 
 00:01:56.159 --> 00:01:57.920
-for instance we could describe this
+For instance, we could describe this
 
 00:01:57.920 --> 00:02:00.640
 world as having words and paragraphs and
@@ -160,7 +157,7 @@ world as having words and paragraphs and
 sentences and
 
 00:02:02.079 --> 00:02:04.640
-lines and so on and we could reason
+lines and so on. We could reason
 
 00:02:04.640 --> 00:02:05.360
 about this
@@ -172,43 +169,43 @@ text in terms of these
 textual entities and this textual
 
 00:02:11.440 --> 00:02:13.120
-language
+language.
 
 00:02:13.120 --> 00:02:15.920
-this is the second paradigm of text
+This is the second paradigm of text
 
 00:02:15.920 --> 00:02:18.640
-editing
+editing.
 
 00:02:18.640 --> 00:02:22.800
-and when we're in the second paradigm
+When we're in the second paradigm,
 
 00:02:22.800 --> 00:02:24.800
 there is a way to go down to ground
 
 00:02:24.800 --> 00:02:26.480
-level you hit enter
+level. You hit Enter
 
 00:02:26.480 --> 00:02:28.160
-now or we'll hit enter to go down to the
+now--or we'll hit Enter to go down to the
 
 00:02:28.160 --> 00:02:30.480
-ground level and you can hit escape
+ground level, and you can hit Escape
 
 00:02:30.480 --> 00:02:33.200
-to go back out to the referential level
+to go back out to the referential level.
 
 00:02:33.200 --> 00:02:35.200
-enter to go down to ground level
+Enter to go down to ground level
 
 00:02:35.200 --> 00:02:37.280
-and escape to go up to the referential
+and Escape to go up to the referential
 
 00:02:37.280 --> 00:02:40.160
-level
+level.
 
 00:02:40.160 --> 00:02:44.879
-now in vim the nouns
+Now, in Vim, the nouns
 
 00:02:44.879 --> 00:02:48.239
 in this world of text all
@@ -220,34 +217,34 @@ share the same referential plane which
 we call
 
 00:02:51.519 --> 00:02:54.319
-normal mode so in normal mode all of the
+normal mode. So in normal mode, all of the
 
 00:02:54.319 --> 00:02:54.959
 nouns
 
 00:02:54.959 --> 00:02:57.360
-of the world of text are available
+of the world of text are available,
 
 00:02:57.360 --> 00:02:58.959
 whether it's words or sentences or
 
 00:02:58.959 --> 00:03:00.959
-paragraphs
+paragraphs,
 
 00:03:00.959 --> 00:03:04.400
 and they all share this same
 
 00:03:04.400 --> 00:03:08.319
-referential plane and there's uh
+referential plane.
 
 00:03:08.319 --> 00:03:11.120
-they sort of compete for space on the
+They compete for space on the
 
 00:03:11.120 --> 00:03:12.720
-keyboard
+keyboard.
 
 00:03:12.720 --> 00:03:15.760
-um so an alternative uh
+An alternative 
 
 00:03:15.760 --> 00:03:17.680
 way to structure these modes is instead
@@ -256,19 +253,19 @@ way to structure these modes is instead
 of having a single mode where all the
 
 00:03:19.280 --> 00:03:21.840
-nouns coexist
+nouns coexist,
 
 00:03:21.840 --> 00:03:24.959
-peacefully or otherwise you instead
+peacefully or otherwise, you instead
 
 00:03:24.959 --> 00:03:30.400
-have a dedicated mode for every noun
+have a dedicated mode for every noun.
 
 00:03:30.400 --> 00:03:33.040
-so in that case what happens is because
+In that case, what happens is because
 
 00:03:33.040 --> 00:03:35.440
-your modal spaces are now much smaller
+your modal spaces are now much smaller,
 
 00:03:35.440 --> 00:03:37.280
 you're just talking about words or
@@ -277,34 +274,34 @@ you're just talking about words or
 paragraphs or
 
 00:03:38.720 --> 00:03:42.560
-lines or something the keys that you use
+lines or something, the keys that you use
 
 00:03:42.560 --> 00:03:45.760
-can be much more targeted
+can be much more targeted.
 
 00:03:45.760 --> 00:03:48.560
-and you can use the same keystrokes in
+You can use the same keystrokes in
 
 00:03:48.560 --> 00:03:50.400
 in all of your modes and they would have
 
 00:03:50.400 --> 00:03:52.000
-the same ideas behind them but
+the same ideas behind them, but
 
 00:03:52.000 --> 00:03:53.280
 they would have different effects
 
 00:03:53.280 --> 00:03:55.519
-depending on which context you're using
+depending on which context you're using.
 
 00:03:55.519 --> 00:03:57.519
-so it's the same keystrokes different
+It's the same keystrokes, different
 
 00:03:57.519 --> 00:03:59.120
-contexts
+contexts.
 
 00:03:59.120 --> 00:04:01.360
-and the advantage of that is it's often
+The advantage of that is it's often
 
 00:04:01.360 --> 00:04:02.480
 easier
@@ -313,136 +310,121 @@ easier
 to change context than it is to
 
 00:04:05.519 --> 00:04:09.040
-learn new key bindings so let's see
+learn new key bindings. So let's see
 
 00:04:09.040 --> 00:04:12.080
-an example of how that works we go into
+an example of how that works. We go into
 
 00:04:12.080 --> 00:04:13.680
-character mode and if you look at the
-
-00:04:13.680 --> 00:04:14.000
-mode
+character mode, and if you look at the
 
-00:04:14.000 --> 00:04:15.439
-line at the bottom of the screen there
+00:04:13.680 --> 00:04:15.439
+mode line at the bottom of the screen there,
 
 00:04:15.439 --> 00:04:18.720
-you'll see that we're in character mode
+you'll see that we're in character mode.
 
 00:04:18.720 --> 00:04:21.519
-and now when we move up down left and
+Now, when we move up, down, left, and
 
 00:04:21.519 --> 00:04:23.919
-right we're moving by character
+right, we're moving by character.
 
 00:04:23.919 --> 00:04:28.479
-we can also transform the text and
+We can also transform the text, and
 
 00:04:28.479 --> 00:04:30.240
 the transformations occur in terms of
 
 00:04:30.240 --> 00:04:32.400
-character
+character.
 
 00:04:32.400 --> 00:04:34.320
-you can also go into word mode and in
+You can also go into word mode. In
 
 00:04:34.320 --> 00:04:35.520
-word mode
+word mode,
 
 00:04:35.520 --> 00:04:38.560
 the transformations that you do are on
 
 00:04:38.560 --> 00:04:40.000
-words
+words.
 
 00:04:40.000 --> 00:04:42.320
-and you try you your movement is also in
+and you try... Your movement is also in
 
 00:04:42.320 --> 00:04:43.440
-terms of words
+terms of words.
 
 00:04:43.440 --> 00:04:45.600
-so that's the level of granularity that
+So that's the level of granularity that
 
 00:04:45.600 --> 00:04:46.560
-you have
+you have.
 
 00:04:46.560 --> 00:04:49.520
-you could also go to line mode and when
+You could also go to line mode. When
 
 00:04:49.520 --> 00:04:50.720
-you're in line mode
+you're in line mode,
 
 00:04:50.720 --> 00:04:53.759
-you go up and down by line and you can
+you go up and down by line, and you can
 
 00:04:53.759 --> 00:04:54.240
-move
+move lines
 
 00:04:54.240 --> 00:04:57.520
-lines up and down left and right and so
-
-00:04:57.520 --> 00:04:59.120
-on
+up and down left and right and so on.
 
 00:04:59.120 --> 00:05:00.880
-and the transformations you do are in
+The transformations you do are in
 
 00:05:00.880 --> 00:05:02.800
-terms of lines
+terms of lines.
 
 00:05:02.800 --> 00:05:08.400
-you could also go to window mode where
+You could also go to window mode, where
 
 00:05:08.400 --> 00:05:10.639
 now the objects that you're referring to
 
 00:05:10.639 --> 00:05:12.400
-are windows and you can
+are windows. You can
 
 00:05:12.400 --> 00:05:15.759
 move spatially amongst the windows or
 
 00:05:15.759 --> 00:05:17.520
-make do transformations on the windows
+do transformations on the windows
 
 00:05:17.520 --> 00:05:20.850
-using the same keystrokes
-
-00:05:20.850 --> 00:05:22.840
-[Music]
-
-00:05:22.840 --> 00:05:25.360
-um
+using the same keystrokes.
 
 00:05:25.360 --> 00:05:28.720
-so let's go to
+So let's go to...
 
 00:05:28.720 --> 00:05:32.800
-um right and so um the one of the things
+Right. One of the things,
 
 00:05:32.800 --> 00:05:35.280
-the the principles that play here is
+the principles that play here is
 
 00:05:35.280 --> 00:05:36.880
-something called the rumpelstiltskin
+something called the Rumpelstiltskin
 
 00:05:36.880 --> 00:05:38.000
-principle which is something
+principle, which is something
 
 00:05:38.000 --> 00:05:40.720
-that's known in computer science which
+that's known in computer science.
 
 00:05:40.720 --> 00:05:42.320
-is that if you can name something then
-
-00:05:42.320 --> 00:05:43.759
-you have that you have power
+If you can name something, then
 
 00:05:43.759 --> 00:05:46.720
-then you have power over it so this is
+you have power over it. This is
 
 00:05:46.720 --> 00:05:48.560
 kind of an adaptation of that principle
@@ -454,25 +436,22 @@ which says that if you can
 name something and if you can talk about
 
 00:05:52.320 --> 00:05:54.000
-it then it's a noun
-
-00:05:54.000 --> 00:05:55.360
-[Music]
+it, then it's a noun
 
 00:05:55.360 --> 00:05:56.960
-in your editing language and if it's a
+in your editing language. If it's a
 
 00:05:56.960 --> 00:05:58.960
-noun then it has
+noun, then it has...
 
 00:05:58.960 --> 00:06:01.520
-it's a mode so if we can talk about it
+It's a mode. So if we can talk about it,
 
 00:06:01.520 --> 00:06:02.319
-it's a noun
+it's a noun.
 
 00:06:02.319 --> 00:06:05.039
-if it's a noun then it's a mode and one
+If it's a noun, then it's a mode. One
 
 00:06:05.039 --> 00:06:06.479
 of the things we've been talking a lot
@@ -481,19 +460,19 @@ of the things we've been talking a lot
 about
 
 00:06:07.039 --> 00:06:10.800
-is modes so in fact
+is modes. In fact,
 
 00:06:10.800 --> 00:06:14.240
-uh by this principle modes also
+by this principle, modes also
 
 00:06:14.240 --> 00:06:17.280
-should be a mode
+should be a mode.
 
 00:06:17.280 --> 00:06:19.039
-you should have a mode that can reason
+You should have a mode that can reason
 
 00:06:19.039 --> 00:06:21.120
-in terms of modes as objects just like
+in terms of modes as objects, just like
 
 00:06:21.120 --> 00:06:22.080
 you have
@@ -502,16 +481,16 @@ you have
 modes where you can reason in terms of
 
 00:06:23.759 --> 00:06:26.560
-words or lines as objects
+words or lines as objects.
 
 00:06:26.560 --> 00:06:28.800
-and so let's do that let's go to mode
+So let's do that. Let's go to mode
 
 00:06:28.800 --> 00:06:30.479
-mode
+mode.
 
 00:06:30.479 --> 00:06:34.000
-when you go to mode mode you see that uh
+When you go to mode mode, you see that 
 
 00:06:34.000 --> 00:06:36.080
 the objects that are depicted here are
@@ -520,16 +499,16 @@ the objects that are depicted here are
 the modes that are
 
 00:06:37.919 --> 00:06:40.960
-that are present in the buffer
+present in the buffer,
 
 00:06:40.960 --> 00:06:44.880
-which we knew about um because the
+which we knew about because the
 
 00:06:44.880 --> 00:06:46.400
 style of editing that we had in this
 
 00:06:46.400 --> 00:06:48.720
-buffer was the vim style of editing
+buffer was the Vim style of editing
 
 00:06:48.720 --> 00:06:50.479
 where there's an insert mode at the
@@ -538,55 +517,52 @@ where there's an insert mode at the
 ground level and a normal mode that you
 
 00:06:52.400 --> 00:06:53.039
-can escape
+can escape to.
 
 00:06:53.039 --> 00:06:57.280
-to you insert enter the ground level
+You insert, enter the ground level.
 
 00:06:57.280 --> 00:07:00.479
-enter to the insert mode and escape to
+Enter to the insert mode and escape to
 
 00:07:00.479 --> 00:07:02.880
-normal mode and when you look at the
+normal mode. When you look at the
 
 00:07:02.880 --> 00:07:03.680
 mode mode
 
 00:07:03.680 --> 00:07:06.160
-representation you see that in fact that
+representation, you see that in fact that
 
 00:07:06.160 --> 00:07:10.479
-is the structure that's depicted
+is the structure that's depicted.
 
 00:07:10.479 --> 00:07:12.720
-but in different situations you might
+But in different situations, you might
 
 00:07:12.720 --> 00:07:14.080
 find
 
 00:07:14.080 --> 00:07:16.080
-that you that these modes are not the
+that these modes are not the
 
 00:07:16.080 --> 00:07:17.680
-ones that you want you want something
+ones that you want. You want something
 
 00:07:17.680 --> 00:07:19.360
 more tailored for the specific
 
 00:07:19.360 --> 00:07:20.880
-application
+application.
 
 00:07:20.880 --> 00:07:23.050
-for instance if you're editing
-
-00:07:23.050 --> 00:07:24.240
-[Music]
+For instance, if you're editing
 
 00:07:24.240 --> 00:07:27.360
-lisp code uh or or code in general but
+Lisp code (or code in general, but
 
 00:07:27.360 --> 00:07:30.880
-list code is a particular example
+Lisp code is a particular example),
 
 00:07:30.880 --> 00:07:32.960
 you might want to take advantage of the
@@ -595,10 +571,10 @@ you might want to take advantage of the
 structure of
 
 00:07:34.000 --> 00:07:37.599
-the code and for lisp code in particular
+the code. For Lisp code in particular,
 
 00:07:37.599 --> 00:07:40.960
-we have a mode called symax mode
+we have a mode called symex-mode
 
 00:07:40.960 --> 00:07:44.240
 which is able to reason
@@ -607,79 +583,79 @@ which is able to reason
 about your code in terms of its tree
 
 00:07:46.720 --> 00:07:47.919
-structure
+structure.
 
 00:07:47.919 --> 00:07:50.560
-so you can use the same keystrokes hkl
+So you can use the same keystrokes: hjkl
 
 00:07:50.560 --> 00:07:51.120
 goes
 
 00:07:51.120 --> 00:07:53.440
-left right up and down but you also have
+left, right, up, and down, but you also have
 
 00:07:53.440 --> 00:07:54.960
 other keystrokes that are more
 
 00:07:54.960 --> 00:07:58.080
-specialized to the application
+specialized to the application.
 
 00:07:58.080 --> 00:08:01.520
-and you can run the code and
+You can run the code.
 
 00:08:01.520 --> 00:08:06.960
-we'll see that happen here in a minute
+We'll see that happen here in a minute.
 
 00:08:06.960 --> 00:08:10.080
-and you can make changes to it really
+You can make changes to it really
 
 00:08:10.080 --> 00:08:12.240
 quickly
 
 00:08:12.240 --> 00:08:18.000
-and see the effects of those changes
+and see the effects of those changes.
 
 00:08:18.000 --> 00:08:19.440
-and you're doing this all in a mode
+You're doing this all in a mode
 
 00:08:19.440 --> 00:08:21.360
 that's convenient for
 
 00:08:21.360 --> 00:08:23.199
-this particular application which is
+this particular application, which is
 
 00:08:23.199 --> 00:08:25.039
-editing lisp code
+editing Lisp code,
 
 00:08:25.039 --> 00:08:28.960
-and that is in this case symmex mode
+and that is, in this case, symex-mode.
 
 00:08:28.960 --> 00:08:31.039
-so typically when you're editing code
+Typically, when you're editing code
 
 00:08:31.039 --> 00:08:32.640
-like this you'd want to be
+like this, you'd want to be
 
 00:08:32.640 --> 00:08:34.800
 in insert mode actually typing out the
 
 00:08:34.800 --> 00:08:36.640
-code
+code,
 
 00:08:36.640 --> 00:08:38.320
-and then you'd want to escape to simex
+and then you'd want to escape to symex
 
 00:08:38.320 --> 00:08:40.959
-mode rather than normal mode
+mode rather than normal mode,
 
 00:08:40.959 --> 00:08:42.159
 and then you could escape again and
 
 00:08:42.159 --> 00:08:44.080
-you'd end up in normal mode
+you'd end up in normal mode.
 
 00:08:44.080 --> 00:08:46.720
-so this if we go to mode mode we see is
+So this, if we go to mode mode, we see is
 
 00:08:46.720 --> 00:08:48.000
 depicted
@@ -688,112 +664,109 @@ depicted
 as this tower where insert is at the
 
 00:08:51.040 --> 00:08:52.800
-bottom and normal is at the top but
+bottom and normal is at the top, but
 
 00:08:52.800 --> 00:08:54.800
-symmex mode is in between
+symex-mode is in between
 
 00:08:54.800 --> 00:08:57.200
-the two you could also change that if
+the two. You could also change that if
 
 00:08:57.200 --> 00:08:58.800
-you like if you don't want cmx mode to
+you like. If you don't want symex-mode to
 
 00:08:58.800 --> 00:09:00.640
-be there you could just
+be there, you could just
 
 00:09:00.640 --> 00:09:03.760
-move it to the top and now you find some
+move it to the top. Now you find symex is
 
 00:09:03.760 --> 00:09:05.600
-mixes at the top and you enter down to
+at the top and you enter down to
 
 00:09:05.600 --> 00:09:06.160
-normal
+normal.
 
 00:09:06.160 --> 00:09:07.600
-you can see it on the status bar at the
+You can see it on the status bar at the
 
 00:09:07.600 --> 00:09:10.480
-bottom there enter to insert
+bottom there. Enter to insert,
 
 00:09:10.480 --> 00:09:13.839
-escape to normal escape to symmex and
+escape to normal, escape to symex.
 
 00:09:13.839 --> 00:09:16.480
-in fact you can even add more modes if
+In fact, you can even add more modes if
 
 00:09:16.480 --> 00:09:19.380
-you don't like the existing ones
-
-00:09:19.380 --> 00:09:21.519
-[Music]
+you don't like the existing ones.
 
 00:09:21.519 --> 00:09:23.839
-and now we have an additional mode here
+Now we have an additional mode here.
 
 00:09:23.839 --> 00:09:25.440
-we have window mode it goes down to
+We have window mode. It goes down to
 
 00:09:25.440 --> 00:09:27.519
-symmex goes down to normal
+symex, it goes down to normal.
 
 00:09:27.519 --> 00:09:30.320
-enter the insert escape to normal escape
+Enter the insert, escape to normal, escape
 
 00:09:30.320 --> 00:09:33.600
-to smx escape the window
+to symex, escape to window.
 
 00:09:33.600 --> 00:09:37.600
-um so we've talked okay so another thing
+So we've talked... Okay, so another thing
 
 00:09:37.600 --> 00:09:41.760
 actually to note here is that in editing
 
 00:09:41.760 --> 00:09:45.360
-modes um
+modes,
 
 00:09:45.360 --> 00:09:46.720
 if you look at the mode line at the
 
 00:09:46.720 --> 00:09:48.399
-bottom of the screen
+bottom of the screen,
 
 00:09:48.399 --> 00:09:50.640
-you'll see that we are currently in this
+you'll see that we are currently, in this
 
 00:09:50.640 --> 00:09:51.519
-buffer
+buffer,
 
 00:09:51.519 --> 00:09:54.560
-we are currently in line mode
+we are currently in line mode.
 
 00:09:54.560 --> 00:09:57.600
-and I'm going to hit enter now and
+I'm going to hit Enter now and
 
 00:09:57.600 --> 00:09:58.720
 you'll see that when I hit
 
 00:09:58.720 --> 00:10:01.519
-enter nothing is happening it's still in
+Enter, nothing is happening. It's still in
 
 00:10:01.519 --> 00:10:02.160
-line mode
+line mode.
 
 00:10:02.160 --> 00:10:05.120
-if you'd escape it's still in line mode
+If you hit Escape, it's still in line mode.
 
 00:10:05.120 --> 00:10:07.200
-and you can find out the reason for that
+You can find out the reason for that
 
 00:10:07.200 --> 00:10:10.640
-by taking another meta jump out of this
+by taking another meta jump out of this.
 
 00:10:10.640 --> 00:10:12.800
-and you'll see that in fact the reason
+You'll see that, in fact, the reason
 
 00:10:12.800 --> 00:10:15.279
-is that we're currently in line mode
+is that we're currently in line mode,
 
 00:10:15.279 --> 00:10:17.360
 and line mode is the only one available
@@ -805,112 +778,106 @@ in this tower
 for editing the modes that are in
 
 00:10:21.760 --> 00:10:24.880
-operation in your ground level
+operation in your ground level.
 
 00:10:24.880 --> 00:10:26.560
-and in fact line mode is all you need
+In fact, line mode is all you need
 
 00:10:26.560 --> 00:10:28.320
-here because this is just
+here, because this is just
 
 00:10:28.320 --> 00:10:30.320
-uh the nature of how these modes are
+the nature of how these modes are
 
 00:10:30.320 --> 00:10:32.079
 laid out is
 
 00:10:32.079 --> 00:10:35.040
-in in rows and so line mode is the most
+in rows. So line mode is the most
 
 00:10:35.040 --> 00:10:36.399
-appropriate thing here
+appropriate thing here.
 
 00:10:36.399 --> 00:10:37.680
-but you could change it to something
+But you could change it to something
 
 00:10:37.680 --> 00:10:39.740
-else if you like
-
-00:10:39.740 --> 00:10:40.959
-[Music]
+else if you like.
 
 00:10:40.959 --> 00:10:44.160
-and then now we've seen two towers we've
+Now we've seen two towers. We've
 
 00:10:44.160 --> 00:10:44.560
 seen
 
 00:10:44.560 --> 00:10:48.079
-the vim tower and we've seen
+the Vim tower and we've seen
 
 00:10:48.079 --> 00:10:53.680
-also the symex tower the the lisp tower
+also the symex tower, the Lisp tower.
 
 00:10:53.680 --> 00:10:56.959
-and it turns out that because we've been
+It turns out that, because we've been
 
 00:10:56.959 --> 00:10:58.880
-talking about towers now
+talking about towers now,
 
 00:10:58.880 --> 00:11:01.519
-by the rumpelstiltskin principle towers
+by the rumpelstiltskin principle, towers
 
 00:11:01.519 --> 00:11:02.800
 also
 
 00:11:02.800 --> 00:11:06.399
-um can be talked about
+can be talked about,
 
 00:11:06.399 --> 00:11:09.279
-and therefore they also are a mode so
+and therefore they also are a mode. So
 
 00:11:09.279 --> 00:11:11.200
-how do we go to tower mode
+how do we go to tower mode?
 
 00:11:11.200 --> 00:11:14.640
-and the way we go tower mode is we do
+The way we go to tower mode is 
 
 00:11:14.640 --> 00:11:19.200
-we go in a slightly different direction
+we go in a slightly different direction,
 
 00:11:19.200 --> 00:11:20.800
 and we find that we are now in tower
 
 00:11:20.800 --> 00:11:23.360
-mode
+mode.
 
 00:11:23.360 --> 00:11:27.440
-and we see that there are many towers
+We see that there are many towers
 
 00:11:27.440 --> 00:11:29.279
-available so we're now
+available. We're now...
 
 00:11:29.279 --> 00:11:32.640
-we're we're seeing several possible
+We're seeing several possible
 
 00:11:32.640 --> 00:11:36.240
 towers that we have written
 
 00:11:36.240 --> 00:11:39.120
-um to be available and for use in
+to be available and for use in
 
 00:11:39.120 --> 00:11:41.440
-different buffers and you can edit them
+different buffers. You can edit them
 
 00:11:41.440 --> 00:11:44.000
-on the fly for instance let's enter this
+on the fly. For instance, let's enter this
 
 00:11:44.000 --> 00:11:46.630
-tower
-
-00:11:46.630 --> 00:11:48.000
-[Music]
+tower.
 
 00:11:48.000 --> 00:11:49.920
-and now you see that in the bottom of
+Now you see that in the bottom of
 
 00:11:49.920 --> 00:11:51.519
-the in the mode line you see that we're
+the... In the mode line, you see that we're
 
 00:11:51.519 --> 00:11:52.480
 going
@@ -919,49 +886,49 @@ going
 across all of these different modes that
 
 00:11:54.240 --> 00:11:56.480
-were in the tower
+were in the tower.
 
 00:11:56.480 --> 00:11:58.800
-and you could escape and you could even
+You could escape and you could even
 
 00:11:58.800 --> 00:12:00.399
-move things around you could put window
+move things around. You could put window
 
 00:12:00.399 --> 00:12:00.880
 mode
 
 00:12:00.880 --> 00:12:02.399
-all the way at the bottom right above
+all the way at the bottom, right above
 
 00:12:02.399 --> 00:12:04.079
-insert mode
+insert mode.
 
 00:12:04.079 --> 00:12:06.880
-let's see that happen there it is window
+Let's see that happen. There it is, window
 
 00:12:06.880 --> 00:12:09.839
-is right above insert
+is right above insert, and
 
 00:12:09.839 --> 00:12:13.040
-so on and the tower always reflects your
+so on. The tower always reflects your
 
 00:12:13.040 --> 00:12:14.240
-current position
+current position,
 
 00:12:14.240 --> 00:12:15.760
 so if you're in buffer mode here and you
 
 00:12:15.760 --> 00:12:17.600
-go down to line mode
+go down to line mode,
 
 00:12:17.600 --> 00:12:19.120
-when you go back to mode mode you see
+when you go back to mode mode, you see
 
 00:12:19.120 --> 00:12:22.480
-that we are in line mode
+that we are in line mode.
 
 00:12:22.480 --> 00:12:24.000
-but in practice you wouldn't have a
+But in practice, you wouldn't have a
 
 00:12:24.000 --> 00:12:26.160
 tower this elaborate because
@@ -970,49 +937,49 @@ tower this elaborate because
 you'd rather have several smaller towers
 
 00:12:28.959 --> 00:12:29.440
-you
+you enter,
 
 00:12:29.440 --> 00:12:33.360
-enter that you alternate between
+that you alternate between.
 
 00:12:33.360 --> 00:12:36.639
-um okay so one
+Okay. So one
 
 00:12:36.639 --> 00:12:39.839
 other thing of interest here is that
 
 00:12:39.839 --> 00:12:42.240
-when you're in tower mode
+when you're in tower mode,
 
 00:12:42.240 --> 00:12:43.839
 if you look at the status line at the
 
 00:12:43.839 --> 00:12:45.920
-bottom there we are currently
+bottom there, we are currently
 
 00:12:45.920 --> 00:12:49.200
 in buffer mode while we are in tower
 
 00:12:49.200 --> 00:12:49.839
-mode
+mode.
 
 00:12:49.839 --> 00:12:51.600
-and tower mode actually isn't a mode
+Tower mode actually isn't a mode
 
 00:12:51.600 --> 00:12:53.519
-really neither is mode mode they're
+really. Neither is mode mode. They're
 
 00:12:53.519 --> 00:12:53.920
 really
 
 00:12:53.920 --> 00:12:58.000
-referential planes or meta planes
+referential planes or meta planes.
 
 00:12:58.000 --> 00:13:00.959
-um in any case you can see that we're in
+In any case, you can see that we're in
 
 00:13:00.959 --> 00:13:03.120
-buffer mode and we can take a meta jump
+buffer mode. We can take a meta jump
 
 00:13:03.120 --> 00:13:04.560
 out of this to confirm
@@ -1030,76 +997,67 @@ when we're editing towers because that's
 the one
 
 00:13:11.200 --> 00:13:14.240
-we need given that our towers are
+we need, given that our towers are
 
 00:13:14.240 --> 00:13:15.200
 represented
 
 00:13:15.200 --> 00:13:23.200
-in individual buffers
+in individual buffers.
 
 00:13:23.200 --> 00:13:26.000
-right so let's uh let's see where we're
+Right. So let's see where we're
 
 00:13:26.000 --> 00:13:26.320
-at
+at.
 
 00:13:26.320 --> 00:13:28.240
-trump's still skin principle we talked
+Rumpelstiltskin principle... We talked
 
 00:13:28.240 --> 00:13:30.160
-about mode mode
+about mode mode.
 
 00:13:30.160 --> 00:13:32.240
-um we talked about the strange loop
+We talked about the strange loop
 
 00:13:32.240 --> 00:13:33.920
 application of
 
 00:13:33.920 --> 00:13:37.820
-ground level modes in meta levels
-
-00:13:37.820 --> 00:13:39.600
-[Music]
+ground level modes in meta levels.
 
 00:13:39.600 --> 00:13:42.240
-and yeah we saw the different towers and
+We saw the different towers, and
 
 00:13:42.240 --> 00:13:43.199
-in fact
+in fact,
 
 00:13:43.199 --> 00:13:46.639
-you can we're currently in
+we're currently in
 
 00:13:46.639 --> 00:13:50.720
-vim tower
+Vim tower,
 
 00:13:50.720 --> 00:13:53.120
-where you can go to Emacs tower and now
+where you can go to Emacs tower. Now,
 
 00:13:53.120 --> 00:13:54.720
-with a single keystroke you can
+with a single keystroke, you can
 
 00:13:54.720 --> 00:13:55.760
 alternate
 
 00:13:55.760 --> 00:13:59.040
-between e-max
+between Emacs
 
 00:13:59.040 --> 00:14:02.399
-and vim which are represented which are
+and Vim, which are represented--which are
 
 00:14:02.399 --> 00:14:05.519
-modeled as towers
-
-00:14:05.519 --> 00:14:09.279
-um
-
-00:14:09.279 --> 00:14:13.360
-okay so
+modeled as towers.
 
 00:14:13.360 --> 00:14:15.360
-so there's uh the one thing that we've
+So there's... One thing that we've
 
 00:14:15.360 --> 00:14:17.040
 sort of alluded to is that there are two
@@ -1111,49 +1069,49 @@ directions
 that you can travel in when you're going
 
 00:14:20.480 --> 00:14:22.399
-through this framework
+through this framework.
 
 00:14:22.399 --> 00:14:25.120
-one lev one direction is uh and we'll
+One direction is--and we'll
 
 00:14:25.120 --> 00:14:33.760
-visualize it with uh like so
+visualize it like so...
 
 00:14:33.760 --> 00:14:35.120
-there's two directions you can travel
+There's two directions you can travel,
 
 00:14:35.120 --> 00:14:37.040
 and you can either go sideways or you
 
 00:14:37.040 --> 00:14:38.399
-can go up and down
+can go up and down.
 
 00:14:38.399 --> 00:14:40.399
-if you go sideways you're changing your
+If you go sideways, you're changing your
 
 00:14:40.399 --> 00:14:41.680
-perspective
+perspective.
 
 00:14:41.680 --> 00:14:45.440
-so normal mode word mode line mode
+So normal mode, word mode, line mode,
 
 00:14:45.440 --> 00:14:47.360
-window mode and so on are all different
+window mode, and so on are all different
 
 00:14:47.360 --> 00:14:49.120
-perspectives on your under on your
+perspectives on your 
 
 00:14:49.120 --> 00:14:51.680
-ground editing experience
+ground editing experience.
 
 00:14:51.680 --> 00:14:53.040
-and the other direction you can travel
+The other direction you can travel
 
 00:14:53.040 --> 00:14:55.519
-in is up or down which takes you
+in is up or down, which takes you
 
 00:14:55.519 --> 00:14:57.920
-through meta levels so you go from the
+through meta levels. So you go from the
 
 00:14:57.920 --> 00:14:59.600
 ground level editing experience
@@ -1165,19 +1123,19 @@ up to mode mode and then up to the tower
 plane and so on
 
 00:15:03.440 --> 00:15:07.040
-or uh yeah and so on
+and so on.
 
 00:15:07.040 --> 00:15:10.800
-um yeah so this all sounds
+So this all sounds
 
 00:15:10.800 --> 00:15:14.880
-very complex but the truth is
+very complex, but the truth is
 
 00:15:14.880 --> 00:15:18.160
 it's not really that complicated
 
 00:15:18.160 --> 00:15:21.519
-even though it feels that way the reason
+even though it feels that way. The reason
 
 00:15:21.519 --> 00:15:22.959
 it isn't that complicated
@@ -1189,7 +1147,7 @@ is because no matter how many levels
 up or down you go and no matter where
 
 00:15:28.800 --> 00:15:30.160
-you are
+you are,
 
 00:15:30.160 --> 00:15:32.399
 whether you're in at the ground level
@@ -1198,43 +1156,43 @@ whether you're in at the ground level
 editing the actual text
 
 00:15:34.079 --> 00:15:36.000
-or whether you're at a meta level some
+or whether you're at a meta level, some
 
 00:15:36.000 --> 00:15:37.600
 unknown meta level and you don't know
 
 00:15:37.600 --> 00:15:39.279
-where you are
+where you are,
 
 00:15:39.279 --> 00:15:42.320
-no matter where you are the way in which
+no matter where you are, the way in which
 
 00:15:42.320 --> 00:15:44.399
 you interact with it
 
 00:15:44.399 --> 00:15:47.519
-is the same at every level
+is the same at every level.
 
 00:15:47.519 --> 00:15:52.000
-and that is the great power of um
+That is the great power of 
 
 00:15:52.000 --> 00:15:55.440
-this approach is that
+this approach: that
 
 00:15:55.440 --> 00:15:58.720
-all of the different levels um are the
+all of the different levels are the
 
 00:15:58.720 --> 00:16:00.880
-same
+same.
 
 00:16:00.880 --> 00:16:03.839
-and in fact the complexity of the whole
+In fact, the complexity of the whole
 
 00:16:03.839 --> 00:16:05.759
 is exactly identical to the
 
 00:16:05.759 --> 00:16:08.720
-complexity of each part so if you know
+complexity of each part, so if you know
 
 00:16:08.720 --> 00:16:10.000
 how to edit words
@@ -1246,7 +1204,7 @@ in the ground level buffer and you know
 how to move
 
 00:16:13.440 --> 00:16:15.839
-lines around using line mode then you
+lines around using line mode, then you
 
 00:16:15.839 --> 00:16:16.720
 know how to edit
@@ -1255,49 +1213,40 @@ know how to edit
 any aspect of your editing experience at
 
 00:16:19.519 --> 00:16:22.800
-any level
-
-00:16:22.800 --> 00:16:23.310
-so
-
-00:16:23.310 --> 00:16:26.240
-[Music]
-
-00:16:26.240 --> 00:16:30.079
-um
+any level.
 
 00:16:30.079 --> 00:16:32.000
-so this is a pre-release demo this
+So this is a pre-release demo. This
 
 00:16:32.000 --> 00:16:33.839
-doesn't exist on melpa
+doesn't exist on MELPA
 
 00:16:33.839 --> 00:16:36.880
-yet but you can follow updates um
+yet, but you can follow updates 
 
 00:16:36.880 --> 00:16:40.079
-at this repo on github
+at this repo on github.
 
 00:16:40.079 --> 00:16:44.079
-and if you can also be a beta tester or
+If you can also be a beta tester or
 
 00:16:44.079 --> 00:16:45.199
-something like that if you like that
+something like that, if you like, that
 
 00:16:45.199 --> 00:16:46.000
 would be very
 
 00:16:46.000 --> 00:16:49.199
-uh helpful and you can learn more about
+helpful. You can learn more about
 
 00:16:49.199 --> 00:16:50.560
 this at
 
 00:16:50.560 --> 00:16:53.920
-dream.org which is where I house
+drym.org, which is where I house
 
 00:16:53.920 --> 00:16:55.920
-the research that I work on and in
+the research that I work on. In
 
 00:16:55.920 --> 00:16:57.279
 particular
@@ -1306,13 +1255,13 @@ particular
 the research on epistemic levels is what
 
 00:17:00.800 --> 00:17:03.600
-inspired this particular Emacs extension
+inspired this particular Emacs extension.
 
 00:17:03.600 --> 00:17:06.480
-you can also learn about dialectical
+You can also learn about dialectical
 
 00:17:06.480 --> 00:17:08.480
-inheritance attribution which is the
+inheritance attribution, which is the
 
 00:17:08.480 --> 00:17:10.880
 basis of
@@ -1324,13 +1273,13 @@ a new economic system that could be fair
 and could lead to a prosperous and happy
 
 00:17:16.959 --> 00:17:19.439
-world
+world.
 
 00:17:19.439 --> 00:17:22.799
-and um yeah you can follow me on
+You can follow me on
 
 00:17:22.799 --> 00:17:26.319
-twitter at countwajoula and
+Twitter at @countvajhula. 
 
 00:17:26.319 --> 00:17:31.919
-that's it thank you
+That's it! Thank you.