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authorSacha Chua <sacha@sachachua.com>2023-09-12 20:35:01 -0400
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+[[!meta title="Why Nabokov would use Org-Mode if he were writing today"]]
+[[!meta copyright="Copyright &copy; 2023 Edmund Jorgensen"]]
+[[!inline pages="internal(2023/info/nabokov-nav)" raw="yes"]]
+
+<!-- Initially generated with emacsconf-publish-talk-page and then left alone for manual editing -->
+<!-- You can manually edit this file to update the abstract, add links, etc. --->
+
+
+# Why Nabokov would use Org-Mode if he were writing today
+Edmund Jorgensen (he/him) - <https://tomheon.com>, <mailto:ewj@inkwellandoften.com>
+
+[[!inline pages="internal(2023/info/nabokov-before)" raw="yes"]]
+
+I've written several novels in Emacs. One of them grew into a monster with a
+baker's dozen twisty, interconnected subplots.
+
+When I started to revise that novel, I had to use an outline to keep all the
+subplots straight, but I found it nearly impossible to keep that external
+outline consistent with the prose.
+
+Finally I landed on a workflow using org-mode to keep the outline and the
+prose together, which significantly reduced the burden of keeping the two
+consistent as I moved and modified sections. I also found a way to use tags
+and sparse views over them to enable quick read-throughs of subsets of the
+book for continuity checks (which I plan to demo).
+
+Later--long after finishing the book--I realized this process was essentially
+the Emacs update to the writing process that Nabokov used: he wrote on index
+cards that served as both prose and outline, so that he could move them around
+(which he did incessantly).
+
+There's something deeply beautiful about org-mode's refusal to treat structure
+and prose as different things in a piece of writing--something I think Nabokov
+would have appreciated, and something I definitely appreciate, because it
+saved my novel.
+
+
+[[!inline pages="internal(2023/info/nabokov-after)" raw="yes"]]
+
+[[!inline pages="internal(2023/info/nabokov-nav)" raw="yes"]]
+
+