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| author | Sacha Chua <sacha@sachachua.com> | 2023-10-14 18:15:50 -0400 |
|---|---|---|
| committer | Sacha Chua <sacha@sachachua.com> | 2023-10-14 18:15:50 -0400 |
| commit | 1dfd58e2c267cf148db5ff1a725dc2beee32f851 (patch) | |
| tree | e02a5818365868c9d88c1be296a7f971e3cd288a /2023/talks/nabokov.md | |
| parent | 6e912bcaca60a646568bded987112fd8fa8dcff7 (diff) | |
| download | emacsconf-wiki-1dfd58e2c267cf148db5ff1a725dc2beee32f851.tar.xz emacsconf-wiki-1dfd58e2c267cf148db5ff1a725dc2beee32f851.zip | |
add about the speaker
Diffstat (limited to '2023/talks/nabokov.md')
| -rw-r--r-- | 2023/talks/nabokov.md | 8 |
1 files changed, 8 insertions, 0 deletions
diff --git a/2023/talks/nabokov.md b/2023/talks/nabokov.md index 1832fd3d..3f768f11 100644 --- a/2023/talks/nabokov.md +++ b/2023/talks/nabokov.md @@ -34,6 +34,14 @@ and prose as different things in a piece of writing--something I think Nabokov would have appreciated, and something I definitely appreciate, because it saved my novel. +About the speaker: + +I'm Edmund Jorgensen, a software engineer by day and a writer by night, using +Emacs for both. When one of my novels threatened to collapse under the weight +of its own subplots, org-mode's powerful blending of structure and prose +rescued it. I'd like to show you how that worked, and how much of org-mode's +power for writing comes from its similarity to Nabokov's famous +index-card-based writing process. [[!inline pages="internal(2023/info/nabokov-after)" raw="yes"]] |