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author | Sacha Chua <sacha@sachachua.com> | 2020-12-10 11:22:05 -0500 |
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committer | Sacha Chua <sacha@sachachua.com> | 2020-12-10 11:22:05 -0500 |
commit | edc4dd439ef0340ff1fa26e4762cad4bb1d5c0fc (patch) | |
tree | c464faba1e3fb42ea1182f7687037a741a437cbd /2020/subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory.vtt | |
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Add subtitles for talk04
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diff --git a/2020/subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory.vtt b/2020/subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory.vtt new file mode 100644 index 00000000..e145fd24 --- /dev/null +++ b/2020/subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory.vtt @@ -0,0 +1,607 @@ +WEBVTT + +00:00:02.000 --> 00:00:04.799 +Hello, everyone, and welcome to the EmacsConf. + +00:00:04.799 --> 00:00:07.200 +I am Jonathan. In this talk I'm going + +00:00:07.200 --> 00:00:09.599 +to demonstrate ways of producing sheet + +00:00:09.599 --> 00:00:10.880 +music in Emacs + +00:00:10.880 --> 00:00:14.320 +using Lilypond, and maybe also convince + +00:00:14.320 --> 00:00:18.640 +you to use Emacs for writing your scores. + +00:00:18.640 --> 00:00:20.400 +I'll start with an overview of the + +00:00:20.400 --> 00:00:22.240 +syntax for those who are new to using + +00:00:22.240 --> 00:00:24.400 +text-based notation + +00:00:24.400 --> 00:00:26.800 +as a shallow dive into the deep pond of + +00:00:26.800 --> 00:00:28.800 +lilies and Lilypond, + +00:00:28.800 --> 00:00:30.800 +and move on to showcase some of its + +00:00:30.800 --> 00:00:32.960 +functionalities using Org Mode + +00:00:32.960 --> 00:00:36.320 +and lilypond-mode. One disclaimer, + +00:00:36.320 --> 00:00:40.480 +however: I am not a Lilypond developer. + +00:00:40.480 --> 00:00:44.079 +So what is Lilypond? Lilypond is + +00:00:44.079 --> 00:00:46.800 +a file format and music engraving system + +00:00:46.800 --> 00:00:50.000 +for producing high-quality sheet music. + +00:00:50.000 --> 00:00:52.640 +It translates textual representations of + +00:00:52.640 --> 00:00:55.120 +music to graphical objects. + +00:00:55.120 --> 00:00:57.760 +It's similar to LaTeX in that its + +00:00:57.760 --> 00:01:00.000 +input format describes the visual + +00:01:00.000 --> 00:01:01.600 +layouts of the score, + +00:01:01.600 --> 00:01:03.520 +using commands to define musical + +00:01:03.520 --> 00:01:05.119 +expressions. + +00:01:05.119 --> 00:01:07.760 +Commands begin with a backslash. + +00:01:07.760 --> 00:01:08.640 +For example, + +00:01:08.640 --> 00:01:10.479 +the formatter command, as shown on the + +00:01:10.479 --> 00:01:13.040 +left, yields its graphical equivalents on + +00:01:13.040 --> 00:01:13.920 +the right, + +00:01:13.920 --> 00:01:16.640 +the fermata symbol over the low B and + +00:01:16.640 --> 00:01:19.119 +so on and so forth. + +00:01:19.119 --> 00:01:21.600 +It's also fully extensible, like Emacs, + +00:01:21.600 --> 00:01:23.119 +allowing users to extend + +00:01:23.119 --> 00:01:25.600 +and override Lilypond's functionalities + +00:01:25.600 --> 00:01:26.640 +using the Scheme + +00:01:26.640 --> 00:01:29.840 +scripting language. It can be used for + +00:01:29.840 --> 00:01:31.600 +early and contemporary music + +00:01:31.600 --> 00:01:34.479 +tablature, vocal music lead sheets, + +00:01:34.479 --> 00:01:35.200 +and so on. + +00:01:35.200 --> 00:01:38.000 +Above all, it works with Emacs. + +00:01:38.000 --> 00:01:38.479 +In fact, + +00:01:38.479 --> 00:01:41.040 +Lilypond ships with Emacs Lisp libraries, + +00:01:41.040 --> 00:01:43.119 +including a major mode for editing + +00:01:43.119 --> 00:01:47.360 +Lilypond files. + +00:01:47.360 --> 00:01:50.000 +So the input files are similar to + +00:01:50.000 --> 00:01:50.560 +source files. + +00:01:50.560 --> 00:01:52.560 +They contain expressions formed with + +00:01:52.560 --> 00:01:54.079 +curly braces, + +00:01:54.079 --> 00:01:55.840 +comments that start with the percent + +00:01:55.840 --> 00:02:00.240 +sign, and the code is indented. + +00:02:00.240 --> 00:02:02.159 +Notes are entered using lowercase + +00:02:02.159 --> 00:02:05.600 +letters, and rests with the letter r. + +00:02:05.600 --> 00:02:08.800 +In this case, the lowercase r or r4 + +00:02:08.800 --> 00:02:11.039 +is the equivalence of a crotchet or + +00:02:11.039 --> 00:02:14.000 +quarter note rest. + +00:02:14.000 --> 00:02:16.160 +Durations are entered using numbers and + +00:02:16.160 --> 00:02:18.480 +dots after the note name. + +00:02:18.480 --> 00:02:20.959 +If you do not specify one, the previous + +00:02:20.959 --> 00:02:22.640 +duration is used. + +00:02:22.640 --> 00:02:24.560 +You can also tie notes together using + +00:02:24.560 --> 00:02:27.360 +the tilde symbol (~). + +00:02:27.360 --> 00:02:30.000 +In fact, you can input chords, lyrics, + +00:02:30.000 --> 00:02:32.080 +embellishments, and a lot more. + +00:02:32.080 --> 00:02:33.920 +I encourage you to read the manual for + +00:02:33.920 --> 00:02:36.160 +more information. + +00:02:36.160 --> 00:02:39.680 +Now let's switch to a terminal window. + +00:02:39.680 --> 00:02:42.000 +with Lilypond installed, let's create + +00:02:42.000 --> 00:02:43.840 +a test file with the extension + +00:02:43.840 --> 00:02:50.560 +.ly and open it in Emacs. + +00:02:50.560 --> 00:02:52.400 +At the top of the file is the version + +00:02:52.400 --> 00:02:54.800 +statement, which tells Lilypond which + +00:02:54.800 --> 00:02:57.440 +version to use when compiling the file. + +00:02:57.440 --> 00:03:00.959 +Here I'm using version 2.20.0. + +00:03:00.959 --> 00:03:04.159 +I've added the clef and time signature. + +00:03:04.159 --> 00:03:09.280 +Let's add some notes. + +00:03:09.280 --> 00:03:12.400 +I'm going to close this now and + +00:03:12.400 --> 00:03:14.560 +compile the file by running + +00:03:14.560 --> 00:03:19.760 +lilypond followed by the file name. + +00:03:19.760 --> 00:03:27.360 +So now let's view the output. + +00:03:27.360 --> 00:03:29.760 +Okay. So here's a more complex example + +00:03:29.760 --> 00:03:32.239 +for randomizing note sequences. + +00:03:32.239 --> 00:03:34.080 +The idea is to create new reading + +00:03:34.080 --> 00:03:36.239 +materials each time the code blocks are + +00:03:36.239 --> 00:03:37.760 +evaluated. + +00:03:37.760 --> 00:03:40.640 +As usual, we begin with a header. + +00:03:40.640 --> 00:03:41.840 +I've added the title + +00:03:41.840 --> 00:03:45.200 +and composer. Then we add the note + +00:03:45.200 --> 00:03:47.920 +sequences to use in the composition. + +00:03:47.920 --> 00:03:51.200 +In this case, sn is a note name just like + +00:03:51.200 --> 00:03:54.959 +a b c d and so on, and stands for snare drum, + +00:03:54.959 --> 00:03:58.879 +the percussion instruments. + +00:03:58.879 --> 00:04:00.720 +Now here's a function that's going to + +00:04:00.720 --> 00:04:04.080 +shuffle the notes in the table. + +00:04:04.080 --> 00:04:06.560 +Finally, we expand the notes inside + +00:04:06.560 --> 00:04:08.799 +the Lilypond source block. + +00:04:08.799 --> 00:04:10.799 +So whatever the function returns is + +00:04:10.799 --> 00:04:13.680 +expanded inside the drums block. + +00:04:13.680 --> 00:04:16.479 +Now let's press C-c C-c to view + +00:04:16.479 --> 00:04:20.079 +the results. + +00:04:20.079 --> 00:04:23.280 +Okay. And if I run this again, it should + +00:04:23.280 --> 00:04:26.840 +create a new composition. + +00:04:26.840 --> 00:04:29.680 +Great. You can also audition a piece + +00:04:29.680 --> 00:04:31.360 +using the midi command, + +00:04:31.360 --> 00:04:34.320 +which creates a midi file of the score. + +00:04:34.320 --> 00:04:36.560 +Note also that the ob library-- + +00:04:36.560 --> 00:04:39.040 +sorry, the ob-lilypond library comes + +00:04:39.040 --> 00:04:40.400 +with two modes. + +00:04:40.400 --> 00:04:42.560 +The one I'm using now is called + +00:04:42.560 --> 00:04:43.440 +arrange mode + +00:04:43.440 --> 00:04:45.440 +and is useful for assembling + +00:04:45.440 --> 00:04:47.120 +complete scores. + +00:04:47.120 --> 00:04:49.360 +The basic mode on the other hand allows + +00:04:49.360 --> 00:04:51.199 +you to mix text and music + +00:04:51.199 --> 00:04:53.360 +by embedding Lilypond snippets and + +00:04:53.360 --> 00:04:55.440 +export them using typical Org Mode + +00:04:55.440 --> 00:05:00.240 +commands. + +00:05:00.240 --> 00:05:02.320 +Now to demonstrate the basic mode in + +00:05:02.320 --> 00:05:04.320 +action. I'm going to export this document + +00:05:04.320 --> 00:05:05.120 +to a PDF file. + +00:05:05.120 --> 00:05:08.240 +In this case, the + +00:05:08.240 --> 00:05:10.639 +:file header argument is required, so you + +00:05:10.639 --> 00:05:11.919 +have to provide one + +00:05:11.919 --> 00:05:15.600 +and include the file name. + +00:05:15.600 --> 00:05:17.919 +Again, you can run the code and view + +00:05:17.919 --> 00:05:22.160 +the results. + +00:05:22.160 --> 00:05:25.840 +Here it is. So now let's + +00:05:25.840 --> 00:05:33.680 +export this to a PDF file. + +00:05:33.680 --> 00:05:39.680 +And here it is, what it generates. + +00:05:39.680 --> 00:05:41.440 +Now I'm going to show you the workflow I + +00:05:41.440 --> 00:05:44.000 +used to produce music books in Emacs, + +00:05:44.000 --> 00:05:46.160 +combining Lilypond and LaTeX for a + +00:05:46.160 --> 00:05:48.000 +perfect marriage. + +00:05:48.000 --> 00:05:50.160 +I begin by sketching the first draft of the + +00:05:50.160 --> 00:05:53.039 +manuscript using pencil and paper. + +00:05:53.039 --> 00:05:55.039 +Then I move to Emacs to input the notes + +00:05:55.039 --> 00:05:57.440 +in a git repository. + +00:05:57.440 --> 00:06:00.080 +This is a typical source file. It begins + +00:06:00.080 --> 00:06:01.360 +with a stylesheet + +00:06:01.360 --> 00:06:03.199 +where I set variables and layout + +00:06:03.199 --> 00:06:05.440 +settings, although in general, there's no + +00:06:05.440 --> 00:06:07.039 +need for tweaking the layout + +00:06:07.039 --> 00:06:09.280 +unless you have specific requirements to + +00:06:09.280 --> 00:06:11.199 +do so. + +00:06:11.199 --> 00:06:13.360 +The easiest way to compile the file from + +00:06:13.360 --> 00:06:15.520 +Emacs is by pressing C-c C-l, + +00:06:15.520 --> 00:06:19.280 +so let's do this now, + +00:06:19.280 --> 00:06:21.199 +and the compilation buffer will tell you + +00:06:21.199 --> 00:06:23.759 +if there were any errors in the file. + +00:06:23.759 --> 00:06:26.000 +Now to automate the process of compiling + +00:06:26.000 --> 00:06:28.560 +several files and building the PDF, + +00:06:28.560 --> 00:06:31.280 +I use GNU Make, so all I have to do is + +00:06:31.280 --> 00:06:32.560 +open the shell + +00:06:32.560 --> 00:06:36.000 +and run the make command. Don't worry, + +00:06:36.000 --> 00:06:37.840 +I'll provide a link to the source code + +00:06:37.840 --> 00:06:41.600 +on the last slide. + +00:06:41.600 --> 00:06:43.600 +As I moved forward with the project, I + +00:06:43.600 --> 00:06:46.000 +found at least two things missing. + +00:06:46.000 --> 00:06:48.720 +One, I had no access to a metronome, + +00:06:48.720 --> 00:06:50.479 +at least not from the editor, + +00:06:50.479 --> 00:06:52.960 +so I built one for casual use and made + +00:06:52.960 --> 00:06:55.919 +it available in the MELPA repository. + +00:06:55.919 --> 00:06:59.039 +I also missed bar numbers in the source file. + +00:06:59.039 --> 00:07:00.880 +This is useful when going back and forth + +00:07:00.880 --> 00:07:03.199 +between input and output files without + +00:07:03.199 --> 00:07:04.479 +getting lost. + +00:07:04.479 --> 00:07:06.720 +So I wrote a command for toggling bar + +00:07:06.720 --> 00:07:10.000 +numbers, which I hope you can see on the left. + +00:07:10.000 --> 00:07:12.080 +Also, some expressions are difficult or + +00:07:12.080 --> 00:07:14.160 +slow to write on the keyboard-- + +00:07:14.160 --> 00:07:17.039 +accents and tuplets, for example--so I use + +00:07:17.039 --> 00:07:20.160 +template expansion extensively for this purpose, + +00:07:20.160 --> 00:07:23.440 +mainly ya-snippet. + +00:07:23.440 --> 00:07:25.680 +So what do I think? Well, I think + +00:07:25.680 --> 00:07:28.080 +Lilypond can be a sharp paradigm shift + +00:07:28.080 --> 00:07:31.039 +for people used to GUI alternatives, but + +00:07:31.039 --> 00:07:32.720 +the results are impressive. + +00:07:32.720 --> 00:07:34.639 +You don't have to dive too deeply to + +00:07:34.639 --> 00:07:36.960 +start using Lilypond. + +00:07:36.960 --> 00:07:38.880 +Likewise, the ability to extend the + +00:07:38.880 --> 00:07:40.720 +software, I think, is especially appealing + +00:07:40.720 --> 00:07:42.400 +for music professionals, + +00:07:42.400 --> 00:07:45.199 +enthusiasts, composers, and the academic + +00:07:45.199 --> 00:07:46.560 +community: + +00:07:46.560 --> 00:07:48.400 +for example, allowing users to create + +00:07:48.400 --> 00:07:50.800 +alternative notation systems required in + +00:07:50.800 --> 00:07:53.120 +non-Western music traditions + +00:07:53.120 --> 00:07:56.160 +and other non-conventional requirements. + +00:07:56.160 --> 00:07:58.400 +Also, Lilypond and Emacs both have + +00:07:58.400 --> 00:08:00.720 +extensive and well-written manuals + +00:08:00.720 --> 00:08:04.639 +and active communities of users. + +00:08:04.639 --> 00:08:06.400 +But if you're still not sure where to + +00:08:06.400 --> 00:08:09.599 +start and when to wedge your feet in the deep + +00:08:09.599 --> 00:08:12.160 +but warm pond of lilies, Lilypond, and + +00:08:12.160 --> 00:08:13.680 +Lilypond users, + +00:08:13.680 --> 00:08:15.680 +I invite you to contribute to my + +00:08:15.680 --> 00:08:16.960 +Lilypond projects, + +00:08:16.960 --> 00:08:18.800 +which you can do so from the links on + +00:08:18.800 --> 00:08:20.720 +the screen. + +00:08:20.720 --> 00:08:22.800 +So, thank you all. I look forward to your + +00:08:22.800 --> 00:08:24.639 +comments, and I hope you enjoy the rest + +00:08:24.639 --> 00:08:27.840 +of the conference. |