Hello, my name is Grant Shangreaux.
+00:00:04.480 --> 00:00:09.519 This is my talk titled Bard Bivou(m)acs: +Publishing Music with Emacs.
-Publishing Music +00:00:09.519 --> 00:00:14.400 +I'm a software developer with Unabridged +Software in Lincoln, Nebraska.
-with Emacs. I'm a software -
-developer with Unabridged Software in -
-Lincoln, Nebraska. -
+00:00:14.400 --> 00:00:18.720 Long time Emacs user, relatively new -
Emacs hacker.
-Hopefully, I'll be able to show +00:00:18.720 --> 00:00:22.487 +Hopefully, I'll be able to show you +my workflow,
-you my workflow, with +00:00:22.487 --> 00:00:30.480 +with how I publish music with Emacs.
-how I publish music with Emacs. +00:00:30.480 --> 00:00:35.520 +All right. So as a musician, I would +like to publish my music online.
-All right. So as a musician, I would like +00:00:35.520 --> 00:00:39.040 +I could publish with popular online +music services,
-to publish my music online. +00:00:39.040 --> 00:00:41.061 +but I'm more of a DIY-type,
-I could publish with popular -
-online music services, -
-but I'm more of a DIY-type, so I chose to -
-go ahead and publish with Emacs. +00:00:41.061 --> 00:00:44.719 +so I chose to go ahead and +publish with Emacs.
What's the motivation behind this?
+00:00:48.160 --> 00:00:51.600 A lot of it comes down to some -
fundamental freedoms
+00:00:51.600 --> 00:00:57.178 that Emacs and GNU software +represent to me,
-represent to me, as well as my -
-ideas on culture and my background. +00:00:57.178 --> 00:01:01.840 +as well as my ideas on culture and my +background.
-I don't believe that music is a consumer good. -
-It's a form of knowledge, +I don't believe that music is +a consumer good.
-like an algorithm. +00:01:04.080 --> 00:01:08.320 +It's a form of knowledge, like an +algorithm.
-And it's just such a part of +00:01:08.320 --> 00:01:11.036 +And it's just such a part of culture,
-culture, like in tribal cultures, music +00:01:11.036 --> 00:01:12.780 +like in tribal cultures,
-was seen as a gift from the cosmos or +00:01:12.780 --> 00:01:17.405 +music was seen as a gift from the cosmos +or the gods.
-the gods. It was +00:01:17.405 --> 00:01:20.288 +It was a gift maybe through an +individual vessel,
-a gift maybe through an individual -
-vessel, but was shared with the people +00:01:20.288 --> 00:01:21.920 +but was shared with the people
and shared with everyone, @@ -108,11 +89,12 @@ So to me, music is something that
should be shared and should be
-freely enjoyed by everyone. Of course, +00:01:31.520 --> 00:01:33.818 +freely enjoyed by everyone.
-artists should be compensated as well, +00:01:33.818 --> 00:01:36.560 +Of course, artists should be +compensated as well,
but that's a whole different topic. @@ -120,41 +102,43 @@ but that's a whole different topic.
So when I want to share my music,
+00:01:41.040 --> 00:01:43.520 I want to do it without impacting -
anyone's freedom.
-Using GNU software like Emacs is a +00:01:43.520 --> 00:01:45.425 +Using GNU software like Emacs
-good way that I can ensure that +00:01:45.425 --> 00:01:49.200 +is a good way that I can ensure that
-I won't be requiring people to +00:01:49.200 --> 00:01:52.597 +I won't be requiring people
-sign away their freedoms for anything. +00:01:52.597 --> 00:01:55.840 +to sign away their freedoms for +anything.
-There's a lot more I could say about +00:01:55.840 --> 00:01:57.367 +There's a lot more I could say +about this
-this but I don't have time. +00:01:57.367 --> 00:01:58.799 +but I don't have time.
-Feel free to reach out to me by email or IRC. +Feel free to reach out to me by +email or IRC.
Part of the motivation for me,
+00:02:06.479 --> 00:02:08.775 personally, is that Emacs is super +magical.
-magical. It's an all-in-one solution. +00:02:08.775 --> 00:02:10.720 +It's an all-in-one solution.
Like I said, the GNU software aligns with @@ -162,25 +146,22 @@ Like I said, the GNU software aligns with
Creative Commons' ideas.
-I can do file management. I can author +00:02:14.480 --> 00:02:16.067 +I can do file management.
-HTML, all the web stuff I need even, +00:02:16.067 --> 00:02:20.239 +I can author HTML, all the web stuff +I need even, literate-style.
-literate-style. +00:02:20.239 --> 00:02:22.171 +I can handle media and metadata.
-I can handle media and metadata. I've got +00:02:22.171 --> 00:02:24.640 +I've got version control, remote server +access...
-version control, remote server access... -
+00:02:24.640 --> 00:02:28.080 All the tools I need are right under my -
fingertips with this tool
@@ -204,23 +185,22 @@ So, how do you use Emacs to publish music?
Well, for me, I needed
-a couple of things. I needed to be able +00:02:43.440 --> 00:02:44.258 +a couple of things.
-to audition and label +00:02:44.258 --> 00:02:47.564 +I needed to be able to audition and +label unlabeled audio tracks.
-unlabeled audio tracks. I have a lot of +00:02:47.564 --> 00:02:50.320 +I have a lot of files that +I don't know where they came from.
-files that I don't know where they +00:02:50.320 --> 00:02:51.213 +I don't know what they are.
-came from. I don't know what they are. I -
-need to be able to listen to them, +00:02:51.213 --> 00:02:53.840 +I need to be able to listen to them,
and I need to be able to add metadata to @@ -240,20 +220,19 @@ And in the end, I wanted to take those
files and programmatically produce a web page
-for people to consume. I found out that -
-Emacs scores a hundred percent on all of +00:03:08.319 --> 00:03:10.442 +for people to consume.
-these requirements that I had for this, and +00:03:10.442 --> 00:03:14.879 +I found out that Emacs scores a hundred +percent on all of
-a lot of that came from EMMS, the Emacs +00:03:14.879 --> 00:03:17.709 +these requirements that I had for this,
-multimedia system. +00:03:17.709 --> 00:03:22.640 +and a lot of that came from EMMS, the +Emacs multimedia system.
EMMS is great. @@ -261,17 +240,18 @@ EMMS is great.
If you haven't checked it out, please do.
-It's a little bit unintuitive, but +00:03:27.760 --> 00:03:29.736 +It's a little bit unintuitive,
-once you get into it, you know it works. +00:03:29.736 --> 00:03:34.000 +but once you get into it, you know it +works.
-Basically, what EMMS gave me was the +00:03:34.000 --> 00:03:36.420 +Basically, what EMMS gave me was
-ability to listen to the tracks, +00:03:36.420 --> 00:03:38.720 +the ability to listen to the tracks,
organize playlists. @@ -297,17 +277,14 @@ so (require 'emms-mark). I'm going to
go through, and I'm going to open the red...
-I've got this. These files here. So +00:03:59.680 --> 00:04:02.092 +I've got this. These files here.
-you can see these files are mp3s. +00:04:02.092 --> 00:04:04.480 +So you can see these files are mp3s.
-They're recorded on a -
-digital recorder. +00:04:04.480 --> 00:04:07.599 +They're recorded on a digital recorder.
If I had the choice, I would have a @@ -318,35 +295,28 @@ recorder that used a different format,
but so be it. I can mark all these files
-and I can do EMMS -
-add to .., and now they've been loaded -
-into a playlist. -
-So you can see the playlist here. There's +00:04:14.640 --> 00:04:27.040 +and I can do EMMS add to .., and now +they've been loaded into a playlist.
-some leftover files. +00:04:27.040 --> 00:04:28.698 +So you can see the playlist here.
-So I've got these three files in my +00:04:28.698 --> 00:04:30.400 +There's some leftover files.
-playlist, and as you can see, it's just +00:04:30.400 --> 00:04:31.771 +So I've got these three files
-the file name, +00:04:31.771 --> 00:04:33.361 +in my playlist, and as you can see,
-the path. I don't have any metadata +00:04:33.361 --> 00:04:35.194 +it's just the file name, the path.
-associated with them. +00:04:35.194 --> 00:04:38.560 +I don't have any metadata associated +with them.
In this playlist, I can hit E, @@ -360,37 +330,30 @@ the tag information that I have.
I could edit these here.
-I could edit them one at a time, but that's +00:04:49.840 --> 00:04:51.129 +I could edit them one at a time,
-not really great. I want superpower +00:04:51.129 --> 00:05:03.101 +but that's not really great. I want +superpower metadata authoring.
-metadata authoring. So, +00:05:03.101 --> 00:05:07.159 +So, by marking them, I can then hit E,
-by marking them, I can then hit E, and I +00:05:07.159 --> 00:05:12.639 +and I have all three of the tracks +loaded up in this tags buffer.
-have all three of the tracks loaded up in +00:05:12.639 --> 00:05:16.912 +On top of that, I can do EMMS tag +editor,
-this tags buffer. +00:05:16.912 --> 00:05:22.840 +set all, C-c C-r, and I want to +set the artist.
-On top of that, I can do EMMS -
-tag editor, set all, C-c C-r, -
-and I want to set the artist. -
+00:05:22.840 --> 00:05:26.320 so these are some recordings of my -
family.
@@ -405,53 +368,45 @@ Spring Walk with Lap Harp.
I want to set the year.
+00:05:45.520 --> 00:05:53.759 And then I'm going to go ahead and put -
these in manually,
-but with the power of Emacs keyboard -
-macros and +00:05:53.759 --> 00:05:56.759 +but with the power of Emacs +keyboard macros
-registers and so on. I could do this +00:05:56.759 --> 00:05:59.600 +and registers and so on. I could do this
programmatically as well,
-which would make it a lot easier if I +00:06:02.319 --> 00:06:03.818 +which would make it a lot easier
-had much more than three files to -
+00:06:03.818 --> 00:06:07.440 +if I had much more than three files to do this with.
Submit the changes with C-c C-c,
-and now we've got the playlist. You can -
-see the artist and track number have +00:06:09.919 --> 00:06:11.232 +and now we've got the playlist.
-been updated here. +00:06:11.232 --> 00:06:15.039 +You can see the artist and track number +have been updated here.
And then the final piece of this is that
-if you look at this, you can see that the +00:06:17.360 --> 00:06:18.875 +if you look at this, you can see that
-file name is still the same. +00:06:18.875 --> 00:06:20.479 +the file name is still the same.
So if I were looking at the directory, @@ -468,29 +423,27 @@ for people to download,
it's nice to be able to have that
-filename reflect the track number and the +00:06:30.319 --> 00:06:32.044 +filename reflect the track number
-artist and so on. So there's another +00:06:32.044 --> 00:06:33.609 +and the artist and so on.
-command, EMMS +00:06:33.609 --> 00:06:40.250 +So there's another command,
-rename tag editor, rename, so it could be +00:06:40.250 --> 00:06:42.970 +EMMS rename tag editor, rename,
-just capital R. +00:06:42.970 --> 00:06:45.120 +so it could be just capital R.
-I think I need to mark all of these, hit +00:06:45.120 --> 00:06:46.991 +I think I need to mark all of these,
-capital R, and then it's going to ask me -
-to confirm +00:06:46.991 --> 00:06:50.000 +hit capital R, and then it's going to +ask me to confirm
and say yes to all of them. @@ -504,86 +457,78 @@ whoops I have to update it--you'll see
it's been updated with the artist,
-track number and -
-track name. +00:07:06.319 --> 00:07:11.120 +track number and track name.
-This format is a format string, so +00:07:11.120 --> 00:07:14.432 +This format is a format string,
-it's customizable of course. +00:07:14.432 --> 00:07:17.360 +so it's customizable of course.
I just decided to go with the default.
+00:07:21.039 --> 00:07:24.948 So that's pretty great, this workflow +just with EMMS.
-just with EMMS. I didn't have to do -
-anything. This is all there. It's all -
-built in. It gave me exactly what +00:07:24.948 --> 00:07:27.585 +I didn't have to do anything. This is +all there.
-I was looking for in terms of being able +00:07:27.585 --> 00:07:31.673 +It's all built in. It gave me exactly +what I was looking for
-to process a lot of raw audio files +00:07:31.673 --> 00:07:35.599 +in terms of being able to process a lot +of raw audio files,
-add metadata to them and get them ready -
+00:07:35.599 --> 00:07:39.280 +add metadata to them, and get them ready for publishing.
And this is for publishing for playback
-in any media player. It'll be -
-useful. Not just for the web page that I'm +00:07:41.599 --> 00:07:44.026 +in any media player. It'll be useful.
-building. So the +00:07:44.026 --> 00:07:47.639 +Not just for the web page that I'm +building.
-final part, of course, is to build the +00:07:47.639 --> 00:07:51.440 +So the final part, of course, is to +build the web page.
-web page. Emacs makes authoring HTML trivial. +00:07:51.440 --> 00:07:54.960 +Emacs makes authoring HTML trivial.
-As I was going through this, I +00:07:54.960 --> 00:07:57.357 +As I was going through this,
-wanted to challenge myself and just be, +00:07:57.357 --> 00:07:59.701 +I wanted to challenge myself and just +be, like,
-like, can I do this +00:07:59.701 --> 00:08:03.520 +can I do this just all with Emacs? +Can I just make this?
-just all with Emacs? Can I just make this? +00:08:03.520 --> 00:08:05.134 +I don't need a... I don't need Ruby.
-I don't need a... I don't need Ruby. I don't +00:08:05.134 --> 00:08:06.707 +I don't need Rails. I don't need Node.
-need Rails. I don't need Node. I don't +00:08:06.707 --> 00:08:08.528 +I don't need any of this other stuff.
-need any of this other stuff. I have my -
-tool right here. It's a fully... +00:08:08.528 --> 00:08:10.560 +I have my tool right here. It's a +fully...
It's a whole operating system, basically, @@ -591,83 +536,78 @@ It's a whole operating system, basically,
plus programming languages.
-So the first thing I started with was +00:08:15.039 --> 00:08:17.171 +So the first thing I started with
-buffer scripting for manipulating text. +00:08:17.171 --> 00:08:19.919 +was buffer scripting for +manipulating text.
That's kind of the easiest way to do it.
-Basically, anything you can do in a -
-buffer, you can do +00:08:22.560 --> 00:08:24.692 +Basically, anything you can do in +a buffer,
-programmatically with Elisp. So this +00:08:24.692 --> 00:08:27.834 +you can do programmatically with Elisp.
-might be a good example for beginners. If +00:08:27.834 --> 00:08:30.217 +So this might be a good example for +beginners.
-you haven't done any Elisp yet, +00:08:30.217 --> 00:08:33.919 +If you haven't done any Elisp yet,
-a simple example is to create this +00:08:33.919 --> 00:08:39.557 +a simple example is to create this div +output here.
-this div +00:08:39.557 --> 00:08:41.581 +You can use this with-temp-buffer,
-output here. You +00:08:41.581 --> 00:08:44.240 +so basically creating an imaginary +buffer.
-can use this with-temp-buffer, so +00:08:44.240 --> 00:08:45.945 +insert is just like typing,
-basically creating an imaginary buffer. -
-insert is just like typing, so you put -
-strings in, you put new lines in, +00:08:45.945 --> 00:08:48.800 +so you put strings in, +you put new lines in,
you can build some strings together.
-Here you can see -
-I'm doing a random number, so every time -
-I execute this, +00:08:50.959 --> 00:08:53.551 +Here you can see I'm doing a random +number,
-my content changes. I can generate +00:08:53.551 --> 00:08:55.360 +so every time I execute this,
-dynamic content in HTML blocks +00:08:55.360 --> 00:08:56.790 +my content changes.
-with Elisp. For my +00:08:56.790 --> 00:09:03.685 +I can generate dynamic content in HTML +blocks with Elisp.
-web page builder, It's a little more +00:09:03.685 --> 00:09:06.493 +For my web page builder, it's a little +more complex.
-complex. I'm pulling data out +00:09:06.493 --> 00:09:08.000 +I'm pulling data out
using EMMS data structures,
-so it's pulling that out from the track data. +so it's pulling that out from +the track data.
And then I'm using some program to @@ -675,50 +615,48 @@ And then I'm using some program to
generate list elements, so each track is
-going to have the title +00:09:21.440 --> 00:09:24.086 +going to have the title and +track number,
-and track number, and then a button for +00:09:24.086 --> 00:09:25.869 +and then a button for playing it,
-playing it, plus the source +00:09:25.869 --> 00:09:28.206 +plus the source of the audio file,
-of the audio file, which will get added +00:09:28.206 --> 00:09:30.480 +which will get added here.
-here. +00:09:30.480 --> 00:09:32.485 +Right now, this is hard coded for Opus,
-Right now, this is hard coded for Opus, so +00:09:32.485 --> 00:09:37.200 +so it won't work for my MP3s.
-it won't work for my MP3s. +00:09:37.200 --> 00:09:38.867 +I'm going to skip over snippets.
-I'm going to skip over snippets. Turns +00:09:38.867 --> 00:09:42.017 +Turns out format strings were good +enough for me.
-out format strings were good enough +00:09:42.017 --> 00:09:45.035 +Snippets could be useful,
-for me. Snippets could be useful, but +00:09:45.035 --> 00:09:47.267 +but format is super powerful,
-format is super powerful, and I didn't +00:09:47.267 --> 00:09:49.839 +and I didn't really even need +all that much power,
-really even need all that much power, -
+00:09:49.839 --> 00:09:52.187 basically, just doing string +interpolation.
-interpolation. So if you haven't seen -
-format before, +00:09:52.187 --> 00:09:54.560 +So if you haven't seen format before,
you basically put these control strings @@ -726,37 +664,29 @@ you basically put these control strings
or control characters inside of a string,
-and you can generate an +00:09:59.120 --> 00:10:05.040 +and you can generate an output string +that you want.
-output string that you want. +00:10:05.040 --> 00:10:07.344 +So in my generator code, basically,
-So in my generator code, basically, it's +00:10:07.344 --> 00:10:08.720 +it's down here,
-down here, -
+00:10:08.720 --> 00:10:12.800 I'm calling format with this Bard -
Bivou(m)acs template,
-and that's basically a big +00:10:12.800 --> 00:10:17.491 +and that's basically a big string of +HTML.
-a big string of HTML. It's just +00:10:17.491 --> 00:10:21.200 +It's just my whole page of HTML
-my whole page of HTML -
+00:10:21.200 --> 00:10:24.399 with those control characters in just -
four places.
@@ -765,41 +695,38 @@ One of them populates the track list.
That's really the meat of the program.
+00:10:29.760 --> 00:10:34.746 Again, this is a combination of using +buffer scripting, using HTML mode,
-buffer scripting, +00:10:34.746 --> 00:10:37.279 +inserting text format strings,
-using HTML mode, inserting text format strings, +00:10:37.279 --> 00:10:39.251 +and then I can indent-region
-and then I can indent-region so the HTML -
-actually looks pretty +00:10:39.251 --> 00:10:41.920 +so the HTML actually looks pretty
when it comes out of it as well.
+00:10:45.200 --> 00:10:54.000 I will show that, just really quick -
actually.
-So you can see, this is the HTML that got +00:10:54.000 --> 00:10:57.540 +So you can see, this is the HTML that +got generated.
-generated. I've got my template. +00:10:57.540 --> 00:10:58.800 +I've got my template.
-I inserted the title here, the style, the +00:10:58.800 --> 00:11:02.193 +I inserted the title here, the style,
-font was all inserted, +00:11:02.193 --> 00:11:05.760 +the font was all inserted,
and then this whole list of of tracks here. @@ -810,98 +737,100 @@ It's kind of messy to look at,
but this track list, this whole div here,
-is all generated by -
-my generator code, and it works. It's great. +00:11:14.399 --> 00:11:22.480 +is all generated by my generator code, +and it works. It's great.
Okay, moving on.
+00:11:27.120 --> 00:11:30.945 So the other thing was that as I was +developing this,
-developing this, I decided to use -
-Org Babel and some of his +00:11:30.945 --> 00:11:32.547 +I decided to use Org Babel
-its features for multi-language +00:11:32.547 --> 00:11:35.588 +and some of its features for +multi-language things
-things because I needed to style it with +00:11:35.588 --> 00:11:37.839 +because I needed to style it with CSS
-CSS and +00:11:37.839 --> 00:11:39.835 +and put actions in Javascript,
-and put actions in Javascript, and also I -
-used SVG for authoring stuff. +00:11:39.835 --> 00:11:42.480 +and also I used SVG for authoring stuff.
It was a little bit complicated.
-It probably would have been simpler had I +00:11:46.079 --> 00:11:47.484 +It probably would have been simpler + +00:11:47.484 --> 00:11:48.680 +had I not used Org Babel,
-not used Org Babel, but it's also really +00:11:48.680 --> 00:11:49.894 +but it's also really fun.
-fun. I think it's a cool, +00:11:49.894 --> 00:11:53.663 +I think it's a cool, cool idea to use +literate programming.
-cool idea to use literate programming. My +00:11:53.663 --> 00:11:57.001 +My idea was to create HTML +components.
-idea was to create HTML +00:11:57.001 --> 00:11:59.519 +I could name it like this,
-components. I could name it like this, +00:11:59.519 --> 00:12:00.959 +put a format string inside it,
-put a format string inside it, and build +00:12:00.959 --> 00:12:02.800 +and build a function
-a function +00:12:02.800 --> 00:12:04.302 +in Elisp to format it
-in Elisp to format it and spit out the +00:12:04.302 --> 00:12:07.120 +and spit out the HTML that I want.
-HTML that I want. +00:12:07.120 --> 00:12:09.581 +By doing this, then,
-By doing this, then, I can +00:12:09.581 --> 00:12:12.388 +I can just change things in my Org file,
-just change things in my Org file which, +00:12:12.388 --> 00:12:14.814 +which, not getting a whole lot of time +to work on it,
-not getting a whole lot of time to work +00:12:14.814 --> 00:12:16.615 +I can come back to it
-on it, I can come back to it and +00:12:16.615 --> 00:12:19.335 +and I have a lot of notes.
-I have a lot of notes. I can +00:12:19.335 --> 00:12:21.695 +I can kind of generate things as I'm +going
-kind of generate things as I'm going and +00:12:21.695 --> 00:12:24.399 +and keep notes for myself, +and keep the...
-keep notes for myself, and keep the... +00:12:24.399 --> 00:12:25.308 +I don't know. It's cool.
-I don't know. It's cool. Literate +00:12:25.308 --> 00:12:26.672 +Literate programming is fun.
-programming is fun. So I don't need to +00:12:26.672 --> 00:12:27.519 +So I don't need to
go into that too much, but you can see if @@ -909,41 +838,42 @@ go into that too much, but you can see if
I execute this here,
-I get the the div that I want. It's a +00:12:31.040 --> 00:12:32.983 +I get the the div that I want.
-little bit funny. You'll see I have the +00:12:32.983 --> 00:12:34.013 +It's a little bit funny.
-string like this, the way that +00:12:34.013 --> 00:12:35.786 +You'll see I have the string like this,
-noweb expands, I can't do this on a -
-single line. +00:12:35.786 --> 00:12:40.000 +the way that noweb expands, I can't do +this on a single line.
It looks funny when you do that,
-so that might be something to work out +00:12:43.839 --> 00:12:45.931 +so that might be something +to work out later.
-later. CSS blocks can either be tangled out +00:12:45.931 --> 00:12:48.959 +CSS blocks can either be tangled out
-and referenced in the HTML source or inlined. +and referenced in the HTML source, +or inlined.
Here's an example I have of inlining it.
-So I've got my little CSS block named +00:12:54.639 --> 00:12:57.609 +So I've got my little CSS block +named style,
-style, Javascript named script, +00:12:57.609 --> 00:13:00.320 +Javascript named script,
and then I've got this HTML source block @@ -954,20 +884,23 @@ with noweb expansion.
These double angle brackets here
-are where I'm going to expand the block +00:13:07.920 --> 00:13:09.396 +are where I'm going to expand
-named style. I'm actually calling a function, +00:13:09.396 --> 00:13:12.639 +the block named style. I'm actually +calling a function,
-so I want the result of the function +00:13:12.639 --> 00:13:14.737 +so I want the result of the +function here,
-here, and then the script will just get +00:13:14.737 --> 00:13:18.881 +and then the script will just get +expanded here.
-expanded here. So org-babel-expand-src-block, +00:13:18.881 --> 00:13:22.959 +So org-babel-expand-src-block,
you can see what it looks like. @@ -975,50 +908,45 @@ you can see what it looks like.
I've got my style here. I've got my title.
-I've got that main content class -
-I showed before, +00:13:28.160 --> 00:13:31.279 +I've got that main content class I +showed before,
-and the script as well. So that's kind of cool. +and the script as well. +So that's kind of cool.
+00:13:34.480 --> 00:13:37.527 I could just run org-babel-tangle and +get my thing out
-get my thing out and just -
-edit one file instead of multiple files. -
-Not for everyone, +00:13:37.527 --> 00:13:40.480 +and just edit one file instead of +multiple files.
-but I thought it was kind of fun. +00:13:40.480 --> 00:13:46.455 +Not for everyone, but I thought it was +kind of fun. All right.
-All right. Oh, and the final thing is that +00:13:46.455 --> 00:13:48.807 +Oh, and the final thing is +that in Emacs,
-in Emacs, you can +00:13:48.807 --> 00:13:51.320 +you can author and view SVG.
-author and view SVG. So this is just an +00:13:51.320 --> 00:13:58.297 +So this is just an Org. This SVG, I used +to make the play and pause buttons.
-Org. This SVG, I used to make the play +00:13:58.297 --> 00:13:59.519 +I didn't know this,
-and pause buttons. I didn't know this, +00:13:59.519 --> 00:14:02.162 +but if you edit an SVG file,
-but if you edit an SVG file, you can -
-toggle back and forth +00:14:02.162 --> 00:14:08.800 +you can toggle back and forth
between the code and the image. @@ -1026,107 +954,102 @@ between the code and the image.
It's pretty sweet. So I can iteratively
-work through this because of how -
-Emacs is. +00:14:17.360 --> 00:14:20.560 +work through this +because of how Emacs is.
Final considerations here,
-like when doing this, I want it to be all +00:14:24.959 --> 00:14:26.247 +like when doing this,
-free, so I want to use fonts that use a +00:14:26.247 --> 00:14:27.606 +I want it to be all free,
-free license. +00:14:27.606 --> 00:14:30.079 +so I want to use fonts that use a free +license.
I found GNU Unifont. It's kind of cool.
-The content license... I chose +00:14:32.800 --> 00:14:34.333 +The content license...
-Creative Commons Attribution ShareAlike, +00:14:34.333 --> 00:14:37.600 +I chose Creative Commons Attribution +ShareAlike,
which is kind of like the GPL.
-Ideally, I could serve it with Emacs. I'd +00:14:39.920 --> 00:14:42.663 +Ideally, I could serve it with Emacs.
-like to remove idiosyncrasy so other -
+00:14:42.663 --> 00:14:46.320 +I'd like to remove idiosyncrasy so other people can use it.
It's pretty much just my tool right now.
-Not requiring the web browser... I can -
-ship playlists so that you can just +00:14:48.720 --> 00:14:50.734 +Not requiring the web browser...
-click or link to a playlist on your favorite +00:14:50.734 --> 00:14:56.648 +I can ship playlists so that you can +just click or link to a playlist
-player, even EMMS if you want, and then +00:14:56.648 --> 00:15:00.068 +on your favorite player, even EMMS if +you want,
-packing up those albums in like a ZIP or -
-.tar file. +00:15:00.068 --> 00:15:04.320 +and then packing up those albums in like +a ZIP or .tar file.
So you can go to churls.world .
-It just has a link to this album. I'll +00:15:08.639 --> 00:15:10.644 +It just has a link to this album.
-display it here in just a second. +00:15:10.644 --> 00:15:14.000 +I'll display it here in just a second.
You can contact me. I'm shoshin on #emacs
-in IRC and on sourcehut. You can email me +in IRC and on sourcehut. You can email me:
grant@churls.world, personal, or
-grant@unabridgedsoftware.com. All right, now. +grant@unabridgedsoftware.com. +All right, now.
Let's see about this...
-This is up online, so if you want to -
-listen to my +00:15:32.079 --> 00:15:34.316 +This is up online, so if you +want to listen
-college band's album from 20 years ago, +00:15:34.316 --> 00:15:39.199 +to my college band's album from +20 years ago,
here it is: Cassiopeia Basement Days.
-Whoops. I made this art in Krita. You can +00:15:43.040 --> 00:15:46.887 +Whoops. I made this art in Krita.
-press play. You can skip around. +00:15:46.887 --> 00:15:51.199 +You can press play. You can skip around.
I do have the playlist up here too. @@ -1134,8 +1057,6 @@ I do have the playlist up here too.
So yeah, thanks for listening.
-I hope you enjoyed it, and enjoy the rest -
-of EmacsConf. Goodbye! +00:15:58.560 --> 00:16:07.360 +I hope you enjoyed it, and enjoy the +rest of EmacsConf. Goodbye! -- cgit v1.2.3