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-rw-r--r--2020/info/07.md5
-rw-r--r--2020/organizers-notebook.md89
-rw-r--r--2020/organizers-notebook.org9
-rw-r--r--2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.vtt (renamed from 2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt)202
-rw-r--r--2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.vtt (renamed from 2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt)657
5 files changed, 454 insertions, 508 deletions
diff --git a/2020/info/07.md b/2020/info/07.md
index b1321d4f..46446b99 100644
--- a/2020/info/07.md
+++ b/2020/info/07.md
@@ -1,9 +1,12 @@
# Beyond Vim and Emacs: A Scalable UI Paradigm
Sid Kasivajhula
-[[!template id=vid src="https://mirror.csclub.uwaterloo.ca/emacsconf/2020/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.webm"]]
+[[!template id=vid src="https://mirror.csclub.uwaterloo.ca/emacsconf/2020/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.webm" subtitles="emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.vtt" size="161MB"]]
[Download compressed .webm video (45.1M)](https://mirror.csclub.uwaterloo.ca/emacsconf/2020/smaller/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula--vp9-q56-video-original-audio.webm)
+[[!template id=vid src="https://mirror.csclub.uwaterloo.ca/emacsconf/2020/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.webm" subtitles="emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.vtt" size="40MB"]]
+[Download compressed .webm video (5M)](https://mirror.csclub.uwaterloo.ca/emacsconf/2020/smaller/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula--vp9-q56-video-original-audio.webm)
+
A practiced dexterity with the arcane incantations known as keybindings is
the true mark of the veteran Emacs user. Yet, it takes years to get there,
and if you tried to explain what you were doing there, nobody would
diff --git a/2020/organizers-notebook.md b/2020/organizers-notebook.md
index a57c0b4b..233b2aac 100644
--- a/2020/organizers-notebook.md
+++ b/2020/organizers-notebook.md
@@ -22,54 +22,55 @@ Either subtitles (with timestamps) or a text transcript (no timestamps) is perfe
## Edit automatic subtitles
-No need to worry about end timestamps, since I'll set them to the
-beginning timestamp. To reduce duplication of work, make sure you have the latest copy of organizers-notebook.org. Mark the one you
+To reduce duplication of work, make sure you have the latest copy of organizers-notebook.org. Mark the one you
want to do by prepending your name to the TODO title, and commit
organizers-notebook.org back to the repo.
-- [ ] <./subtitles/emacsconf-2020--00-opening-remarks-autogen.sbv>
-- [X] sachac <./subtitles/emacsconf-2020--03-idea-to-novel-superstructure-emacs-for-writing--bala-ramadurai-autogen.sbv>
+I modified the `subed` package to work with VTT files. The modified version is at <https://github.com/sachac/subed/tree/subed-vtt> , and I've submitted a pull request. It's pretty cool! If you copy the webm to the same directory and name it with the same filename (except ending in .webm instead of .vtt, of course), subed will automatically synchronize as you move through the subtitles.
+
+- [ ] <./subtitles/emacsconf-2020--00-opening-remarks-autogen.vtt>
+- [X] sachac <./subtitles/emacsconf-2020--03-idea-to-novel-superstructure-emacs-for-writing--bala-ramadurai-autogen.vtt>
See <info/03/screenplay.fountain>
-- [X] sachac <./subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.sbv>
-- [X] sachac <./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--grant-shangreaux-autogen.sbv>
-- [X] sachac <./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--questions--grant-shangreaux-autogen.sbv>
-- [ ] sachac <./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--09-orgmode-your-life-in-plain-text--rainer-koenig-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--11-the-org-gtd-package-opinions-about-getting-things-done--aldric-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--12-one-big-ass-org-file-or-multiple-tiny-ones-finally-the-end-of-the-debate--leo-vivier-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--13-experience-report-steps-to-emacs-hyper-notebooks--joseph-corneli-raymond-puzio-cameron-ray-smith-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--14-readme-driven-design--adam-ard-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--15-moving-from-jekyll-to-orgmode-an-experience-report--adolfo-villafiorita-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--16-org-roam-presentation-demonstration-and-whats-on-the-horizon--leo-vivier-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--17-org-mode-and-org-roam-for-scholars-and-researchers--noorah-alhasan-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--18-org-roam-technical-presentation--leo-vivier-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--19-sharing-blogs-and-more-with-org-webring--brett-gilio-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--20-omg-macros--corwin-brust-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--21-on-why-most-of-the-best-features-in-eev-look-like-5-minute-hacks--eduardo-ochs-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--22-powering-up-special-blocks--musa-al-hassy-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--23-incremental-parsing-with-emacs-tree-sitter--questions--tuan-anh-nguyen-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--23-incremental-parsing-with-emacs-tree-sitter--tuan-anh-nguyen-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--25-traverse-complex-json-structures-with-live-feedback-counsel-jq--zen-monk-alain-m-lafon-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--26-emacs-as-a-highschooler-how-it-changed-my-life--pierce-wang-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--26-emacs-as-a-highschooler-how-it-changed-my-life--questions--pierce-wang-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--27-state-of-retro-gaming-in-emacs-chip8--vasilij-wasamasa-schneidermann-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--28-welcome-to-the-dungeon--erik-elmshauser-corwin-brust-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--30-a-tour-of-vterm--gabriele-bozzola-sbozzolo-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--30-a-tour-of-vterm--questions--gabriele-bozzola-sbozzolo-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--31-lakota-language-and-emacs--grant-shangreaux-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--31-lakota-language-and-emacs--questions--grant-shangreaux-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--32-object-oriented-code-in-the-gnus-newsreader--eric-abrahamsen-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--33-maxima-a-computer-algebra-system-in-emacs--fermin.sbv>
-- [ ] <./subtitles/emacsconf-2020--34-extend-emacs-to-modern-gui-applications-with-eaf--matthew-zeng-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--questions--zachary-kanfer-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--38-emacs-development-update--john-wiegley-autogen.sbv>
-- [ ] bhavin192 <./subtitles/emacsconf-2020--39-nongnu-elpa--questions--richard-stallman-autogen.sbv>
-- [X] bhavin192 <./subtitles/emacsconf-2020--39-nongnu-elpa--richard-stallman-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--40-closing-remarks-part-1-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--40-closing-remarks-part-2-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--41-opening-remarks-autogen.sbv>
-- [ ] <./subtitles/emacsconf-2020--42-closing-remarks-autogen.sbv>
+- [X] sachac <./subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.vtt>
+- [X] sachac <./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--grant-shangreaux-autogen.vtt>
+- [X] sachac <./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--questions--grant-shangreaux-autogen.vtt>
+- [X] sachac <./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt>
+- [X] sachac <./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--09-orgmode-your-life-in-plain-text--rainer-koenig-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--11-the-org-gtd-package-opinions-about-getting-things-done--aldric-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--12-one-big-ass-org-file-or-multiple-tiny-ones-finally-the-end-of-the-debate--leo-vivier-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--13-experience-report-steps-to-emacs-hyper-notebooks--joseph-corneli-raymond-puzio-cameron-ray-smith-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--14-readme-driven-design--adam-ard-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--15-moving-from-jekyll-to-orgmode-an-experience-report--adolfo-villafiorita-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--16-org-roam-presentation-demonstration-and-whats-on-the-horizon--leo-vivier-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--17-org-mode-and-org-roam-for-scholars-and-researchers--noorah-alhasan-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--18-org-roam-technical-presentation--leo-vivier-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--19-sharing-blogs-and-more-with-org-webring--brett-gilio-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--20-omg-macros--corwin-brust-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--21-on-why-most-of-the-best-features-in-eev-look-like-5-minute-hacks--eduardo-ochs-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--22-powering-up-special-blocks--musa-al-hassy-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--23-incremental-parsing-with-emacs-tree-sitter--questions--tuan-anh-nguyen-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--23-incremental-parsing-with-emacs-tree-sitter--tuan-anh-nguyen-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--25-traverse-complex-json-structures-with-live-feedback-counsel-jq--zen-monk-alain-m-lafon-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--26-emacs-as-a-highschooler-how-it-changed-my-life--pierce-wang-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--26-emacs-as-a-highschooler-how-it-changed-my-life--questions--pierce-wang-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--27-state-of-retro-gaming-in-emacs-chip8--vasilij-wasamasa-schneidermann-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--28-welcome-to-the-dungeon--erik-elmshauser-corwin-brust-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--30-a-tour-of-vterm--gabriele-bozzola-sbozzolo-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--30-a-tour-of-vterm--questions--gabriele-bozzola-sbozzolo-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--31-lakota-language-and-emacs--grant-shangreaux-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--31-lakota-language-and-emacs--questions--grant-shangreaux-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--32-object-oriented-code-in-the-gnus-newsreader--eric-abrahamsen-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--33-maxima-a-computer-algebra-system-in-emacs--fermin.vtt>
+- [ ] <./subtitles/emacsconf-2020--34-extend-emacs-to-modern-gui-applications-with-eaf--matthew-zeng-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--questions--zachary-kanfer-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--38-emacs-development-update--john-wiegley-autogen.vtt>
+- [ ] bhavin192 <./subtitles/emacsconf-2020--39-nongnu-elpa--questions--richard-stallman-autogen.vtt>
+- [X] bhavin192 <./subtitles/emacsconf-2020--39-nongnu-elpa--richard-stallman-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--40-closing-remarks-part-1-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--40-closing-remarks-part-2-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--41-opening-remarks-autogen.vtt>
+- [ ] <./subtitles/emacsconf-2020--42-closing-remarks-autogen.vtt>
# Assumptions and settings
diff --git a/2020/organizers-notebook.org b/2020/organizers-notebook.org
index f207237a..40d24d2f 100644
--- a/2020/organizers-notebook.org
+++ b/2020/organizers-notebook.org
@@ -22,19 +22,20 @@ Either subtitles (with timestamps) or a text transcript (no timestamps) is perfe
** Edit automatic subtitles
-No need to worry about end timestamps, since I'll set them to the
-beginning timestamp. To reduce duplication of work, make sure you have the latest copy of organizers-notebook.org. Mark the one you
+To reduce duplication of work, make sure you have the latest copy of organizers-notebook.org. Mark the one you
want to do by prepending your name to the TODO title, and commit
organizers-notebook.org back to the repo.
+I modified the =subed= package to work with VTT files. The modified version is at https://github.com/sachac/subed/tree/subed-vtt , and I've submitted a pull request. It's pretty cool! If you copy the webm to the same directory and name it with the same filename (except ending in .webm instead of .vtt, of course), subed will automatically synchronize as you move through the subtitles.
+
- [ ] [[./subtitles/emacsconf-2020--00-opening-remarks-autogen.vtt]]
- [X] sachac [[./subtitles/emacsconf-2020--03-idea-to-novel-superstructure-emacs-for-writing--bala-ramadurai-autogen.vtt]]
See [[file:info/03/screenplay.fountain]]
- [X] sachac [[./subtitles/emacsconf-2020--04-music-in-plain-text--jonathan-gregory-autogen.vtt]]
- [X] sachac [[./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--grant-shangreaux-autogen.vtt]]
- [X] sachac [[./subtitles/emacsconf-2020--05-bard-bivoumacs-building-a-bandcamp-like-page-for-an-album-of-music--questions--grant-shangreaux-autogen.vtt]]
-- [ ] sachac [[./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt]]
-- [ ] [[./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt]]
+- [X] sachac [[./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt]]
+- [X] sachac [[./subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt]]
- [ ] [[./subtitles/emacsconf-2020--09-orgmode-your-life-in-plain-text--rainer-koenig-autogen.vtt]]
- [ ] [[./subtitles/emacsconf-2020--11-the-org-gtd-package-opinions-about-getting-things-done--aldric-autogen.vtt]]
- [ ] [[./subtitles/emacsconf-2020--12-one-big-ass-org-file-or-multiple-tiny-ones-finally-the-end-of-the-debate--leo-vivier-autogen.vtt]]
diff --git a/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt b/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.vtt
index 9cbec458..ebe18254 100644
--- a/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula-autogen.vtt
+++ b/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--questions--sid-kasivajhula.vtt
@@ -1,76 +1,71 @@
WEBVTT
00:00:00.080 --> 00:00:01.680
-for the list of questions in whatever
+(Amin: ... for the list of questions in whatever
00:00:01.680 --> 00:00:03.520
-order you like
+order you like.)
00:00:03.520 --> 00:00:06.160
-okay so I see what package is used um
+Okay, so I see what package is used,
00:00:06.160 --> 00:00:08.000
-probably cemex mode
+probably symex-mode...
00:00:08.000 --> 00:00:10.400
-um right so the main package that was
+Right. So the main package that was
00:00:10.400 --> 00:00:11.360
-being demoed
+being demoed,
00:00:11.360 --> 00:00:14.480
-um that is not yet on melpa in fact I
+that is not yet on MELPA. In fact, I
00:00:14.480 --> 00:00:16.720
-haven't even decided on a name for it
+haven't even decided on a name for it.
00:00:16.720 --> 00:00:19.359
-um I've alternately alternately called
+I've alternately called
00:00:19.359 --> 00:00:22.080
-it epistemic mode I've called it
+it epistemic-mode, I've called it
00:00:22.080 --> 00:00:26.000
-um england I called it uh
+england, I called it
00:00:26.000 --> 00:00:28.560
-all kinds of things but at the moment
+all kinds of things, but at the moment
-00:00:28.560 --> 00:00:30.240
-you can find it on my github there's a
-
-00:00:30.240 --> 00:00:31.439
-link
+00:00:28.560 --> 00:00:31.439
+you can find it on my Github. There's a link
00:00:31.439 --> 00:00:32.960
-in the presentation itself if you go to
+in the presentation itself, if you go to
00:00:32.960 --> 00:00:35.600
-github slash account about
+https://github.com/countvajhula, you'll see
00:00:35.600 --> 00:00:38.879
-um the package there it's currently
+the package there. It's currently
00:00:38.879 --> 00:00:39.840
-named indra
+named Indra, but
00:00:39.840 --> 00:00:42.879
-I'm not sure um
+I'm not sure. (Organizer: Package is
+called rigpa.)
00:00:42.879 --> 00:00:46.800
-packages actually yes the second one is
+Actually, yes, the second one is
00:00:46.800 --> 00:00:49.920
-red that was the name that I selected um
+correct. That was the name that I selected
00:00:49.920 --> 00:00:53.280
-last night um and that's because it
-
-00:00:53.280 --> 00:00:53.920
-might that
+last night. That's because it...
00:00:53.920 --> 00:00:55.760
-there's a concept in tibetan buddhism
+There's a concept in Tibetan Buddhism
00:00:55.760 --> 00:00:57.520
that seems like it might have something
@@ -82,43 +77,43 @@ to do with
the kinds of concepts we're talking
00:00:59.840 --> 00:01:01.600
-about with this package so I just
+about with this package, so I just
00:01:01.600 --> 00:01:04.000
-thought it would be a good name for it
+thought it would be a good name for it.
00:01:04.000 --> 00:01:05.760
-so you can look up that concept
+You can look up that concept
00:01:05.760 --> 00:01:09.920
-and get a sense of it on wikipedia
+and get a sense of it on Wikipedia.
00:01:09.920 --> 00:01:13.119
-next question is how to deal with dwarak
+Next question is "how to deal with Dvorak
00:01:13.119 --> 00:01:15.759
-dwarjak or however that's pronounced
+or however that's pronounced.
00:01:15.759 --> 00:01:16.960
-this is always bug me
+This has always bugged me.
00:01:16.960 --> 00:01:20.400
-is there an x-mod map mode so the thing
+Is there an Xmodmap mode?" So the thing
00:01:20.400 --> 00:01:22.400
-with this is it's kind of surprising but
+with this is it's kind of surprising, but
00:01:22.400 --> 00:01:23.360
-although vim
+although Vim
00:01:23.360 --> 00:01:26.000
-was originally developed um you know
+was originally developed
00:01:26.000 --> 00:01:27.200
with the idea of
00:01:27.200 --> 00:01:29.520
-the key bindings being on the home rule
+the key bindings being on the home row,
00:01:29.520 --> 00:01:32.000
it turns out that that is actually not a
@@ -127,55 +122,55 @@ it turns out that that is actually not a
major aspect
00:01:33.119 --> 00:01:36.400
-of the vim editing experience so
+of the Vim editing experience, so
00:01:36.400 --> 00:01:38.560
-people who use the dvorak layout
+people who use the Dvorak layout
00:01:38.560 --> 00:01:40.720
actually end up using the same keys as
00:01:40.720 --> 00:01:42.640
-they do on the normal qwerty layout so
+they do on the normal QWERTY layout, so
00:01:42.640 --> 00:01:44.720
-they don't remap anything
+they don't remap anything,
00:01:44.720 --> 00:01:48.159
-because the uh the the sort of
+because
00:01:48.159 --> 00:01:51.040
-the power that vim or the the
+the power that Vim--or the
00:01:51.040 --> 00:01:52.240
-flexibility the
+flexibility, the
00:01:52.240 --> 00:01:55.600
-spiral that bim enables on qwerty layout
+spiral that Vim enables on QWERTY-layout
00:01:55.600 --> 00:01:56.880
keyboards is exactly
00:01:56.880 --> 00:01:58.719
-preserved even on a door jack keyboard
+preserved, even on a Dvorak keyboard,
00:01:58.719 --> 00:01:59.920
-even though you your
+even though your
00:01:59.920 --> 00:02:01.920
-fingers are not in the same positions
+fingers are not in the same positions.
00:02:01.920 --> 00:02:04.399
-it's not a big deal actually
+It's not a big deal, actually.
00:02:04.399 --> 00:02:09.119
-um and then I mostly use default model
+"I mostly use default model
00:02:09.119 --> 00:02:10.879
provided by vanilla Emacs and work and
00:02:10.879 --> 00:02:12.319
-org mode for text editing can you give
+Org Mode for text editing. Can you give
00:02:12.319 --> 00:02:13.840
me some examples
@@ -184,43 +179,40 @@ me some examples
of how the user can use the concept of
00:02:15.920 --> 00:02:17.280
-mode mode
+"mode of mode"
00:02:17.280 --> 00:02:20.840
-to do some interesting
+to do some interesting editing?
00:02:20.840 --> 00:02:24.640
-um so probably the main thing would be
-
-00:02:24.640 --> 00:02:25.120
-the
+Probably the main thing would be
00:02:25.120 --> 00:02:27.920
-the keystrokes would be less uh
+the keystrokes would be less
00:02:27.920 --> 00:02:28.959
-contrived
+contrived.
00:02:28.959 --> 00:02:32.080
-so they the the fewer modes you have
+The fewer modes you have,
00:02:32.080 --> 00:02:36.560
the more modifiers you need
00:02:36.560 --> 00:02:39.840
-in order to um do whatever it is that
+in order to do whatever it is that
00:02:39.840 --> 00:02:41.280
-you're trying to do because you've got
+you're trying to do, because you've got,
00:02:41.280 --> 00:02:44.800
-essentially with a max model you've got
+essentially, with the Emacs model, you've got
00:02:44.800 --> 00:02:48.080
a completely flat
00:02:48.080 --> 00:02:50.959
-keyboard structure and so all of the
+keyboard structure. So all of the
00:02:50.959 --> 00:02:52.160
different things that you might
@@ -229,13 +221,13 @@ different things that you might
want to express are all mapped to a flat
00:02:55.680 --> 00:02:58.720
-keyboard uh set of keys
+keyboard, a set of keys.
00:02:58.720 --> 00:03:02.840
-so with um with this kind of
+With this kind of
00:03:02.840 --> 00:03:06.400
-modal structure the more modes you have
+modal structure, the more modes you have,
00:03:06.400 --> 00:03:09.200
the more the individual keystrokes
@@ -244,13 +236,13 @@ the more the individual keystrokes
become
00:03:10.400 --> 00:03:13.200
-shorter and shorter so that could be one
+shorter and shorter. That could be one
00:03:13.200 --> 00:03:14.959
-benefit that would be provided
+benefit that would be provided.
00:03:14.959 --> 00:03:17.519
-with many modes your keystrokes would
+With many modes, your keystrokes would
00:03:17.519 --> 00:03:18.000
generally
@@ -259,103 +251,103 @@ generally
be a single keystroke long for even
00:03:20.080 --> 00:03:22.080
-relatively complex tasks
+relatively complex tasks,
00:03:22.080 --> 00:03:24.159
because you're setting the context
00:03:24.159 --> 00:03:25.440
-beforehand
+beforehand.
00:03:25.440 --> 00:03:27.200
-so you already say oh I'm going to be
+So you already say, "Oh, I'm going to be
00:03:27.200 --> 00:03:30.840
-talking about this org buffer
+talking about this Org buffer
00:03:30.840 --> 00:03:33.440
-agenda and then
+agenda," and then
00:03:33.440 --> 00:03:36.319
-um the all the keystrokes that you do at
+all the keystrokes that you do at
00:03:36.319 --> 00:03:39.599
-that point would be in relation to that
+that point would be in relation to that.
00:03:39.599 --> 00:03:42.159
-um okay I think we have time for like
+(Amin: I think we have time for like
00:03:42.159 --> 00:03:44.080
-one more short question
+one more short question.)
00:03:44.080 --> 00:03:46.879
-one more short question okay let's see
+One more short question... Okay, let's see.
00:03:46.879 --> 00:03:48.879
-how do new modes come into existence you
+"How do new modes come into existence?" You
00:03:48.879 --> 00:03:50.400
-can make them yourself
+can make them yourself,
00:03:50.400 --> 00:03:53.040
-um and you can specify them in Emacs
+and you can specify them in Emacs
00:03:53.040 --> 00:03:53.760
-lisp
+Lisp
00:03:53.760 --> 00:03:56.159
-if you like but there's also simple you
+if you like, but there's also a simple way.
00:03:56.159 --> 00:03:59.040
-can also do it visually as we did
+You can also do it visually as we did.
00:03:59.040 --> 00:04:02.720
-um but the yeah defining them
+But yeah, defining them
00:04:02.720 --> 00:04:04.799
-is essentially built on top of hydra but
+is essentially built on top of Hydra, but
00:04:04.799 --> 00:04:07.519
-it could also be built on top of evil or
+it could also be built on top of Evil or
00:04:07.519 --> 00:04:09.120
-any other modal interface provider
+any other modal interface provider.
00:04:09.120 --> 00:04:12.840
-there's an abstraction layer
+There's an abstraction layer.
00:04:12.840 --> 00:04:15.920
-okay thank you so much for your talk and
+(Amin: Okay. Thank you so much for your talk and
00:04:15.920 --> 00:04:17.919
-for the live q a
+for the live Q&A.)
00:04:17.919 --> 00:04:21.440
-sure thank you yes feel free to um take
+Sure, thank you. (Amin: Feel free to take
00:04:21.440 --> 00:04:22.880
up the rest of the questions either via
00:04:22.880 --> 00:04:23.759
-irc or
+IRC or
00:04:23.759 --> 00:04:25.680
on the pad on on your own time off the
00:04:25.680 --> 00:04:26.960
-stream
+stream.)
00:04:26.960 --> 00:04:28.639
-perfect yeah I'll go ahead and put in
+Perfect. Yeah, I'll go ahead and put in
00:04:28.639 --> 00:04:30.000
-some answers there
+some answers there.
00:04:30.000 --> 00:04:32.240
-awesome thank you all right thank you
+(Amin: Awesome, thank you.) All right, thank you.
00:04:32.240 --> 00:04:33.120
-have a good one
+Have a good one.
00:04:33.120 --> 00:04:36.880
-thanks you too
+(Amin: Thanks you too)
diff --git a/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt b/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.vtt
index e4508034..14913a32 100644
--- a/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula-autogen.vtt
+++ b/2020/subtitles/emacsconf-2020--07-beyond-vim-and-emacs-a-scalable-ui-paradigm--sid-kasivajhula.vtt
@@ -1,10 +1,10 @@
WEBVTT
00:00:02.960 --> 00:00:04.960
-far away in the heavenly abode of the
+"Far away in the heavenly abode of the
00:00:04.960 --> 00:00:06.560
-great god indra
+great god Indra,
00:00:06.560 --> 00:00:08.320
there is a wonderful net which has been
@@ -16,40 +16,40 @@ hung by some cunning artificer
in such a manner that it stretches out
00:00:12.080 --> 00:00:14.320
-infinitely in all directions
+infinitely in all directions.
00:00:14.320 --> 00:00:15.920
-in accordance with the extravagant
+In accordance with the extravagant
00:00:15.920 --> 00:00:18.240
-tastes of deities the artificer has hung
+tastes of deities, the artificer has hung
00:00:18.240 --> 00:00:20.960
a single glittering jewel in each eye of
00:00:20.960 --> 00:00:22.080
-the net
+the net,
00:00:22.080 --> 00:00:24.000
-and since the net itself is infinite the
+and since the net itself is infinite, the
00:00:24.000 --> 00:00:26.480
-jewels are infinite in number
+jewels are infinite in number.
00:00:26.480 --> 00:00:28.400
-there hang the jewels glittering like
+There hang the jewels, glittering like
00:00:28.400 --> 00:00:30.480
-stars in the first magnitude
+stars in the first magnitude,
00:00:30.480 --> 00:00:33.440
-a wonderful sight to behold were we to
+a wonderful sight to behold. Were we to
00:00:33.440 --> 00:00:34.800
select one of these jewels for
00:00:34.800 --> 00:00:35.680
-inspection
+inspection,
00:00:35.680 --> 00:00:37.760
we would discover that in its polished
@@ -58,13 +58,13 @@ we would discover that in its polished
surface there are reflected
00:00:39.520 --> 00:00:41.920
-all the other jewels in the net infinite
+all the other jewels in the net, infinite
00:00:41.920 --> 00:00:43.360
-in number
+in number.
00:00:43.360 --> 00:00:45.600
-if we look still more closely we would
+If we look still more closely, we would
00:00:45.600 --> 00:00:47.840
see that each of the jewels reflected in
@@ -73,19 +73,19 @@ see that each of the jewels reflected in
this one jewel
00:00:48.960 --> 00:00:52.239
-reflects all the others this is the
+reflects all the others." This is the
00:00:52.239 --> 00:00:54.000
-metaphor of indra's net
+metaphor of Indra's Net,
00:00:54.000 --> 00:00:56.840
which is told in some schools of
00:00:56.840 --> 00:00:59.359
-philosophy let's keep this metaphor in
+philosophy. Let's keep this metaphor in
00:00:59.359 --> 00:01:00.160
-mind
+mind,
00:01:00.160 --> 00:01:01.920
because it'll help us understand the
@@ -94,31 +94,28 @@ because it'll help us understand the
Emacs extension that we're about to
00:01:03.760 --> 00:01:06.960
-discuss
+discuss.
00:01:06.960 --> 00:01:10.080
-so in editing text there's two
+In editing text, there's two
00:01:10.080 --> 00:01:13.200
-main paradigms one
+main paradigms: one
00:01:13.200 --> 00:01:16.880
-is um editing at the ground level
+is editing at the ground level,
00:01:16.880 --> 00:01:19.439
where the characters that we type
00:01:19.439 --> 00:01:22.159
-actually appear on the screen
+actually appear on the screen,
00:01:22.159 --> 00:01:25.960
-the changes we make actually occur
-
-00:01:25.960 --> 00:01:28.479
-[Music]
+the changes we make actually occur.
00:01:28.479 --> 00:01:30.720
-the other editing paradigm is where we
+The other editing paradigm is where we
00:01:30.720 --> 00:01:33.439
escape to a higher level
@@ -127,31 +124,31 @@ escape to a higher level
and now the characters that we type are
00:01:36.000 --> 00:01:36.479
-not
+not...
00:01:36.479 --> 00:01:39.040
-they don't actually appear on the screen
+They don't actually appear on the screen
00:01:39.040 --> 00:01:41.600
because we're not at the ground level
00:01:41.600 --> 00:01:44.799
-with the text we are at a higher level
+with the text, we are at a higher level
00:01:44.799 --> 00:01:48.479
looking down at the text
00:01:48.479 --> 00:01:51.920
-and regarding the text referring to
+and regarding the text, referring to
00:01:51.920 --> 00:01:54.640
this world of text in terms of a
00:01:54.640 --> 00:01:56.159
-language
+language.
00:01:56.159 --> 00:01:57.920
-for instance we could describe this
+For instance, we could describe this
00:01:57.920 --> 00:02:00.640
world as having words and paragraphs and
@@ -160,7 +157,7 @@ world as having words and paragraphs and
sentences and
00:02:02.079 --> 00:02:04.640
-lines and so on and we could reason
+lines and so on. We could reason
00:02:04.640 --> 00:02:05.360
about this
@@ -172,43 +169,43 @@ text in terms of these
textual entities and this textual
00:02:11.440 --> 00:02:13.120
-language
+language.
00:02:13.120 --> 00:02:15.920
-this is the second paradigm of text
+This is the second paradigm of text
00:02:15.920 --> 00:02:18.640
-editing
+editing.
00:02:18.640 --> 00:02:22.800
-and when we're in the second paradigm
+When we're in the second paradigm,
00:02:22.800 --> 00:02:24.800
there is a way to go down to ground
00:02:24.800 --> 00:02:26.480
-level you hit enter
+level. You hit Enter
00:02:26.480 --> 00:02:28.160
-now or we'll hit enter to go down to the
+now--or we'll hit Enter to go down to the
00:02:28.160 --> 00:02:30.480
-ground level and you can hit escape
+ground level, and you can hit Escape
00:02:30.480 --> 00:02:33.200
-to go back out to the referential level
+to go back out to the referential level.
00:02:33.200 --> 00:02:35.200
-enter to go down to ground level
+Enter to go down to ground level
00:02:35.200 --> 00:02:37.280
-and escape to go up to the referential
+and Escape to go up to the referential
00:02:37.280 --> 00:02:40.160
-level
+level.
00:02:40.160 --> 00:02:44.879
-now in vim the nouns
+Now, in Vim, the nouns
00:02:44.879 --> 00:02:48.239
in this world of text all
@@ -220,34 +217,34 @@ share the same referential plane which
we call
00:02:51.519 --> 00:02:54.319
-normal mode so in normal mode all of the
+normal mode. So in normal mode, all of the
00:02:54.319 --> 00:02:54.959
nouns
00:02:54.959 --> 00:02:57.360
-of the world of text are available
+of the world of text are available,
00:02:57.360 --> 00:02:58.959
whether it's words or sentences or
00:02:58.959 --> 00:03:00.959
-paragraphs
+paragraphs,
00:03:00.959 --> 00:03:04.400
and they all share this same
00:03:04.400 --> 00:03:08.319
-referential plane and there's uh
+referential plane.
00:03:08.319 --> 00:03:11.120
-they sort of compete for space on the
+They compete for space on the
00:03:11.120 --> 00:03:12.720
-keyboard
+keyboard.
00:03:12.720 --> 00:03:15.760
-um so an alternative uh
+An alternative
00:03:15.760 --> 00:03:17.680
way to structure these modes is instead
@@ -256,19 +253,19 @@ way to structure these modes is instead
of having a single mode where all the
00:03:19.280 --> 00:03:21.840
-nouns coexist
+nouns coexist,
00:03:21.840 --> 00:03:24.959
-peacefully or otherwise you instead
+peacefully or otherwise, you instead
00:03:24.959 --> 00:03:30.400
-have a dedicated mode for every noun
+have a dedicated mode for every noun.
00:03:30.400 --> 00:03:33.040
-so in that case what happens is because
+In that case, what happens is because
00:03:33.040 --> 00:03:35.440
-your modal spaces are now much smaller
+your modal spaces are now much smaller,
00:03:35.440 --> 00:03:37.280
you're just talking about words or
@@ -277,34 +274,34 @@ you're just talking about words or
paragraphs or
00:03:38.720 --> 00:03:42.560
-lines or something the keys that you use
+lines or something, the keys that you use
00:03:42.560 --> 00:03:45.760
-can be much more targeted
+can be much more targeted.
00:03:45.760 --> 00:03:48.560
-and you can use the same keystrokes in
+You can use the same keystrokes in
00:03:48.560 --> 00:03:50.400
in all of your modes and they would have
00:03:50.400 --> 00:03:52.000
-the same ideas behind them but
+the same ideas behind them, but
00:03:52.000 --> 00:03:53.280
they would have different effects
00:03:53.280 --> 00:03:55.519
-depending on which context you're using
+depending on which context you're using.
00:03:55.519 --> 00:03:57.519
-so it's the same keystrokes different
+It's the same keystrokes, different
00:03:57.519 --> 00:03:59.120
-contexts
+contexts.
00:03:59.120 --> 00:04:01.360
-and the advantage of that is it's often
+The advantage of that is it's often
00:04:01.360 --> 00:04:02.480
easier
@@ -313,136 +310,121 @@ easier
to change context than it is to
00:04:05.519 --> 00:04:09.040
-learn new key bindings so let's see
+learn new key bindings. So let's see
00:04:09.040 --> 00:04:12.080
-an example of how that works we go into
+an example of how that works. We go into
00:04:12.080 --> 00:04:13.680
-character mode and if you look at the
-
-00:04:13.680 --> 00:04:14.000
-mode
+character mode, and if you look at the
-00:04:14.000 --> 00:04:15.439
-line at the bottom of the screen there
+00:04:13.680 --> 00:04:15.439
+mode line at the bottom of the screen there,
00:04:15.439 --> 00:04:18.720
-you'll see that we're in character mode
+you'll see that we're in character mode.
00:04:18.720 --> 00:04:21.519
-and now when we move up down left and
+Now, when we move up, down, left, and
00:04:21.519 --> 00:04:23.919
-right we're moving by character
+right, we're moving by character.
00:04:23.919 --> 00:04:28.479
-we can also transform the text and
+We can also transform the text, and
00:04:28.479 --> 00:04:30.240
the transformations occur in terms of
00:04:30.240 --> 00:04:32.400
-character
+character.
00:04:32.400 --> 00:04:34.320
-you can also go into word mode and in
+You can also go into word mode. In
00:04:34.320 --> 00:04:35.520
-word mode
+word mode,
00:04:35.520 --> 00:04:38.560
the transformations that you do are on
00:04:38.560 --> 00:04:40.000
-words
+words.
00:04:40.000 --> 00:04:42.320
-and you try you your movement is also in
+and you try... Your movement is also in
00:04:42.320 --> 00:04:43.440
-terms of words
+terms of words.
00:04:43.440 --> 00:04:45.600
-so that's the level of granularity that
+So that's the level of granularity that
00:04:45.600 --> 00:04:46.560
-you have
+you have.
00:04:46.560 --> 00:04:49.520
-you could also go to line mode and when
+You could also go to line mode. When
00:04:49.520 --> 00:04:50.720
-you're in line mode
+you're in line mode,
00:04:50.720 --> 00:04:53.759
-you go up and down by line and you can
+you go up and down by line, and you can
00:04:53.759 --> 00:04:54.240
-move
+move lines
00:04:54.240 --> 00:04:57.520
-lines up and down left and right and so
-
-00:04:57.520 --> 00:04:59.120
-on
+up and down left and right and so on.
00:04:59.120 --> 00:05:00.880
-and the transformations you do are in
+The transformations you do are in
00:05:00.880 --> 00:05:02.800
-terms of lines
+terms of lines.
00:05:02.800 --> 00:05:08.400
-you could also go to window mode where
+You could also go to window mode, where
00:05:08.400 --> 00:05:10.639
now the objects that you're referring to
00:05:10.639 --> 00:05:12.400
-are windows and you can
+are windows. You can
00:05:12.400 --> 00:05:15.759
move spatially amongst the windows or
00:05:15.759 --> 00:05:17.520
-make do transformations on the windows
+do transformations on the windows
00:05:17.520 --> 00:05:20.850
-using the same keystrokes
-
-00:05:20.850 --> 00:05:22.840
-[Music]
-
-00:05:22.840 --> 00:05:25.360
-um
+using the same keystrokes.
00:05:25.360 --> 00:05:28.720
-so let's go to
+So let's go to...
00:05:28.720 --> 00:05:32.800
-um right and so um the one of the things
+Right. One of the things,
00:05:32.800 --> 00:05:35.280
-the the principles that play here is
+the principles that play here is
00:05:35.280 --> 00:05:36.880
-something called the rumpelstiltskin
+something called the Rumpelstiltskin
00:05:36.880 --> 00:05:38.000
-principle which is something
+principle, which is something
00:05:38.000 --> 00:05:40.720
-that's known in computer science which
+that's known in computer science.
00:05:40.720 --> 00:05:42.320
-is that if you can name something then
-
-00:05:42.320 --> 00:05:43.759
-you have that you have power
+If you can name something, then
00:05:43.759 --> 00:05:46.720
-then you have power over it so this is
+you have power over it. This is
00:05:46.720 --> 00:05:48.560
kind of an adaptation of that principle
@@ -454,25 +436,22 @@ which says that if you can
name something and if you can talk about
00:05:52.320 --> 00:05:54.000
-it then it's a noun
-
-00:05:54.000 --> 00:05:55.360
-[Music]
+it, then it's a noun
00:05:55.360 --> 00:05:56.960
-in your editing language and if it's a
+in your editing language. If it's a
00:05:56.960 --> 00:05:58.960
-noun then it has
+noun, then it has...
00:05:58.960 --> 00:06:01.520
-it's a mode so if we can talk about it
+It's a mode. So if we can talk about it,
00:06:01.520 --> 00:06:02.319
-it's a noun
+it's a noun.
00:06:02.319 --> 00:06:05.039
-if it's a noun then it's a mode and one
+If it's a noun, then it's a mode. One
00:06:05.039 --> 00:06:06.479
of the things we've been talking a lot
@@ -481,19 +460,19 @@ of the things we've been talking a lot
about
00:06:07.039 --> 00:06:10.800
-is modes so in fact
+is modes. In fact,
00:06:10.800 --> 00:06:14.240
-uh by this principle modes also
+by this principle, modes also
00:06:14.240 --> 00:06:17.280
-should be a mode
+should be a mode.
00:06:17.280 --> 00:06:19.039
-you should have a mode that can reason
+You should have a mode that can reason
00:06:19.039 --> 00:06:21.120
-in terms of modes as objects just like
+in terms of modes as objects, just like
00:06:21.120 --> 00:06:22.080
you have
@@ -502,16 +481,16 @@ you have
modes where you can reason in terms of
00:06:23.759 --> 00:06:26.560
-words or lines as objects
+words or lines as objects.
00:06:26.560 --> 00:06:28.800
-and so let's do that let's go to mode
+So let's do that. Let's go to mode
00:06:28.800 --> 00:06:30.479
-mode
+mode.
00:06:30.479 --> 00:06:34.000
-when you go to mode mode you see that uh
+When you go to mode mode, you see that
00:06:34.000 --> 00:06:36.080
the objects that are depicted here are
@@ -520,16 +499,16 @@ the objects that are depicted here are
the modes that are
00:06:37.919 --> 00:06:40.960
-that are present in the buffer
+present in the buffer,
00:06:40.960 --> 00:06:44.880
-which we knew about um because the
+which we knew about because the
00:06:44.880 --> 00:06:46.400
style of editing that we had in this
00:06:46.400 --> 00:06:48.720
-buffer was the vim style of editing
+buffer was the Vim style of editing
00:06:48.720 --> 00:06:50.479
where there's an insert mode at the
@@ -538,55 +517,52 @@ where there's an insert mode at the
ground level and a normal mode that you
00:06:52.400 --> 00:06:53.039
-can escape
+can escape to.
00:06:53.039 --> 00:06:57.280
-to you insert enter the ground level
+You insert, enter the ground level.
00:06:57.280 --> 00:07:00.479
-enter to the insert mode and escape to
+Enter to the insert mode and escape to
00:07:00.479 --> 00:07:02.880
-normal mode and when you look at the
+normal mode. When you look at the
00:07:02.880 --> 00:07:03.680
mode mode
00:07:03.680 --> 00:07:06.160
-representation you see that in fact that
+representation, you see that in fact that
00:07:06.160 --> 00:07:10.479
-is the structure that's depicted
+is the structure that's depicted.
00:07:10.479 --> 00:07:12.720
-but in different situations you might
+But in different situations, you might
00:07:12.720 --> 00:07:14.080
find
00:07:14.080 --> 00:07:16.080
-that you that these modes are not the
+that these modes are not the
00:07:16.080 --> 00:07:17.680
-ones that you want you want something
+ones that you want. You want something
00:07:17.680 --> 00:07:19.360
more tailored for the specific
00:07:19.360 --> 00:07:20.880
-application
+application.
00:07:20.880 --> 00:07:23.050
-for instance if you're editing
-
-00:07:23.050 --> 00:07:24.240
-[Music]
+For instance, if you're editing
00:07:24.240 --> 00:07:27.360
-lisp code uh or or code in general but
+Lisp code (or code in general, but
00:07:27.360 --> 00:07:30.880
-list code is a particular example
+Lisp code is a particular example),
00:07:30.880 --> 00:07:32.960
you might want to take advantage of the
@@ -595,10 +571,10 @@ you might want to take advantage of the
structure of
00:07:34.000 --> 00:07:37.599
-the code and for lisp code in particular
+the code. For Lisp code in particular,
00:07:37.599 --> 00:07:40.960
-we have a mode called symax mode
+we have a mode called symex-mode
00:07:40.960 --> 00:07:44.240
which is able to reason
@@ -607,79 +583,79 @@ which is able to reason
about your code in terms of its tree
00:07:46.720 --> 00:07:47.919
-structure
+structure.
00:07:47.919 --> 00:07:50.560
-so you can use the same keystrokes hkl
+So you can use the same keystrokes: hjkl
00:07:50.560 --> 00:07:51.120
goes
00:07:51.120 --> 00:07:53.440
-left right up and down but you also have
+left, right, up, and down, but you also have
00:07:53.440 --> 00:07:54.960
other keystrokes that are more
00:07:54.960 --> 00:07:58.080
-specialized to the application
+specialized to the application.
00:07:58.080 --> 00:08:01.520
-and you can run the code and
+You can run the code.
00:08:01.520 --> 00:08:06.960
-we'll see that happen here in a minute
+We'll see that happen here in a minute.
00:08:06.960 --> 00:08:10.080
-and you can make changes to it really
+You can make changes to it really
00:08:10.080 --> 00:08:12.240
quickly
00:08:12.240 --> 00:08:18.000
-and see the effects of those changes
+and see the effects of those changes.
00:08:18.000 --> 00:08:19.440
-and you're doing this all in a mode
+You're doing this all in a mode
00:08:19.440 --> 00:08:21.360
that's convenient for
00:08:21.360 --> 00:08:23.199
-this particular application which is
+this particular application, which is
00:08:23.199 --> 00:08:25.039
-editing lisp code
+editing Lisp code,
00:08:25.039 --> 00:08:28.960
-and that is in this case symmex mode
+and that is, in this case, symex-mode.
00:08:28.960 --> 00:08:31.039
-so typically when you're editing code
+Typically, when you're editing code
00:08:31.039 --> 00:08:32.640
-like this you'd want to be
+like this, you'd want to be
00:08:32.640 --> 00:08:34.800
in insert mode actually typing out the
00:08:34.800 --> 00:08:36.640
-code
+code,
00:08:36.640 --> 00:08:38.320
-and then you'd want to escape to simex
+and then you'd want to escape to symex
00:08:38.320 --> 00:08:40.959
-mode rather than normal mode
+mode rather than normal mode,
00:08:40.959 --> 00:08:42.159
and then you could escape again and
00:08:42.159 --> 00:08:44.080
-you'd end up in normal mode
+you'd end up in normal mode.
00:08:44.080 --> 00:08:46.720
-so this if we go to mode mode we see is
+So this, if we go to mode mode, we see is
00:08:46.720 --> 00:08:48.000
depicted
@@ -688,112 +664,109 @@ depicted
as this tower where insert is at the
00:08:51.040 --> 00:08:52.800
-bottom and normal is at the top but
+bottom and normal is at the top, but
00:08:52.800 --> 00:08:54.800
-symmex mode is in between
+symex-mode is in between
00:08:54.800 --> 00:08:57.200
-the two you could also change that if
+the two. You could also change that if
00:08:57.200 --> 00:08:58.800
-you like if you don't want cmx mode to
+you like. If you don't want symex-mode to
00:08:58.800 --> 00:09:00.640
-be there you could just
+be there, you could just
00:09:00.640 --> 00:09:03.760
-move it to the top and now you find some
+move it to the top. Now you find symex is
00:09:03.760 --> 00:09:05.600
-mixes at the top and you enter down to
+at the top and you enter down to
00:09:05.600 --> 00:09:06.160
-normal
+normal.
00:09:06.160 --> 00:09:07.600
-you can see it on the status bar at the
+You can see it on the status bar at the
00:09:07.600 --> 00:09:10.480
-bottom there enter to insert
+bottom there. Enter to insert,
00:09:10.480 --> 00:09:13.839
-escape to normal escape to symmex and
+escape to normal, escape to symex.
00:09:13.839 --> 00:09:16.480
-in fact you can even add more modes if
+In fact, you can even add more modes if
00:09:16.480 --> 00:09:19.380
-you don't like the existing ones
-
-00:09:19.380 --> 00:09:21.519
-[Music]
+you don't like the existing ones.
00:09:21.519 --> 00:09:23.839
-and now we have an additional mode here
+Now we have an additional mode here.
00:09:23.839 --> 00:09:25.440
-we have window mode it goes down to
+We have window mode. It goes down to
00:09:25.440 --> 00:09:27.519
-symmex goes down to normal
+symex, it goes down to normal.
00:09:27.519 --> 00:09:30.320
-enter the insert escape to normal escape
+Enter the insert, escape to normal, escape
00:09:30.320 --> 00:09:33.600
-to smx escape the window
+to symex, escape to window.
00:09:33.600 --> 00:09:37.600
-um so we've talked okay so another thing
+So we've talked... Okay, so another thing
00:09:37.600 --> 00:09:41.760
actually to note here is that in editing
00:09:41.760 --> 00:09:45.360
-modes um
+modes,
00:09:45.360 --> 00:09:46.720
if you look at the mode line at the
00:09:46.720 --> 00:09:48.399
-bottom of the screen
+bottom of the screen,
00:09:48.399 --> 00:09:50.640
-you'll see that we are currently in this
+you'll see that we are currently, in this
00:09:50.640 --> 00:09:51.519
-buffer
+buffer,
00:09:51.519 --> 00:09:54.560
-we are currently in line mode
+we are currently in line mode.
00:09:54.560 --> 00:09:57.600
-and I'm going to hit enter now and
+I'm going to hit Enter now and
00:09:57.600 --> 00:09:58.720
you'll see that when I hit
00:09:58.720 --> 00:10:01.519
-enter nothing is happening it's still in
+Enter, nothing is happening. It's still in
00:10:01.519 --> 00:10:02.160
-line mode
+line mode.
00:10:02.160 --> 00:10:05.120
-if you'd escape it's still in line mode
+If you hit Escape, it's still in line mode.
00:10:05.120 --> 00:10:07.200
-and you can find out the reason for that
+You can find out the reason for that
00:10:07.200 --> 00:10:10.640
-by taking another meta jump out of this
+by taking another meta jump out of this.
00:10:10.640 --> 00:10:12.800
-and you'll see that in fact the reason
+You'll see that, in fact, the reason
00:10:12.800 --> 00:10:15.279
-is that we're currently in line mode
+is that we're currently in line mode,
00:10:15.279 --> 00:10:17.360
and line mode is the only one available
@@ -805,112 +778,106 @@ in this tower
for editing the modes that are in
00:10:21.760 --> 00:10:24.880
-operation in your ground level
+operation in your ground level.
00:10:24.880 --> 00:10:26.560
-and in fact line mode is all you need
+In fact, line mode is all you need
00:10:26.560 --> 00:10:28.320
-here because this is just
+here, because this is just
00:10:28.320 --> 00:10:30.320
-uh the nature of how these modes are
+the nature of how these modes are
00:10:30.320 --> 00:10:32.079
laid out is
00:10:32.079 --> 00:10:35.040
-in in rows and so line mode is the most
+in rows. So line mode is the most
00:10:35.040 --> 00:10:36.399
-appropriate thing here
+appropriate thing here.
00:10:36.399 --> 00:10:37.680
-but you could change it to something
+But you could change it to something
00:10:37.680 --> 00:10:39.740
-else if you like
-
-00:10:39.740 --> 00:10:40.959
-[Music]
+else if you like.
00:10:40.959 --> 00:10:44.160
-and then now we've seen two towers we've
+Now we've seen two towers. We've
00:10:44.160 --> 00:10:44.560
seen
00:10:44.560 --> 00:10:48.079
-the vim tower and we've seen
+the Vim tower and we've seen
00:10:48.079 --> 00:10:53.680
-also the symex tower the the lisp tower
+also the symex tower, the Lisp tower.
00:10:53.680 --> 00:10:56.959
-and it turns out that because we've been
+It turns out that, because we've been
00:10:56.959 --> 00:10:58.880
-talking about towers now
+talking about towers now,
00:10:58.880 --> 00:11:01.519
-by the rumpelstiltskin principle towers
+by the rumpelstiltskin principle, towers
00:11:01.519 --> 00:11:02.800
also
00:11:02.800 --> 00:11:06.399
-um can be talked about
+can be talked about,
00:11:06.399 --> 00:11:09.279
-and therefore they also are a mode so
+and therefore they also are a mode. So
00:11:09.279 --> 00:11:11.200
-how do we go to tower mode
+how do we go to tower mode?
00:11:11.200 --> 00:11:14.640
-and the way we go tower mode is we do
+The way we go to tower mode is
00:11:14.640 --> 00:11:19.200
-we go in a slightly different direction
+we go in a slightly different direction,
00:11:19.200 --> 00:11:20.800
and we find that we are now in tower
00:11:20.800 --> 00:11:23.360
-mode
+mode.
00:11:23.360 --> 00:11:27.440
-and we see that there are many towers
+We see that there are many towers
00:11:27.440 --> 00:11:29.279
-available so we're now
+available. We're now...
00:11:29.279 --> 00:11:32.640
-we're we're seeing several possible
+We're seeing several possible
00:11:32.640 --> 00:11:36.240
towers that we have written
00:11:36.240 --> 00:11:39.120
-um to be available and for use in
+to be available and for use in
00:11:39.120 --> 00:11:41.440
-different buffers and you can edit them
+different buffers. You can edit them
00:11:41.440 --> 00:11:44.000
-on the fly for instance let's enter this
+on the fly. For instance, let's enter this
00:11:44.000 --> 00:11:46.630
-tower
-
-00:11:46.630 --> 00:11:48.000
-[Music]
+tower.
00:11:48.000 --> 00:11:49.920
-and now you see that in the bottom of
+Now you see that in the bottom of
00:11:49.920 --> 00:11:51.519
-the in the mode line you see that we're
+the... In the mode line, you see that we're
00:11:51.519 --> 00:11:52.480
going
@@ -919,49 +886,49 @@ going
across all of these different modes that
00:11:54.240 --> 00:11:56.480
-were in the tower
+were in the tower.
00:11:56.480 --> 00:11:58.800
-and you could escape and you could even
+You could escape and you could even
00:11:58.800 --> 00:12:00.399
-move things around you could put window
+move things around. You could put window
00:12:00.399 --> 00:12:00.880
mode
00:12:00.880 --> 00:12:02.399
-all the way at the bottom right above
+all the way at the bottom, right above
00:12:02.399 --> 00:12:04.079
-insert mode
+insert mode.
00:12:04.079 --> 00:12:06.880
-let's see that happen there it is window
+Let's see that happen. There it is, window
00:12:06.880 --> 00:12:09.839
-is right above insert
+is right above insert, and
00:12:09.839 --> 00:12:13.040
-so on and the tower always reflects your
+so on. The tower always reflects your
00:12:13.040 --> 00:12:14.240
-current position
+current position,
00:12:14.240 --> 00:12:15.760
so if you're in buffer mode here and you
00:12:15.760 --> 00:12:17.600
-go down to line mode
+go down to line mode,
00:12:17.600 --> 00:12:19.120
-when you go back to mode mode you see
+when you go back to mode mode, you see
00:12:19.120 --> 00:12:22.480
-that we are in line mode
+that we are in line mode.
00:12:22.480 --> 00:12:24.000
-but in practice you wouldn't have a
+But in practice, you wouldn't have a
00:12:24.000 --> 00:12:26.160
tower this elaborate because
@@ -970,49 +937,49 @@ tower this elaborate because
you'd rather have several smaller towers
00:12:28.959 --> 00:12:29.440
-you
+you enter,
00:12:29.440 --> 00:12:33.360
-enter that you alternate between
+that you alternate between.
00:12:33.360 --> 00:12:36.639
-um okay so one
+Okay. So one
00:12:36.639 --> 00:12:39.839
other thing of interest here is that
00:12:39.839 --> 00:12:42.240
-when you're in tower mode
+when you're in tower mode,
00:12:42.240 --> 00:12:43.839
if you look at the status line at the
00:12:43.839 --> 00:12:45.920
-bottom there we are currently
+bottom there, we are currently
00:12:45.920 --> 00:12:49.200
in buffer mode while we are in tower
00:12:49.200 --> 00:12:49.839
-mode
+mode.
00:12:49.839 --> 00:12:51.600
-and tower mode actually isn't a mode
+Tower mode actually isn't a mode
00:12:51.600 --> 00:12:53.519
-really neither is mode mode they're
+really. Neither is mode mode. They're
00:12:53.519 --> 00:12:53.920
really
00:12:53.920 --> 00:12:58.000
-referential planes or meta planes
+referential planes or meta planes.
00:12:58.000 --> 00:13:00.959
-um in any case you can see that we're in
+In any case, you can see that we're in
00:13:00.959 --> 00:13:03.120
-buffer mode and we can take a meta jump
+buffer mode. We can take a meta jump
00:13:03.120 --> 00:13:04.560
out of this to confirm
@@ -1030,76 +997,67 @@ when we're editing towers because that's
the one
00:13:11.200 --> 00:13:14.240
-we need given that our towers are
+we need, given that our towers are
00:13:14.240 --> 00:13:15.200
represented
00:13:15.200 --> 00:13:23.200
-in individual buffers
+in individual buffers.
00:13:23.200 --> 00:13:26.000
-right so let's uh let's see where we're
+Right. So let's see where we're
00:13:26.000 --> 00:13:26.320
-at
+at.
00:13:26.320 --> 00:13:28.240
-trump's still skin principle we talked
+Rumpelstiltskin principle... We talked
00:13:28.240 --> 00:13:30.160
-about mode mode
+about mode mode.
00:13:30.160 --> 00:13:32.240
-um we talked about the strange loop
+We talked about the strange loop
00:13:32.240 --> 00:13:33.920
application of
00:13:33.920 --> 00:13:37.820
-ground level modes in meta levels
-
-00:13:37.820 --> 00:13:39.600
-[Music]
+ground level modes in meta levels.
00:13:39.600 --> 00:13:42.240
-and yeah we saw the different towers and
+We saw the different towers, and
00:13:42.240 --> 00:13:43.199
-in fact
+in fact,
00:13:43.199 --> 00:13:46.639
-you can we're currently in
+we're currently in
00:13:46.639 --> 00:13:50.720
-vim tower
+Vim tower,
00:13:50.720 --> 00:13:53.120
-where you can go to Emacs tower and now
+where you can go to Emacs tower. Now,
00:13:53.120 --> 00:13:54.720
-with a single keystroke you can
+with a single keystroke, you can
00:13:54.720 --> 00:13:55.760
alternate
00:13:55.760 --> 00:13:59.040
-between e-max
+between Emacs
00:13:59.040 --> 00:14:02.399
-and vim which are represented which are
+and Vim, which are represented--which are
00:14:02.399 --> 00:14:05.519
-modeled as towers
-
-00:14:05.519 --> 00:14:09.279
-um
-
-00:14:09.279 --> 00:14:13.360
-okay so
+modeled as towers.
00:14:13.360 --> 00:14:15.360
-so there's uh the one thing that we've
+So there's... One thing that we've
00:14:15.360 --> 00:14:17.040
sort of alluded to is that there are two
@@ -1111,49 +1069,49 @@ directions
that you can travel in when you're going
00:14:20.480 --> 00:14:22.399
-through this framework
+through this framework.
00:14:22.399 --> 00:14:25.120
-one lev one direction is uh and we'll
+One direction is--and we'll
00:14:25.120 --> 00:14:33.760
-visualize it with uh like so
+visualize it like so...
00:14:33.760 --> 00:14:35.120
-there's two directions you can travel
+There's two directions you can travel,
00:14:35.120 --> 00:14:37.040
and you can either go sideways or you
00:14:37.040 --> 00:14:38.399
-can go up and down
+can go up and down.
00:14:38.399 --> 00:14:40.399
-if you go sideways you're changing your
+If you go sideways, you're changing your
00:14:40.399 --> 00:14:41.680
-perspective
+perspective.
00:14:41.680 --> 00:14:45.440
-so normal mode word mode line mode
+So normal mode, word mode, line mode,
00:14:45.440 --> 00:14:47.360
-window mode and so on are all different
+window mode, and so on are all different
00:14:47.360 --> 00:14:49.120
-perspectives on your under on your
+perspectives on your
00:14:49.120 --> 00:14:51.680
-ground editing experience
+ground editing experience.
00:14:51.680 --> 00:14:53.040
-and the other direction you can travel
+The other direction you can travel
00:14:53.040 --> 00:14:55.519
-in is up or down which takes you
+in is up or down, which takes you
00:14:55.519 --> 00:14:57.920
-through meta levels so you go from the
+through meta levels. So you go from the
00:14:57.920 --> 00:14:59.600
ground level editing experience
@@ -1165,19 +1123,19 @@ up to mode mode and then up to the tower
plane and so on
00:15:03.440 --> 00:15:07.040
-or uh yeah and so on
+and so on.
00:15:07.040 --> 00:15:10.800
-um yeah so this all sounds
+So this all sounds
00:15:10.800 --> 00:15:14.880
-very complex but the truth is
+very complex, but the truth is
00:15:14.880 --> 00:15:18.160
it's not really that complicated
00:15:18.160 --> 00:15:21.519
-even though it feels that way the reason
+even though it feels that way. The reason
00:15:21.519 --> 00:15:22.959
it isn't that complicated
@@ -1189,7 +1147,7 @@ is because no matter how many levels
up or down you go and no matter where
00:15:28.800 --> 00:15:30.160
-you are
+you are,
00:15:30.160 --> 00:15:32.399
whether you're in at the ground level
@@ -1198,43 +1156,43 @@ whether you're in at the ground level
editing the actual text
00:15:34.079 --> 00:15:36.000
-or whether you're at a meta level some
+or whether you're at a meta level, some
00:15:36.000 --> 00:15:37.600
unknown meta level and you don't know
00:15:37.600 --> 00:15:39.279
-where you are
+where you are,
00:15:39.279 --> 00:15:42.320
-no matter where you are the way in which
+no matter where you are, the way in which
00:15:42.320 --> 00:15:44.399
you interact with it
00:15:44.399 --> 00:15:47.519
-is the same at every level
+is the same at every level.
00:15:47.519 --> 00:15:52.000
-and that is the great power of um
+That is the great power of
00:15:52.000 --> 00:15:55.440
-this approach is that
+this approach: that
00:15:55.440 --> 00:15:58.720
-all of the different levels um are the
+all of the different levels are the
00:15:58.720 --> 00:16:00.880
-same
+same.
00:16:00.880 --> 00:16:03.839
-and in fact the complexity of the whole
+In fact, the complexity of the whole
00:16:03.839 --> 00:16:05.759
is exactly identical to the
00:16:05.759 --> 00:16:08.720
-complexity of each part so if you know
+complexity of each part, so if you know
00:16:08.720 --> 00:16:10.000
how to edit words
@@ -1246,7 +1204,7 @@ in the ground level buffer and you know
how to move
00:16:13.440 --> 00:16:15.839
-lines around using line mode then you
+lines around using line mode, then you
00:16:15.839 --> 00:16:16.720
know how to edit
@@ -1255,49 +1213,40 @@ know how to edit
any aspect of your editing experience at
00:16:19.519 --> 00:16:22.800
-any level
-
-00:16:22.800 --> 00:16:23.310
-so
-
-00:16:23.310 --> 00:16:26.240
-[Music]
-
-00:16:26.240 --> 00:16:30.079
-um
+any level.
00:16:30.079 --> 00:16:32.000
-so this is a pre-release demo this
+So this is a pre-release demo. This
00:16:32.000 --> 00:16:33.839
-doesn't exist on melpa
+doesn't exist on MELPA
00:16:33.839 --> 00:16:36.880
-yet but you can follow updates um
+yet, but you can follow updates
00:16:36.880 --> 00:16:40.079
-at this repo on github
+at this repo on github.
00:16:40.079 --> 00:16:44.079
-and if you can also be a beta tester or
+If you can also be a beta tester or
00:16:44.079 --> 00:16:45.199
-something like that if you like that
+something like that, if you like, that
00:16:45.199 --> 00:16:46.000
would be very
00:16:46.000 --> 00:16:49.199
-uh helpful and you can learn more about
+helpful. You can learn more about
00:16:49.199 --> 00:16:50.560
this at
00:16:50.560 --> 00:16:53.920
-dream.org which is where I house
+drym.org, which is where I house
00:16:53.920 --> 00:16:55.920
-the research that I work on and in
+the research that I work on. In
00:16:55.920 --> 00:16:57.279
particular
@@ -1306,13 +1255,13 @@ particular
the research on epistemic levels is what
00:17:00.800 --> 00:17:03.600
-inspired this particular Emacs extension
+inspired this particular Emacs extension.
00:17:03.600 --> 00:17:06.480
-you can also learn about dialectical
+You can also learn about dialectical
00:17:06.480 --> 00:17:08.480
-inheritance attribution which is the
+inheritance attribution, which is the
00:17:08.480 --> 00:17:10.880
basis of
@@ -1324,13 +1273,13 @@ a new economic system that could be fair
and could lead to a prosperous and happy
00:17:16.959 --> 00:17:19.439
-world
+world.
00:17:19.439 --> 00:17:22.799
-and um yeah you can follow me on
+You can follow me on
00:17:22.799 --> 00:17:26.319
-twitter at countwajoula and
+Twitter at @countvajhula.
00:17:26.319 --> 00:17:31.919
-that's it thank you
+That's it! Thank you.