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Diffstat (limited to '')
-rw-r--r-- | 2020/organizers-notebook.org | 1 | ||||
-rw-r--r-- | 2020/subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--zachary-kanfer-autogen.vtt | 724 |
2 files changed, 725 insertions, 0 deletions
diff --git a/2020/organizers-notebook.org b/2020/organizers-notebook.org index 57a182f0..b3fbf0ee 100644 --- a/2020/organizers-notebook.org +++ b/2020/organizers-notebook.org @@ -64,6 +64,7 @@ I modified the =subed= package to work with VTT files. The modified version is a - [ ] [[./subtitles/emacsconf-2020--32-object-oriented-code-in-the-gnus-newsreader--eric-abrahamsen-autogen.vtt]] - [ ] [[./subtitles/emacsconf-2020--33-maxima-a-computer-algebra-system-in-emacs--fermin.vtt]] - [ ] bhavin192 [[./subtitles/emacsconf-2020--34-extend-emacs-to-modern-gui-applications-with-eaf--matthew-zeng-autogen.vtt]] +- [ ] bhavin192 [[./subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--zachary-kanfer-autogen.vtt]] - [ ] bhavin192 [[./subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--questions--zachary-kanfer-autogen.vtt]] - [X] bhavin192 [[./info/38.md]] [[./subtitles/emacsconf-2020--38-emacs-development-update--john-wiegley.vtt]] - [X] bhavin192 [[./info/39.md]] [[./subtitles/emacsconf-2020--39-nongnu-elpa--questions--richard-stallman.vtt]] diff --git a/2020/subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--zachary-kanfer-autogen.vtt b/2020/subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--zachary-kanfer-autogen.vtt new file mode 100644 index 00000000..8fce6e98 --- /dev/null +++ b/2020/subtitles/emacsconf-2020--35-waveing-at-repetitive-repetitive-repetitive-music-zmusic--zachary-kanfer-autogen.vtt @@ -0,0 +1,724 @@ +WEBVTT + +00:00:04.080 --> 00:00:04.960 +hi + +00:00:04.960 --> 00:00:08.559 +i'm zachary canfer and this is waving + +00:00:08.559 --> 00:00:11.679 +and repetitive repetitive repetitive + +00:00:11.679 --> 00:00:15.759 +music over quarantine i've been bored + +00:00:15.759 --> 00:00:18.400 +and i found this android app that has a + +00:00:18.400 --> 00:00:19.680 +bunch of mini games + +00:00:19.680 --> 00:00:23.519 +one of which lets you compose music + +00:00:23.519 --> 00:00:26.640 +and it works but i + +00:00:26.640 --> 00:00:28.160 +want a little bit more functionality + +00:00:28.160 --> 00:00:30.720 +than it offers it's not very flexible + +00:00:30.720 --> 00:00:33.760 +so i thought what if i made this + +00:00:33.760 --> 00:00:35.360 +what and what programs could i make this + +00:00:35.360 --> 00:00:37.760 +in that are really flexible are really + +00:00:37.760 --> 00:00:40.320 +customizable + +00:00:40.320 --> 00:00:44.239 +emacs so i looked into it and + +00:00:44.239 --> 00:00:46.320 +emacs can play sounds right if you hit + +00:00:46.320 --> 00:00:47.840 +control g a couple times you'll hear + +00:00:47.840 --> 00:00:49.760 +like an error tone + +00:00:49.760 --> 00:00:51.360 +and it turns out that that is actually + +00:00:51.360 --> 00:00:54.559 +playing a wave file + +00:00:54.559 --> 00:00:58.960 +but what's a wave file + +00:00:58.960 --> 00:01:01.920 +well it turns out that wave is a musical + +00:01:01.920 --> 00:01:03.440 +file format + +00:01:03.440 --> 00:01:07.840 +or really an annoying file format + +00:01:07.840 --> 00:01:12.080 +so data in it can be an unsigned integer + +00:01:12.080 --> 00:01:15.360 +or a science integer it's not consistent + +00:01:15.360 --> 00:01:17.920 +and it's little ending by default which + +00:01:17.920 --> 00:01:20.320 +is not the way i like to think about it + +00:01:20.320 --> 00:01:23.200 +now you can set a wav file to be big + +00:01:23.200 --> 00:01:25.200 +endian but if you do that + +00:01:25.200 --> 00:01:28.640 +emacs can't play it so little ending it + +00:01:28.640 --> 00:01:30.479 +is + +00:01:30.479 --> 00:01:33.520 +there's also duplicate data fields + +00:01:33.520 --> 00:01:35.360 +here are some fields that are fine but + +00:01:35.360 --> 00:01:36.960 +then there's a fourth field that's + +00:01:36.960 --> 00:01:38.960 +calculated based on multiplying two of + +00:01:38.960 --> 00:01:40.799 +the other ones together + +00:01:40.799 --> 00:01:42.399 +and then there's another data field + +00:01:42.399 --> 00:01:44.880 +that's you multiply those three ones + +00:01:44.880 --> 00:01:48.479 +together so it's just repetitive and + +00:01:48.479 --> 00:01:50.479 +unnecessary but you have to do it or + +00:01:50.479 --> 00:01:54.159 +it's not a valid wave file + +00:01:54.159 --> 00:01:56.479 +also the last part of the file is + +00:01:56.479 --> 00:01:58.159 +described as data + +00:01:58.159 --> 00:02:01.759 +or as one website i found said + +00:02:01.759 --> 00:02:05.200 +the actual sound data now + +00:02:05.200 --> 00:02:06.960 +i don't know about you but when i see + +00:02:06.960 --> 00:02:09.039 +that i think + +00:02:09.039 --> 00:02:12.080 +what is a data it turns out + +00:02:12.080 --> 00:02:15.120 +that sound is just a wave and + +00:02:15.120 --> 00:02:17.760 +the data is just a bunch of measurements + +00:02:17.760 --> 00:02:19.120 +of the height of that wave forming each + +00:02:19.120 --> 00:02:20.400 +sample + +00:02:20.400 --> 00:02:24.480 +so this wave starts at 8 goes 9 11 13 + +00:02:24.480 --> 00:02:27.840 +14 15 and then back down and if you just + +00:02:27.840 --> 00:02:29.520 +take those measurements those numbers + +00:02:29.520 --> 00:02:32.080 +put them in a file that's all your data + +00:02:32.080 --> 00:02:35.200 +is + +00:02:35.200 --> 00:02:36.560 +all right let's go to a demo of my + +00:02:36.560 --> 00:02:38.959 +program + +00:02:38.959 --> 00:02:41.920 +so this is what z music looks like the + +00:02:41.920 --> 00:02:44.080 +blue highlighted row is a single beat + +00:02:44.080 --> 00:02:48.319 +there's 16 of them in this z music file + +00:02:48.319 --> 00:02:52.000 +and each dash in the row + +00:02:52.000 --> 00:02:55.040 +is a single note increasing starting + +00:02:55.040 --> 00:02:57.920 +really low all the way on the left and + +00:02:57.920 --> 00:02:58.959 +going up + +00:02:58.959 --> 00:03:01.680 +as we go to the right so if we started + +00:03:01.680 --> 00:03:02.400 +playing + +00:03:02.400 --> 00:03:05.040 +we won't hear anything but we'll see the + +00:03:05.040 --> 00:03:06.400 +highlighted beat is the currently + +00:03:06.400 --> 00:03:07.680 +playing one + +00:03:07.680 --> 00:03:11.120 +and we see that it loops so we can stop + +00:03:11.120 --> 00:03:12.720 +it + +00:03:12.720 --> 00:03:30.879 +and now we can click to add some notes + +00:03:30.879 --> 00:03:33.120 +even more than one note at the same time + +00:03:33.120 --> 00:03:43.920 +works + +00:03:43.920 --> 00:03:56.160 +and we can even add notes while it's + +00:03:56.160 --> 00:03:58.840 +[Applause] + +00:03:58.840 --> 00:04:00.150 +playing + +00:04:00.150 --> 00:04:08.239 +[Applause] + +00:04:08.239 --> 00:04:10.480 +okay here are some other features that i + +00:04:10.480 --> 00:04:12.959 +didn't have time to demo + +00:04:12.959 --> 00:04:16.000 +so you can save the music to a file and + +00:04:16.000 --> 00:04:18.239 +this is interesting because normally + +00:04:18.239 --> 00:04:20.880 +if there's no note in a beat we just + +00:04:20.880 --> 00:04:22.800 +don't play that beat + +00:04:22.800 --> 00:04:24.639 +but if you're writing to a file you have + +00:04:24.639 --> 00:04:25.919 +to put something in + +00:04:25.919 --> 00:04:27.840 +so when it's playing it knows to not + +00:04:27.840 --> 00:04:31.360 +make a sound there + +00:04:31.360 --> 00:04:34.479 +we can also use different scales we're + +00:04:34.479 --> 00:04:36.240 +using the minor pentatonic + +00:04:36.240 --> 00:04:38.080 +in the demo but you can use the major + +00:04:38.080 --> 00:04:39.680 +scale the minor scale + +00:04:39.680 --> 00:04:42.400 +or anything else and there's also + +00:04:42.400 --> 00:04:44.400 +keyboard support but it sounds really + +00:04:44.400 --> 00:04:45.199 +bad + +00:04:45.199 --> 00:04:48.240 +and i'll explain why later + +00:04:48.240 --> 00:04:50.800 +here are some things i learned while + +00:04:50.800 --> 00:04:53.520 +writing z music + +00:04:53.520 --> 00:04:56.479 +emacs has buttons which are great as + +00:04:56.479 --> 00:04:58.240 +long + +00:04:58.240 --> 00:04:59.919 +as you don't put two of them right next + +00:04:59.919 --> 00:05:02.160 +to each other so if you do that + +00:05:02.160 --> 00:05:04.400 +mousing over one of them highlights both + +00:05:04.400 --> 00:05:06.160 +of them + +00:05:06.160 --> 00:05:07.919 +now that's because a button is really + +00:05:07.919 --> 00:05:10.080 +just a series of characters with a text + +00:05:10.080 --> 00:05:11.680 +property to highlight them + +00:05:11.680 --> 00:05:15.120 +so the fix is you put another character + +00:05:15.120 --> 00:05:16.479 +between the two buttons + +00:05:16.479 --> 00:05:18.080 +then mousing over one of them only + +00:05:18.080 --> 00:05:19.759 +highlights the one you want + +00:05:19.759 --> 00:05:21.600 +but even this doesn't work really great + +00:05:21.600 --> 00:05:22.800 +for z music + +00:05:22.800 --> 00:05:25.440 +because the music has a lot of very + +00:05:25.440 --> 00:05:27.120 +small buttons in a row + +00:05:27.120 --> 00:05:29.840 +so it's really easy to accidentally put + +00:05:29.840 --> 00:05:31.600 +your cursor over the space + +00:05:31.600 --> 00:05:34.639 +and click on that instead of the button + +00:05:34.639 --> 00:05:37.120 +so i looked into unicode and i found + +00:05:37.120 --> 00:05:38.160 +this character called + +00:05:38.160 --> 00:05:40.800 +a zero width space so we should be able + +00:05:40.800 --> 00:05:42.560 +to put that between buttons and not be + +00:05:42.560 --> 00:05:45.120 +able to accidentally click on it + +00:05:45.120 --> 00:05:46.960 +unfortunately a zeroth space isn't + +00:05:46.960 --> 00:05:50.080 +actually zero width + +00:05:50.080 --> 00:05:51.680 +if we put a hundred of them between two + +00:05:51.680 --> 00:05:53.759 +other characters you can see there's + +00:05:53.759 --> 00:05:54.880 +space there + +00:05:54.880 --> 00:05:56.240 +and i think what's happening is the + +00:05:56.240 --> 00:05:58.160 +space is zero width + +00:05:58.160 --> 00:06:01.360 +but then emax put uses one pixel between + +00:06:01.360 --> 00:06:02.800 +each pair of characters + +00:06:02.800 --> 00:06:08.080 +for the cursor so it's almost zero width + +00:06:08.080 --> 00:06:09.919 +some ways to play sound that don't quite + +00:06:09.919 --> 00:06:12.960 +work play sound plays music + +00:06:12.960 --> 00:06:14.800 +but it blocks you can't do things like + +00:06:14.800 --> 00:06:17.280 +set other notes or even pause the music + +00:06:17.280 --> 00:06:19.600 +and if you throw it into async.el it's + +00:06:19.600 --> 00:06:21.600 +silent and i don't know why + +00:06:21.600 --> 00:06:24.479 +so the solution i went with is taking + +00:06:24.479 --> 00:06:25.440 +that wav file + +00:06:25.440 --> 00:06:27.039 +ran into the file system and then + +00:06:27.039 --> 00:06:29.199 +shelling out to a native executable to + +00:06:29.199 --> 00:06:30.639 +play the sound + +00:06:30.639 --> 00:06:32.880 +and that works fine as long as you only + +00:06:32.880 --> 00:06:34.240 +do it once + +00:06:34.240 --> 00:06:36.080 +because if you do it a couple times at + +00:06:36.080 --> 00:06:37.600 +the same time like if you have a chord + +00:06:37.600 --> 00:06:38.639 +and you want to play three notes + +00:06:38.639 --> 00:06:40.000 +simultaneously + +00:06:40.000 --> 00:06:42.319 +you get this weird interference and + +00:06:42.319 --> 00:06:43.680 +that's actually why the keyboard from + +00:06:43.680 --> 00:06:46.319 +before didn't work + +00:06:46.319 --> 00:06:49.199 +also side effects have this unexpected + +00:06:49.199 --> 00:06:50.240 +impact + +00:06:50.240 --> 00:06:53.039 +uh when you saw the demo it was running + +00:06:53.039 --> 00:06:55.120 +pretty smoothly + +00:06:55.120 --> 00:06:57.680 +but if i just add one message statement + +00:06:57.680 --> 00:06:58.479 +every beat for + +00:06:58.479 --> 00:07:00.960 +debugging purposes i was getting lag and + +00:07:00.960 --> 00:07:03.759 +jitter + +00:07:03.759 --> 00:07:05.440 +here's the one thing i learned about + +00:07:05.440 --> 00:07:08.319 +music theory music theory + +00:07:08.319 --> 00:07:11.599 +is not easy to program + +00:07:11.599 --> 00:07:12.880 +i was looking around to see what + +00:07:12.880 --> 00:07:15.440 +concepts we can use to code the scales + +00:07:15.440 --> 00:07:16.080 +to code the + +00:07:16.080 --> 00:07:18.160 +notes the first thing that i saw is + +00:07:18.160 --> 00:07:20.240 +scale degrees + +00:07:20.240 --> 00:07:23.360 +and this when i looked into it you don't + +00:07:23.360 --> 00:07:26.319 +want to program in scale degrees + +00:07:26.319 --> 00:07:28.240 +so you see we have the first second + +00:07:28.240 --> 00:07:29.759 +third fourth fifth sixth seventh but + +00:07:29.759 --> 00:07:32.080 +then it wraps around that octave up + +00:07:32.080 --> 00:07:33.919 +is also a first and that's because both + +00:07:33.919 --> 00:07:36.000 +of those notes are c + +00:07:36.000 --> 00:07:38.479 +uh so that didn't work and also you + +00:07:38.479 --> 00:07:39.759 +couldn't really easily + +00:07:39.759 --> 00:07:43.599 +specify a flat or sharp you could say + +00:07:43.599 --> 00:07:47.680 +a sharp third uh or + +00:07:47.680 --> 00:07:50.879 +you know a flat seventh or whatever but + +00:07:50.879 --> 00:07:52.319 +then you kind of have these two pieces + +00:07:52.319 --> 00:07:53.759 +of data that indicate the note and i + +00:07:53.759 --> 00:07:55.840 +didn't i didn't love that + +00:07:55.840 --> 00:07:57.440 +so i looked a little looked again and i + +00:07:57.440 --> 00:07:59.280 +found intervals + +00:07:59.280 --> 00:08:01.120 +and then i thought about it and you + +00:08:01.120 --> 00:08:02.080 +don't really want to program in + +00:08:02.080 --> 00:08:03.440 +intervals either + +00:08:03.440 --> 00:08:05.520 +it fixes some of the problems with scale + +00:08:05.520 --> 00:08:07.039 +degrees you see + +00:08:07.039 --> 00:08:08.319 +all the way on the right you have an + +00:08:08.319 --> 00:08:10.319 +octave so you wrap to 8 and you + +00:08:10.319 --> 00:08:13.039 +go 9 10 and that works but you solve the + +00:08:13.039 --> 00:08:14.319 +same problem you see you have a major + +00:08:14.319 --> 00:08:16.400 +third but below we also have a minor + +00:08:16.400 --> 00:08:18.080 +third so you saw that problem of having + +00:08:18.080 --> 00:08:20.160 +two pieces of information + +00:08:20.160 --> 00:08:23.360 +uh so i thought about it music's really + +00:08:23.360 --> 00:08:27.120 +frequencies like an a is 440 hertz + +00:08:27.120 --> 00:08:28.400 +so at a low level that's what we're + +00:08:28.400 --> 00:08:29.360 +going to do we're just going to use + +00:08:29.360 --> 00:08:30.560 +frequencies + +00:08:30.560 --> 00:08:32.800 +and then at the one level above that uh + +00:08:32.800 --> 00:08:34.159 +that's a little bit easier for humans to + +00:08:34.159 --> 00:08:35.360 +think about + +00:08:35.360 --> 00:08:37.039 +we're going to use semitones up from the + +00:08:37.039 --> 00:08:39.519 +root which is kind of like scale degrees + +00:08:39.519 --> 00:08:40.959 +but instead of just counting each note + +00:08:40.959 --> 00:08:42.880 +as one more we're going to say how many + +00:08:42.880 --> 00:08:44.560 +semitones up it is + +00:08:44.560 --> 00:08:47.200 +so if there's a sharp between two notes + +00:08:47.200 --> 00:08:48.480 +that's going to be two steps up instead + +00:08:48.480 --> 00:08:50.000 +of just one + +00:08:50.000 --> 00:08:51.279 +and then we translate those two + +00:08:51.279 --> 00:08:54.160 +frequencies so your a is 440 hertz + +00:08:54.160 --> 00:08:56.920 +another note might be + +00:08:56.920 --> 00:08:58.480 +613.5 + +00:08:58.480 --> 00:09:00.720 +or whatever and we that's we use the low + +00:09:00.720 --> 00:09:02.959 +level to play + +00:09:02.959 --> 00:09:05.200 +some future work i have i want to add + +00:09:05.200 --> 00:09:06.480 +some drums + +00:09:06.480 --> 00:09:08.240 +i want to make that keyboard actually + +00:09:08.240 --> 00:09:09.680 +work uh + +00:09:09.680 --> 00:09:12.399 +and uh computers and synthesizers are + +00:09:12.399 --> 00:09:14.320 +the only place you hear a pure sine wave + +00:09:14.320 --> 00:09:16.000 +like the one we have here + +00:09:16.000 --> 00:09:17.680 +so i want to add overtones or other + +00:09:17.680 --> 00:09:19.440 +octaves above it uh just to make it + +00:09:19.440 --> 00:09:23.120 +sound a little bit more realistic + +00:09:23.120 --> 00:09:25.360 +i've put notes references in the source + +00:09:25.360 --> 00:09:28.480 +code up at zck dot me slash emacs conf + +00:09:28.480 --> 00:09:31.839 +2020 i'm one of the organizers of emacs + +00:09:31.839 --> 00:09:33.040 +nyc + +00:09:33.040 --> 00:09:36.080 +check that out and if you take a look + +00:09:36.080 --> 00:09:38.240 +or have any thoughts i'd love to hear + +00:09:38.240 --> 00:09:39.839 +them and + +00:09:39.839 --> 00:09:46.160 +thanks so much for coming to my talk |