diff options
Diffstat (limited to '')
| -rw-r--r-- | 2022/organizers-notebook.md | 119 | ||||
| -rw-r--r-- | 2022/organizers-notebook/index.org | 113 |
2 files changed, 230 insertions, 2 deletions
diff --git a/2022/organizers-notebook.md b/2022/organizers-notebook.md index 3ff1dfe3..88c13656 100644 --- a/2022/organizers-notebook.md +++ b/2022/organizers-notebook.md @@ -2213,6 +2213,121 @@ before the conference! Sacha Chua +### Mastering the prerec’s audio-track + +Mastering is the process of preparing an audio-track for a purpose. For +us, the purpose is quite simple: maximize the intelligibility of the +speaker and minimize the noise. + +We can get great results with Audacity for the vast majority of +audio-tracks. Sometimes, however, some audio-tracks have intractable +noise-profile that require the use of model-based denoising filters that +can applied with ffmpeg. + +We’ll start with the average Audacity workflow, and we’ll move on to the +model-based filters after. + + +#### Audacity workflow + +When we process a prerec, we extract the audio of the original upload +and add it to the backstage. You should be able to find it under the +name –original.$audio\_format. If it’s not there, it’s easy to extract +the audio from the original video, but we’d prefer if you warned +core-organizers about it because it’s not normal. + +We’ve simplified the process down to these steps: + +1. Open the audio file in Audacity. + + You might want to increase the size of the waveform by pulling on the + bottom of the bottom of the track. + +<audacity-demo-resize.webm> + +1. Find a moment of quiet in the video, and select it. + + We ask our speakers to include 5 seconds of quiet at the beginning or + end of their prerecs, but even if they don’t, it’s relatively. + +2. Effects → Noise Reduction → Get Noise Profile + +3. Select → All + +4. Effects → Noise Reduction → OK + + You can select a spoken portion of the track before applying the + effect and preview it to test your settings. The default are usually + enough (Noise reduction (dB): 12, Sensitivity: 6.00, Frequency smoothing + (bands): 3). + +5. Tools → Apply Macro → Alpha + + Before you can apply the Alpha macro, you need to save its content to + disk and import it via Tools → Macro Manager → Import. + + Reverb:Delay="20" DryGain="5" HfDamping="99" Reverberance="15" RoomSize="70" StereoWidth="25" ToneHigh="0" ToneLow="100" WetGain="-13" WetOnly="0" + Amplify:Ratio="1" + FilterCurve:f0="79.621641" f1="101.02321" FilterLength="8191" InterpolateLin="0" InterpolationMethod="B-spline" v0="5.9148936" v1="0.042552948" + Normalize:ApplyGain="1" PeakLevel="-3" RemoveDcOffset="1" StereoIndependent="1" + Compressor:AttackTime="0.1" NoiseFloor="-50" Normalize="1" Ratio="2" ReleaseTime="1" Threshold="-30" UsePeak="0" + +1. Save the file to disk with libopus (.opus format) + Use the following settings: + +> Bit Rate: 64 kbps +> VBR Mode: On +> Compression: 10 +> Application: Audio +> Frame Duration: 20 ms +> Cutoff: Disabled + + + + +#### Model-based denoising filter + +If you can’t manage to get a good result with Audacity, chances are it’s +because there’s too much noise in the video, even after profile-based +denoising. This usually happens when the noise-pattern of an +audio-track evolves over the video, or if has an aperiodic quality. For +those, we’re going to need a bigger boat. + +Model-based denoising means using an AI-generated model to remove the +audio frequencies that are usually associated to noise and preserve +those that aren’t. A different context (e.g. noisy room with statics, +noisy room with people chatting, etc.) means a different model; for us, +this means a model that minimizes background noise and maximizes clear +voices (the speakers’). + +This is the model we’ve been using: +Source: [rnnoise-models](https://github.com/GregorR/rnnoise-models), Model: [marathon-prescription](https://raw.githubusercontent.com/GregorR/rnnoise-models/master/marathon-prescription-2018-08-29/mp.rnnn) + +You should always apply the filter on the original’s audio, as opposed +to an Audacity-processed audio. This is to ensure that we have the most +information about the signal, which means we can have gather the most +information about the noise-profile. + +Following is the ffmpeg incantation to use to apply the filter-model. +Make sure to modify the `DENOISER` variable and adapt input/output. + + DENOISER="/path/to/audio-denoiser-model-mp.rnnn" + input="original.opus" + output="denoised.opus" + ffmpeg -i "$input" -af "$DENOISER" "$output" + +There’s no need to customize the libopus export information; the default +is more than enough for human-speech. + +When you’re done with this step, you can then process the outputted +audio-track with Audacity, skipping the denoising steps (1 to 5). + + +#### Questions? + +If you’ve got any question on the process, you canget in touch with me (zaeph)! + + <a id="when-captioned"></a> ## When a talk is captioned @@ -2717,7 +2832,7 @@ Probably focus on grabbing the audio first and seeing what’s worth keeping Make a table of the form -<table id="org4850a3d" border="2" cellspacing="0" cellpadding="6" rules="groups" frame="hsides"> +<table id="orgdacd95f" border="2" cellspacing="0" cellpadding="6" rules="groups" frame="hsides"> <colgroup> @@ -3685,7 +3800,7 @@ Where: Nice if there’s an Ansible playbook sachac’s notes: - <file:///home/sacha/code/docker/emacsconf-publish/> + <file:///home/zaeph/code/docker/emacsconf-publish/> - probably good to set it up on front It’s now on front. diff --git a/2022/organizers-notebook/index.org b/2022/organizers-notebook/index.org index 48d50561..1b431945 100644 --- a/2022/organizers-notebook/index.org +++ b/2022/organizers-notebook/index.org @@ -1579,6 +1579,119 @@ EmacsConf ${year}, and thank you for submitting the prerecorded video before the conference! Sacha Chua +*** Mastering the prerec’s audio-track +Mastering is the process of preparing an audio-track for a purpose. For +us, the purpose is quite simple: maximize the intelligibility of the +speaker and minimize the noise. + +We can get great results with Audacity for the vast majority of +audio-tracks. Sometimes, however, some audio-tracks have intractable +noise-profile that require the use of model-based denoising filters that +can applied with ffmpeg. + +We’ll start with the average Audacity workflow, and we’ll move on to the +model-based filters after. + +**** Audacity workflow +When we process a prerec, we extract the audio of the original upload +and add it to the backstage. You should be able to find it under the +name --original.$audio_format. If it’s not there, it’s easy to extract +the audio from the original video, but we’d prefer if you warned +core-organizers about it because it’s not normal. + +We’ve simplified the process down to these steps: + +1. Open the audio file in Audacity. + + You might want to increase the size of the waveform by pulling on the + bottom of the bottom of the track. + +[[file:audacity-demo-resize.webm]] + +2. Find a moment of quiet in the video, and select it. + + We ask our speakers to include 5 seconds of quiet at the beginning or + end of their prerecs, but even if they don’t, it’s relatively. + +3. Effects → Noise Reduction → Get Noise Profile + +4. Select → All + +5. Effects → Noise Reduction → OK + + You can select a spoken portion of the track before applying the + effect and preview it to test your settings. The default are usually + enough (Noise reduction (dB): 12, Sensitivity: 6.00, Frequency smoothing + (bands): 3). + +6. Tools → Apply Macro → Alpha + + Before you can apply the Alpha macro, you need to save its content to + disk and import it via Tools → Macro Manager → Import. + +#+begin_src txt :eval no :tangle audacity-macro-alpha.txt +Reverb:Delay="20" DryGain="5" HfDamping="99" Reverberance="15" RoomSize="70" StereoWidth="25" ToneHigh="0" ToneLow="100" WetGain="-13" WetOnly="0" +Amplify:Ratio="1" +FilterCurve:f0="79.621641" f1="101.02321" FilterLength="8191" InterpolateLin="0" InterpolationMethod="B-spline" v0="5.9148936" v1="0.042552948" +Normalize:ApplyGain="1" PeakLevel="-3" RemoveDcOffset="1" StereoIndependent="1" +Compressor:AttackTime="0.1" NoiseFloor="-50" Normalize="1" Ratio="2" ReleaseTime="1" Threshold="-30" UsePeak="0" +#+end_src + +7. Save the file to disk with libopus (.opus format) + Use the following settings: + +#+begin_quote +Bit Rate: 64 kbps +VBR Mode: On +Compression: 10 +Application: Audio +Frame Duration: 20 ms +Cutoff: Disabled +#+end_quote + +[[file:audacity-export-settings.png]] + +**** Model-based denoising filter +If you can’t manage to get a good result with Audacity, chances are it’s +because there’s too much noise in the video, even after profile-based +denoising. This usually happens when the noise-pattern of an +audio-track evolves over the video, or if has an aperiodic quality. For +those, we’re going to need a bigger boat. + +Model-based denoising means using an AI-generated model to remove the +audio frequencies that are usually associated to noise and preserve +those that aren’t. A different context (e.g. noisy room with statics, +noisy room with people chatting, etc.) means a different model; for us, +this means a model that minimizes background noise and maximizes clear +voices (the speakers’). + +This is the model we’ve been using: +Source: [[https://github.com/GregorR/rnnoise-models][rnnoise-models]], Model: [[https://raw.githubusercontent.com/GregorR/rnnoise-models/master/marathon-prescription-2018-08-29/mp.rnnn][marathon-prescription]] + +You should always apply the filter on the original’s audio, as opposed +to an Audacity-processed audio. This is to ensure that we have the most +information about the signal, which means we can have gather the most +information about the noise-profile. + +Following is the ffmpeg incantation to use to apply the filter-model. +Make sure to modify the ~DENOISER~ variable and adapt input/output. + +#+begin_src sh :tangle audio-denoiser.sh +DENOISER="/path/to/audio-denoiser-model-mp.rnnn" +input="original.opus" +output="denoised.opus" +ffmpeg -i "$input" -af "$DENOISER" "$output" +#+end_src + +There’s no need to customize the libopus export information; the default +is more than enough for human-speech. + +When you’re done with this step, you can then process the outputted +audio-track with Audacity, skipping the denoising steps (1 to 5). + +**** Questions? +If you’ve got any question on the process, you canget in touch with me (zaeph)! + ** When a talk is captioned :PROPERTIES: :CUSTOM_ID: when-captioned |